该片通过讲述中国种子的成长发展故事，解开种子背后不为人知的基因密码，揭密种质资源战略高地的创新博弈，记录种业振兴攻艰克难的时光足迹。

该片通过讲述中国种子的成长发展故事，解开种子背后不为人知的基因密码，揭密种质资源战略高地的创新博弈，记录种业振兴攻艰克难的时光足迹。

一九二六年秋天， 中国共产党领导的工农运动蓬勃兴起。七年前被迫离乡的赵海山，受党派遣回到家乡枫树湾。他深入发动群众，组织农民协会，成立农民自卫军，积极开展对敌斗争，挫败了恶霸地主汤汉池和他儿子汤家驹勾结国民党反动派和帝国主义，加紧搜刮地租、妄图用谷米换取枪枝、镇压农民运动的阴谋。 　　第二年春天，他又在县委领导下，为贯彻毛主席同志“推翻地主武装，建立农民武装”的指示，与县农民部胡思禹所执行的陈独秀右倾投降主义路线进行了斗争，领导农民自卫军智取团防局，镇压了恶霸地主汤汉池。接着，他又带领农民参加了秋收暴动，消灭了汤家驹的反动武装。

破烂废墟堆成的垃圾山，充满了神圣的仪式感。在垃圾山的最顶点，诡异地竖着一枚巨蛋。未过多久，巨蛋开始摇晃，一只模样怪异的黑鸟破壳而出。它警惕地扫视着周围的世界，随后用木棍在山顶搭起了房屋。另一座垃圾山山顶，青绿的苹果尖刺腐烂，可怕而恶心的尖刺滋生出来，最终诞生的是鸟的爪子。它也照例改好了木屋，并如前者那样配备了无线电系统。两个木屋相互发射着信号，演奏不知名的音乐，争夺电波唯一的接收者——收音机的控制权。为了占据绝对优势，大楼越造越高。 　　双方你来我往，从不停歇……

日本女導演河瀨直美為Miu Miu所拍攝的短片《種子》（Seed），講述了女孩（安藤櫻 Sakura Ando）走出風光迷人的奈良，奔向混沌多元的東京，以及路途中的各種奇遇。

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.

瑞格成为了一名网红为一家种子和肥料公司做着宣传，但当她的表哥把她召回家乡时，她被迫卷入一场拯救族人遗产的斗争中。

Rainer toils by the sweat of his brow on a building site. His first job as site manager is his much-needed big break. Rising rents in the city have already forced him, his pregnant wife and 13-year-old daughter Doreen to move into a little house in the outskirts which needs renovating. At first, Doreen is not thrilled about her new life but then she meets her neighbour Mara, a girl whose parents are as rich as they are narrow-minded. Before long the new friends are playing with fire. Mara incites Doreen to play some nasty tricks and also entangles her in a theft. Meanwhile at work, Rainer is demoted and replaced by Jürgen, a cool pragmatist who, with only the investors’ interests in mind, ruthlessly steers the building project towards profit. When an older employee is about to be fired, Rainer stands up to his new superior and involuntarily becomes the leader of a burgeoning resistance. 　　Pressure mounts inexorably in director Mia Mariel Meyer’s second feature film. In it, she describes a world dehumanised by capitalism, where the struggle for justice and integrity becomes the ultimate test.

茶神茶婆婆、太湖渔神渔婆婆和太湖蚕花神蚕婆婆给故事中的少年阿太讲故事的方式，为观众们带来了36个生动有趣的江南民间故事。该片将中国传统文化与江南三大民俗要素（茶渔蚕）自然地融入到故事情节中，让大朋友和小朋友们在活泼有趣的故事中认识到人与人之间的多样性并学会包容和尊重他人，同时也建立起他们与传统文化之间、与地缘文化之间的链接。爱家乡，知其源，懂其理。讲好太湖民间故事，讲好江南民间故事，小而美地传递正能量，就是讲好中国故事。