墨多多是个好奇又贪玩的小孩，老师和同学眼中的“问题多多”。自从一只奇怪的贱狗“查理九世”来到墨多多的家，一系列令人惊叫不已的事件发生了。在神秘事件吸引下，四个各具才能的小伙伴组成了秘密的少年冒险队。

十年前，九州第一大家族叶家遭神秘组织陷害满门被灭，唯一幸存者叶辰被母亲挚友送往昆仑山拜师学艺。十年苦修期满，叶辰身怀绝世功法与智谋下山，手持早年定下的三门婚书，本想退婚了却尘缘，却意外卷入更深的阴谋。他寻访第一门婚书的云家，与云家千金云烟相遇，两人从最初的误解猜忌，到携手面对各路仇敌与家族危机。99 集剧情中，叶辰一边追查灭门真相、对抗幕后黑手，一边在退婚与坚守的抉择中成长，最终揭露神秘组织的罪行，重振叶家荣光，也与云烟谱写了一段跨越恩怨的深情传奇。

动画的主角是黄颜色名叫哈哈熊的小熊和粉色名叫咪咪猫的小猫，他们是一对形影不离的好朋友，这对好朋友有一本能穿越时空的魔法书，这本书能带他们穿越到世界上任何一个地方任何一个时空，这对好朋友有个伟大的梦想，要做较勇敢的探险家，他们通过这本神奇的魔法书去了一些常人无法涉足的地方，战火纷飞的战场、古埃及金字塔、缤纷的海洋，这些地方都留下了这2位好朋友的足迹。动画场景不但回顾基本的历史背景，而且还融合了过去未来等奇幻元素，而哈哈熊和咪咪猫不仅在一次次的冒险中了解了当时的历史故事、科技知识，表现更多的则是探险过程中来自于内心深处的思索和启示。

一千年前，地球少年布平凡因另一番奇遇来到了千万光年外的凤凰星谷，并参与到凤凰人对残暴暗噬的战争中去，书写了豪壮诗篇！ 千年之后，蓝加人星嘉和凤凰星谷的爱迪生因不同的原因降落到地球，重生之后的星嘉结识了夏吉、卢娜等伙伴。而爱迪生却意图将地球卷入他的狂野计划中！一场地球保卫战最后以爱迪生的覆灭而告终！ 若干年后，地球在和平发展进程中焕发出新的活力，直到新的危机的逼近——暗噬感染了一批星际暴徒向地球驶来。

动画的主角是黄颜色名叫哈哈熊的小熊和粉色名叫咪咪猫的小猫，他们是一对形影不离的好朋友，这对好朋友有一本能穿越时空的魔法书，这本书能带他们穿越到世界上任何一个地方任何一个时空，这对好朋友有个伟大的梦想，要做较勇敢的探险家，他们通过这本神奇的魔法书去了一些常人无法涉足的地方，战火纷飞的战场、古埃及金字塔、缤纷的海洋，这些地方都留下了这2位好朋友的足迹。动画场景不但回顾基本的历史背景，而且还融合了过去未来等奇幻元素，而哈哈熊和咪咪猫不仅在一次次的冒险中了解了当时的历史故事、科技知识，表现更多的则是探险过程中来自于内心深处的思索和启示。

一千年前，地球少年布平凡因另一番奇遇来到了千万光年外的凤凰星谷，并参与到凤凰人对残暴暗噬的战争中去，书写了豪壮诗篇！ 千年之后，蓝加人星嘉和凤凰星谷的爱迪生因不同的原因降落到地球，重生之后的星嘉结识了夏吉、卢娜等伙伴。而爱迪生却意图将地球卷入他的狂野计划中！一场地球保卫战最后以爱迪生的覆灭而告终！ 若干年后，地球在和平发展进程中焕发出新的活力，直到新的危机的逼近——暗噬感染了一批星际暴徒向地球驶来。

泰国GMM公司近期推出歌颂泰国先王普密蓬•阿杜德的泰国系列剧《เราเกิดในรัชกาลที่9 / 出生在拉玛九世王朝的我》，预计将分为四部曲，分别由该公司旗下超过百名艺人主演。

是2016年的泰国特别电视剧，由GMM 25和One HD等旗下超过100位明星参演。该剧为纪念泰国国王拉玛九世而播出的特殊系列剧。

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733

Based on Herman Bang's novel Mikael, Vingarne is a silent melodrama about an artist's love for his newfound male model. Radically, the film opens with director Stiller and his cinematographer coming across a sensual staue of Icarus in the gardens in Stockholm. Then the movie proper begins, with artist Claude Zoret struck by love at first sight for the young Mikael in a woodland; he adopts Mikael, who serves as inspiration for his latest sculpture. Inevitably Mikael gets his wings burnt when he starts courting Zoret's patron, the unscrupulous Lady Lucia; pained by Mikael's desertion, Zoret dies during a fierce storm before his staue of the naked boy. 　　Watching Vingarne 75 years after its production is an extraordinary experience. It's easy to get caught up in the fragmentary feel of the narrative, to work too hard at following the story instead of giving up to its original allusiveness. So, some tips to tap into that intended sense: First, bear in mind that both novelist Bang and director Stiller were known to be gay. 　　Second, it's interesting to compare Vingarne with Carl Dreyer's film of the same novel (also called Mikael). Many of the greatly sensual scenes from Dreyer's film are foreshadowed in the first version. 　　Finally, the most startling--and infuriatingly brief--thing about Vingarne is the framing device and the idea of a film-within-a-film. Confronted by the barest remains of his extraordinary conceit, we can only imagine what the original felt like. 　　##from: http://www.gay.com/entertainment/movies/reviews/?733