Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

林英（潘珊妮娅·甘宋卢 Tussaneeya Karnsomnut 饰）是一个视男人为玩物的女人，她虽然辗转在不同的怀抱之中，但从未认真对待过这些感情。庭帕特（克里塔利特·布帕洛姆 BigM Krittarit Butprohm 饰）和妹妹之间的感情非常的要好，妹妹即将和深爱的男友携手步入婚姻的殿堂，在这个节骨眼上，这个男人遇见了林英。被林英迷得神志不清的男人选择了和恋人分手，导致了庭帕特妹妹的自杀身亡。不仅如此，庭帕特的母亲也因为受不了这巨大的打击，中风瘫痪了。 　　庭帕特决定替妹妹报仇，他隐藏了自己的真实身份，出现在了林英的身边。林英深深的感觉到，在庭帕特的身上，有着和之前她遇见过的所有男人都不一样的特除气场，这令她深深着迷。

林英（潘珊妮娅·甘宋卢 Tussaneeya Karnsomnut 饰）是一个视男人为玩物的女人，她虽然辗转在不同的怀抱之中，但从未认真对待过这些感情。庭帕特（克里塔利特·布帕洛姆 BigM Krittarit Butprohm 饰）和妹妹之间的感情非常的要好，妹妹即将和深爱的男友携手步入婚姻的殿堂，在这个节骨眼上，这个男人遇见了林英。被林英迷得神志不清的男人选择了和恋人分手，导致了庭帕特妹妹的自杀身亡。不仅如此，庭帕特的母亲也因为受不了这巨大的打击，中风瘫痪了。 　　庭帕特决定替妹妹报仇，他隐藏了自己的真实身份，出现在了林英的身边。林英深深的感觉到，在庭帕特的身上，有着和之前她遇见过的所有男人都不一样的特除气场，这令她深深着迷。

An airline commercial for Air India.

蒙古族的《盅碗舞》以少女头顶盅碗，舞动酒杯，表现酒宴上喜庆气氛。 哈尼族的《采茶舞》形象地表现了哈尼族少女采茶劳动的愉快心情。 朝鲜族的《长鼓舞》以长鼓为道具击鼓起舞，舞姿潇洒飘逸。 佤族的民间舞《舂臼》，节奏明快，舞姿轻盈，将佤族臼米的劳动表现得轻松快乐。 维吾尔族的《鼓舞》由一群青年男女敲击着手鼓，追逐嬉笑，表现丰收后的喜悦。 塔吉克族的《牧羊舞》以优美的舞姿，表现了牧羊女勤劳善良的性格。 汉族的民间舞《红绸舞》热烈奔放，红绸舞动表现了节日欢快情绪。 苗族的民间舞《踏青》。 傣族的民间舞《赶摆的路上》。 彝族的《笛舞》。 黎族的民间舞《草笠舞》。 藏族的民间舞《草原上的热巴》。 均以各自民族舞蹈的表现形式，表现了男女青年追求爱情、追求美好生活的愿望

蒙古族的《盅碗舞》以少女头顶盅碗，舞动酒杯，表现酒宴上喜庆气氛。 哈尼族的《采茶舞》形象地表现了哈尼族少女采茶劳动的愉快心情。 朝鲜族的《长鼓舞》以长鼓为道具击鼓起舞，舞姿潇洒飘逸。 佤族的民间舞《舂臼》，节奏明快，舞姿轻盈，将佤族臼米的劳动表现得轻松快乐。 维吾尔族的《鼓舞》由一群青年男女敲击着手鼓，追逐嬉笑，表现丰收后的喜悦。 塔吉克族的《牧羊舞》以优美的舞姿，表现了牧羊女勤劳善良的性格。 汉族的民间舞《红绸舞》热烈奔放，红绸舞动表现了节日欢快情绪。 苗族的民间舞《踏青》。 傣族的民间舞《赶摆的路上》。 彝族的《笛舞》。 黎族的民间舞《草笠舞》。 藏族的民间舞《草原上的热巴》。 均以各自民族舞蹈的表现形式，表现了男女青年追求爱情、追求美好生活的愿望

洛杉矶1983年，一场风暴即将来临，它的名字叫crack。故事以快克可卡因流行的初期及其对我们所知的文化的最终激进影响为背景，讲述了无数角色在暴力冲突过程中的故事。

主人公の川辺籐子は、父不詳で実母にも捨てられ、奄美大島で叔母に育てられた。しかし高校生のある時、叔母の婚約者でもある代議士の山下から生い立ちを嫌悪され、嫌がらせを受け、郷里を追放されてしまう。途方に暮れた籐子は2年前に、自分をスカウトした芸能事務所社長の澤木広志と、東京在住の祖父を頼り上京する。しかし祖父は冷たい態度であった。そして澤木が経営していた事務所はすでに解散していた。籐子は澤木の薦めで、あるオーディションに応募することに…