家庭を離れ、一人になれる空間を求めてワンルーム・マンションを買った中年男と、週に1度の約束と割り切って愛人契約を結ぶあっけらかん女子大生との恋模様を、ペーソス豊かに描いた作品。川上麻衣子が均整のとれたプロポーションを披露する。

家庭を離れ、一人になれる空間を求めてワンルーム・マンションを買った中年男と、週に1度の約束と割り切って愛人契約を結ぶあっけらかん女子大生との恋模様を、ペーソス豊かに描いた作品。川上麻衣子が均整のとれたプロポーションを披露する。

《极岸》是东方梦工厂2021年12月2日公布正在筹备中的动画项目之一。 　　《极岸》是一部科幻、悬疑、冒险题材的动画电影。讲关于出生于网络时代的青少年们在虚拟与现实世界中不断成长、寻找自我、认知自我的故事。

《极岸》是东方梦工厂2021年12月2日公布正在筹备中的动画项目之一。 　　《极岸》是一部科幻、悬疑、冒险题材的动画电影。讲关于出生于网络时代的青少年们在虚拟与现实世界中不断成长、寻找自我、认知自我的故事。

历史，往往被描绘为一系列宏大的事件和人物。然而，在这宏大的画卷中，也隐藏着许多鲜为人知、却又趣味横生的故事。让我们在趣小史的带领下去感受历史的魅力吧。

历史，往往被描绘为一系列宏大的事件和人物。然而，在这宏大的画卷中，也隐藏着许多鲜为人知、却又趣味横生的故事。让我们在趣小史的带领下去感受历史的魅力吧。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

讲述了一群剧团演员在排演一部名叫《Caliban's Day》（卡利班的胜利）的舞台剧，该剧通过一名叫卡利班的传记作家的视角，讲述英国诗人格雷格·奥登和作曲家本杰明·布里顿之间的故事，两位艺术家在年轻时曾是合作无间的好友，因一次不愉快的美国之旅分道扬镳，多年后布里顿拜访奥登，向对方透露自己将托马斯·曼的小说《死于威尼斯》改编成歌剧的计划，来向这位昔日的合作伙伴寻求建议，而这一切的背后是两人同为男同性恋的背景，有趣的是《死于威尼斯》这部作品刚好讲的是一位上年纪的作家对一位14岁美少年的爱慕，戏中戏的结构层层深入，引人入胜。

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... 　　Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.

Mavie is 27 years old and has just moved to the French capital from the provinces. She dreams of a future as a writer but is plagued by doubt and uncertainty. 76-year-old misanthrope Georges runs a bookshop in Paris – or has he merely been forced to take refuge there to escape his past? These are two peculiar creatures indeed. Georges is cynical and no longer expects much from life, while Mavie is still brimming with expectation. Yet something magical happens between them, until Georges' dark secret suddenly catches up with him – and Mavie is caught up in something very different... 　　Director Elise Girard succeeds in making a dreamlike film full of surprising absurdities. It’s not just love that appears out of the blue for the two protagonists, but also some quite literal strange birds. Girard depicts love beyond the barriers of age in a way that is both unexpected and moving, romantic instead of physical, timeless instead of fashionable. The film reminds us of the multifaceted nature of love as well as how fleeting it can be, existing not yesterday or tomorrow but above all in the present.