音乐也许没有国界，但不会没有祖籍。这是一次沿着余音观望来路的尝试。我们也许在科学语境下曾经了解过一些西洋乐器，但关于自己的传统民乐却一直很少如此剖析。本片将从具体的传统乐器和奏鸣技巧入手，通过科学解构、演绎解析等诸多全新手段和视角，从美学、哲学、科学多方面交互解读，以现代影音重新泛起那种似曾相识的共鸣。

沈氏集团的继承者、娱乐公司副总沈亦臻，因为缺失某段童年记忆，而罹患多重人格障碍，罕见地拥有七重人格。因为多重人格的关系，沈亦臻的人生充满了坎坷和危险，事业也止步不前。积极、开朗、善良的心理医生白欣欣与他相识后，阴差阳错地成为他的秘密主治医生。在白欣欣的帮助下，沈亦臻渐渐重拾勇气，直面自己所遗失的痛苦记忆，并凭借开朗的态度、过人的勇气和自身的能力，真正成为沈氏集团合格的继承者。同时，实现了和白欣欣共同的救赎。最终，沈亦臻的多重人格被治愈，他也收获了爱情、事业与梦想。

神话集团的继承者、娱乐公司副总沈亦臻（张一山饰），因为某段缺失的童年记忆，而罹患多重人格障碍，罕见地拥有七重人格。因为多重人格的关系，沈亦臻的…

由香港乐团廿四味主持的清谈节目。

由香港乐团廿四味主持的清谈节目。

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作