大好きだった姉、夏美が死んだ。それから十数年が経ち、春子が30歳の誕生日を迎える前日、夏美が還ってきた。「お姉ちゃん、お姉ちゃんは、ほんとにお姉ちゃんなの?」困惑する春子を前に、生前と変わらない振る舞いを続ける夏美。戸惑いながらも、愛していた姉が蘇ったことを受け入れる春子。これまでの憂鬱な毎日が嘘だったかのように、夏美と過ごすことで春子の日々は輝きだす。だが夏美が蘇った理由、それは自分を殺した殺人鬼への復讐だった。 　　我曾经深爱的姐姐夏美去世了。此后过了十几年，在春子迎来30岁生日的前一天，夏美回来了。“姐姐，你真的是姐姐吗？” 在困惑的春子面前，夏美依旧保持着生前的举止。尽管满心疑惑，春子还是接受了心爱的姐姐复活的事实。仿佛过去那些忧郁的日子都是假象，和夏美在一起的时光让春子的生活重新焕发光彩。然而，夏美复活的原因，竟是为了向杀害自己的凶手复仇。

记者的专业就是揭发故事背后的真相，正当他们调查有关霍克·霍肯的性爱偷拍影片和报章Las Vegas Journal-Review的收购事件时，却发现从未曝光的秘密：亿万富豪用巨款令传媒收口。《无人发声》透过彼得·蒂尔如何用钱对付高客传媒的官司和谢尔登·阿德尔森购买内华达州最大报业事件, 为你探讨有钱有权的巨富们力量有几尽、“美国宪法第一修正案”能否保障媒体言论自由及如何危及新闻传媒界的未来等问题。

Part 1 - In the Beginning 　　Alan Yentob embarks on a three-part personal journey to discover how the guitar became the world’s favourite musical instrument. Beginning with the rise of the acoustic guitar, the series takes him from an ancient Middle Eastern ancestor of the lute, to the iconic guitars draped round the necks of Bill Hailey and Elvis Presley and beyond. Featuring interviews with Bert Weedon - the man who taught Britain to ‘Play in a Day’, Pete Townshend, Bill Bailey, flamenco player Paco Pena and classical guitarist John Williams. 　　Alan Yentob着手三次私人旅行，探索吉他是如何成为风靡世界的乐器。首先是原声吉他，从原古的中东鲁特祖先，至 Bill Hailey、Elvis Presley及后来者琴颈绑着商标的吉他。同时采访Bert Weedon，Pete Townshend，Bill Bailey，弗拉门戈演奏家Paco Pena和古典吉他演奏家John Williams。 　　Part 2 - Out of the Frying Pan 　　以Robert Johnson的早期Blues为起点 　　Alan Yentob presents a three-part series examining how the guitar became the world’s favourite musical instrument. As the guitar turns electric, music is changed for ever. The world’s first electric guitar had nothing to do with jazz or blues, but Hawaiian-style music and was known as the ‘frying pan’. Yentob continues his investigation from the blues of the Mississippi to the guitar wars of the 1950s, when the Fender Stratocaster and the Gibson Les Paul were battling for supremacy. 　　Part 3 - This Time it’s Personal 　　逐一介绍了ROCK的吉他发展 　　In the final programme of the series the guitarists talk about how they find their own sound, and how the guitar has changed their lives. Since its invention, the electric guitar has unleashed a seemingly inexhaustible sonic invention among guitarists. Featuring Muse’s Matt Bellamy, who turns out to be following in his father’s space age footsteps, Tony Iommi from Black Sabbath, who talks about the invention of heavy metal, David Gilmour from Pink Floyd, Pete Townshend (Perhaps equally famous for smashing guitars), Johnny Marr from the Smiths on ‘the mother of all riffs’, Slash and The Edge from U2 among many others.

稻草人查普每天拉着心爱的手风琴车到处表演，车上有一个扯线木偶，查普给他取了个名字——罗杰，这是查普的唯一的朋友。日复一日查普一直在坚持着，但是从来没有人认可他的表演。又是一个夜晚，下雨了。在雨中查普彻底绝望，他是用心的，他也没有放弃过但是为什么却从没有观众在他面前停留。就在这时奇迹发生了，手风琴车响起了音乐，罗杰挣脱了手上的线，开始跳舞。铺天盖地的鱼，从天上游下来，围着手风琴车在查普的周围起舞。 　　当罗杰动起来的那一瞬间，查普知道，这个世界上他并不孤单。

公路旅行的6个朋友在令人乏味的Lovelock镇的客栈前停下来过夜。而夜晚，客栈老板和大厨通通死去，这帮家伙发现自己成了当地警长的怀疑对象。当小镇上的居民开始被邪恶的灵魂控制，围困他们于客栈内时，这仅仅是开始。

米勒的纪录片《加沙与死亡》（Death in Gaza）记录的对象是几名生活在加沙地区的巴勒斯坦儿童——艾哈麦德是个12岁的男孩，活泼好动，酷爱踢足球，他的生活和其他同龄的孩子似乎并没有什么不同。但是有一天，他的好朋友在他眼前被以色列狙击手射杀，从那一刻起，艾哈麦德彻底改变了，他变得沉默寡言，并且开始偷偷留意附近的一些民兵军事活动，他变得一天比一天激进，整天热衷于和别的男孩一起制作他们用来攻击以色列军队的武器——弹弓……在城市的另外一边，16岁的娜佳每天都要目睹以色列的军队推倒巴勒斯坦人的家园建立军事缓冲地带，在这个地方，任何一个对以色列进行自杀式攻击的人都会被当成英雄，而孩子们自小接受着来自父辈们的教育——和以色列人同归于尽是种至高无上的光荣…… 　　而这部影片本身，也成了战地摄影记者同时也是电影人詹姆斯·米勒的悲剧纪录，在影片的制作过程中，他不幸被以色列军队枪击致死，米勒用自己生命呈献的作品2月11日在柏林影展上进行了首映....

In sepia tones, the film moves back and forth among three periods in Robert Tucker's life: he's an old man, near death, in a nursing home at Christmas time; he's in middle age caring for his cheerful but dying mother; he's a lad at Catholic school, practicing his catechism, going to confession for the first time, receiving the Eucharist, surrounded by the singing of a children's choir. In middle age, he looks through his scrapbook of photographs of muscular men; he recalls lovers and his mother's cremation. A nurse sits beside him on his last night; in his last breath, he reaches forward and back..

超现实主义大师布努埃尔墨西哥时期杰作 　　一个偏远的小山村的复仇故事,及一个不甘命运摆布的男人,抗争的故事,最后,一切归于默默奔流的大河……

超现实主义大师布努埃尔墨西哥时期杰作 　　一个偏远的小山村的复仇故事,及一个不甘命运摆布的男人,抗争的故事,最后,一切归于默默奔流的大河……

Ethnologist and adventurer, Count Eric von Rosen was a man of contradictions: interested in the natives of Africa and colonial racism. Nestler embarks on a journey in search of his grandfather.