A seaside town on the French Riviera in the middle of winter is shaken by mysterious events. In order to solve a series of disappearances, a young woman from the municipal services takes on the role of a detective just as her mother unexpectedly reappears in her life. Is it really just a coincidence?

A seaside town on the French Riviera in the middle of winter is shaken by mysterious events. In order to solve a series of disappearances, a young woman from the municipal services takes on the role of a detective just as her mother unexpectedly reappears in her life. Is it really just a coincidence?

A seaside town on the French Riviera in the middle of winter is shaken by mysterious events. In order to solve a series of disappearances, a young woman from the municipal services takes on the role of a detective just as her mother unexpectedly reappears in her life. Is it really just a coincidence?

Konstantin Gudauskas is a Jew born in Kazakhstan, but received political asylum in Ukraine. After the Russian invasion begins on 24 February 2022, he is able to travel freely to the occupied territories and evacuate civilians from there thanks to his Kazakh passport. During the next months he saves 203 people by taking them out of the occupied territories. Konstantin observes firsthand the horrors of war and the atrocities of the Russian occupation. Throughout this time he is advised and guided by a woman, Haide Rizaeva, a Crimean Tatar, employee of the Main Intelligence Directorate.

关于影片： 　　俄查位于海南岛的西南部，黎族是这个岛屿的原住民。相传黎族同胞为纪念渡海而来的黎族祖先，故以船型状建造住屋，门开左右形如船的茅草屋，因而得名为“船型屋”。 船型屋是黎族几千年来一直居住的传统方式。 　　　　 俄查属于黎族的美孚方言支系,因而也被称作美孚黎。由于地处偏远,他们依然过着传统黎人的生活。拍摄了一年多，全面记录。 俄查村一百五十多座茅草屋，六百多人。

Konstantin Gudauskas is a Jew born in Kazakhstan, but received political asylum in Ukraine. After the Russian invasion begins on 24 February 2022, he is able to travel freely to the occupied territories and evacuate civilians from there thanks to his Kazakh passport. During the next months he saves 203 people by taking them out of the occupied territories. Konstantin observes firsthand the horrors of war and the atrocities of the Russian occupation. Throughout this time he is advised and guided by a woman, Haide Rizaeva, a Crimean Tatar, employee of the Main Intelligence Directorate.

关于影片： 　　俄查位于海南岛的西南部，黎族是这个岛屿的原住民。相传黎族同胞为纪念渡海而来的黎族祖先，故以船型状建造住屋，门开左右形如船的茅草屋，因而得名为“船型屋”。 船型屋是黎族几千年来一直居住的传统方式。 　　　　 俄查属于黎族的美孚方言支系,因而也被称作美孚黎。由于地处偏远,他们依然过着传统黎人的生活。拍摄了一年多，全面记录。 俄查村一百五十多座茅草屋，六百多人。

简介1960年代的一部真正“失落”的电影。它以半自传体的形式描述了一位瘾君子疾病与健康交替中的旅行。故事在现实世界景象与主人公在纽约查巴克的成长经历的梦境之间跳来跳去。影片中演员很多，包括有反文化的偶像Allen Ginsberg(艾伦 金斯堡)和William S Burroughs(威廉 巴勒斯)等等. 　　我是拉塞尔·哈维克，为了记录我的酒精依赖症，开始写这个日记。 　　――康拉德 鲁克斯 (Conrad Rooks) 　　跟着他的思绪奔跑，在他的幻念中触摸女性的滑润，在她蛇一般的蠕动中将诗篇留在她的花蕾上，她的唇齿间流淌着欲望，她的腰肢在我的介入中不由自主地抖动，丰满的山峦上，有着诱人的天堂 　　――――OSAMA KAVKALU 　　查巴克、查巴克，神圣的流水之地，哈威克童年记忆中的印第安人的死亡之所，在祭祀的鼓点里，我听到血液沸腾的声音，祭祀的魔力中总是有着药物的力量。 　　叙述往生不是为了摆脱。确定过去是证明存在，片中Ravi Shanker弹奏着迷幻的西塔琴，平和的目光里有着超然物外的力量，西方找到了印度的音乐，却把他的精神导向遗失在太平洋，那些摇头晃脑的嬉皮士，可否知晓普济众生的佛陀愿望。 　　60年代的纽约铺天盖地的是披头士的唱片广告，进入主流的他们有着温和的模样，只有枪声的发言才会打破他们的平静，吸食和戒毒的过程必将经过苦痛的炼狱，震破耳膜的枪声，让我直面逃离死亡的过程。 　　从此地到彼岸，只要一颗药，白昼我们生活与此，夜里我们又在哪儿找寻慰籍和天堂。在通往未来的冰冷道路上,亲爱的年轻人,拥有的是LSD,不能拥有的,是未来. 　　有时候我想,我们是不是不再象以前那样理解世界,而世界,会不会因为我们的改变而改变?对抗消失的年代,LSD的世外桃源年代,爱与和平的年代......我很明白我已经不在那么看世界了,我没有LSD,逃避对我来说也不是对抗的方式,垮掉的,不是年代,只是人----真正的垮掉,也许是现在吧. 　　这可以说是一部手法先锋的电影,对于幻觉的表现就算在今天看来也有足够的冲击力.而且当摄影师将镜头对准自己的时候,那个年代的精神和气质才在一瞬间强大到了穿越时间,直抵当下我们的内心----所谓精神指引,体制或者监禁,禅,性或代表性的,存在,回归,探索,逃避,潜意识,......我们要的,曾经也没有什么不同. 　　建议对60年代感兴趣的朋友一看,可以看出后来影片在精神上的继承.

亚吉查姆，取自西藏音乐囊玛堆谐，藏语意为“夏日如细水般短暂”

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