故事发生在人的潜意识可以被察觉并投射到现实的世界，高中生梁炜芹常在梦中遇到一个神秘女人来杀他，有一天，梦中人来到了现实里。

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 　　A Flood in Baath Country 　　[TUFAN FI BALAD EL-BA'TH] 　　Directed by Omar Amiralay 　　Syria/France, 2003 　　Color. 46 min. Arabic with English subtitles. 　　In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. 　　"There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation 　　The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. 　　There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.

Omar Amiralay是叙利亚最著名的纪录片导演，从70年代就开始拍摄纪录片，大多涉及到阿拉伯世界特殊而敏感的政治、宗教和民俗文化，作品多次被禁，本人也曾流亡海外多年。 　　A Flood in Baath Country 　　[TUFAN FI BALAD EL-BA'TH] 　　Directed by Omar Amiralay 　　Syria/France, 2003 　　Color. 46 min. Arabic with English subtitles. 　　In 1970, Omar Amiralay made a short documentary, Film-Essay on the Euphrates Dam, in praise of the ruling Baath party's project to construct an impressive system of dams. Today, after fatal construction flaws have been discovered, his controversial new film, A Flood in Baath Country, explores the metaphorical implications of such weakness. Without commentary or criticism, Amiralay's film exposes Baath party propaganda and its debilitating effects on the people of al-Mashi village, 400 kilometers (250 miles) northeast of Damascus. The camera moves slowly from students to teachers to government officials, with everyone reciting the exact same praises for the president and slogans glorifying the Baath party. The film is the harshest indictment yet of the regime, portraying the devastating effects of 35 years of rigid Baath party rule on Syrian society. 　　"There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images." – Stuart Klawans, The Nation 　　The filmmaker's first film is a short film to the glory of the Euphrates dam, the pride of the ruling Baath party. "I regret this youthful error". 33 years later, he unveils the indoctrination at work in the village classroom. 　　There is nothing enigmatic, by contrast, about Omar Amiralay's documentaries. They're as outspoken as can be--and yet they, too, convey their argument through unforgettably strong images. Among the most forceful of his films is A Flood in Baath Country (2003), which has the added benefit of encapsulating Amiralay's career for you. In 1970, fresh out of film school and fired with enthusiasm for the Baath regime, he made a short titled Film-Essay on the Euphrates Dam. At the beginning of A Flood in Baath Country, you see footage from this early work: brief views of dam construction, shot in expert imitation of Amiralay's beloved Dziga Vertov. Meanwhile, on the soundtrack, the present-day Amiralay speaks of his distress at having made such a film. Construction was shoddy; dams have fatally collapsed. As for the artificial Lake Assad, beneath whose waters stand inundated villages, it now seems to Amiralay to be the perfect symbol of the Baath regime, which seeks to submerge all life in Syria.

这个警示性的故事献给民主危机时代，本片融合了个人视角和政治题材，探索了巴西历史上最戏剧性的时期之一。 片中既有对前任和现任领导者前所未有的近距离访问，包括迪尔玛·罗塞夫和卢拉·达席尔瓦总统；也有导演自家复杂的政治和商业过往，电影制作人佩特拉·科斯塔（《伊莲娜》）带观众见证了他们的起起落落，以及所留下的这个极度两极分化的国家。

这个警示性的故事献给民主危机时代，本片融合了个人视角和政治题材，探索了巴西历史上最戏剧性的时期之一。 片中既有对前任和现任领导者前所未有的近距离访问，包括迪尔玛·罗塞夫和卢拉·达席尔瓦总统；也有导演自家复杂的政治和商业过往，电影制作人佩特拉·科斯塔（《伊莲娜》）带观众见证了他们的起起落落，以及所留下的这个极度两极分化的国家。

巴西曾一度因军事独裁而陷于瘫痪。在1985年，巴西建立了民主基础。在2002年，巴西选举出了一位非常受欢迎的政治颠覆者：钢铁工人转为活动家路易斯·伊纳…

这部全长6小时的论文电影分为四部分，从哲学的角度审视历史上的制度与革命，领袖和烈士。借由个人记忆的拼贴，舞台场景，集体主义时代的文献，对比布拉格之春和天鹅绒革命，呈现了其中的机密，冲突，危机以及后共产主义的宣泄。民主可以被拯救于谈笑间，它能消解议员们的淫威和自负。互联网将社会从代议制中解放，那个无用的，阻碍民众与议会直接交流的环节。

这部全长6小时的论文电影分为四部分，从哲学的角度审视历史上的制度与革命，领袖和烈士。借由个人记忆的拼贴，舞台场景，集体主义时代的文献，对比布拉格之春和天鹅绒革命，呈现了其中的机密，冲突，危机以及后共产主义的宣泄。民主可以被拯救于谈笑间，它能消解议员们的淫威和自负。互联网将社会从代议制中解放，那个无用的，阻碍民众与议会直接交流的环节。

《鱼树》（Treo Fiskur）讲述的是，在欧洲北部一个渔夫靠着运气无意中发现鱼群的起源的故事。短片中泛舟独特的设计和主角的衣着扮相透露着浓厚的北欧风情，片中共出现了两个矛盾点，一个是人与大自然，一个是男人与水怪。大自然的灾害让男人为了养活儿子不得不到处奔走捕鱼，而当他兴然以为自己找到了鱼群却遇到了更大的灾难。结局男人沉入海底更为之后的剧情发展留下了悬念。 　　短片《Treo Fiskur》由导演Lucie Delvaix等四个同学在法国3D动画学院 Supinfocom Valencienne就读时联合制作的毕业作品，入围英国Encounters等十余个国际电影节最佳动画短片环节，并被美国The Eye Candy Show选为年度最佳动画短片。

《鱼树》（Treo Fiskur）讲述的是，在欧洲北部一个渔夫靠着运气无意中发现鱼群的起源的故事。短片中泛舟独特的设计和主角的衣着扮相透露着浓厚的北欧风情，片中共出现了两个矛盾点，一个是人与大自然，一个是男人与水怪。大自然的灾害让男人为了养活儿子不得不到处奔走捕鱼，而当他兴然以为自己找到了鱼群却遇到了更大的灾难。结局男人沉入海底更为之后的剧情发展留下了悬念。 　　短片《Treo Fiskur》由导演Lucie Delvaix等四个同学在法国3D动画学院 Supinfocom Valencienne就读时联合制作的毕业作品，入围英国Encounters等十余个国际电影节最佳动画短片环节，并被美国The Eye Candy Show选为年度最佳动画短片。