অরণ্যের দিনরাত্রি

অরণ্যের দিনরাত্রি

本作では人里離れた森の奥にあるレストランを舞台に、孤独なシェフと絶望を抱えた少女の出会いが描かれる。

本作では人里離れた森の奥にあるレストランを舞台に、孤独なシェフと絶望を抱えた少女の出会いが描かれる。

Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale.

Enormous tree trunks. The nature of leaves, the roots of desire and a house hidden deep in the forest. A journey to the other side. Something like a "punk" existential fairytale.

1999年1月，一群五个人在前往南卡罗来纳州约克的树林露营后失踪。25年后，他们的故事被再次讲述。

1999年1月，一群五个人在前往南卡罗来纳州约克的树林露营后失踪。25年后，他们的故事被再次讲述。

The Sun in a Net (Slnko v sieti) became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of communist control. Stefan Uher's cinematic idiom is as exquisite and deliberate as any of his European contemporaries, including Michelangelo Antonioni, Ingmar Bergman and Chris Marker. The Sun in a Net received multiple votes in a wide survey of Czech and Slovak film academics and critics in the late 1990s asking them for their lists of the 10 best films in the history of filmmaking in the former Czechoslovakia.