故事发生在一次世界大战时期，通过柯南上校和诺贝特两个核心人物生活的描写，反映了一次大战中，人们的心情心态，展现了两人的友情在几十年的不断经受冲击而得以保存的动人故事。

故事发生在一次世界大战时期，通过柯南上校和诺贝特两个核心人物生活的描写，反映了一次大战中，人们的心情心态，展现了两人的友情在几十年的不断经受冲击而得以保存的动人故事。

柯南·奥布莱恩和他的搭档安迪·里希特讨论当前的新闻话题，采访名人和名人。

在19世纪末与海盗船一同沉入新加坡近海的、世界上最大的蓝宝石“绀青之拳”。在当地的富豪将其回收，于舞台上展现其真容时，在滨海湾金沙酒店附近发生了…

《名侦探柯南：红之校外旅行 鲜红篇&恋红篇》为柯南系列特别篇，为《名侦探柯南》第290个案件。故事讲述柯南在暂时恢复为工藤新一时，恰巧为帝丹高中校外旅行时期，一行人前往京都参访，在清水寺认识了女演员鞍知景子，新一被请托解读暗号，却在过程中遇上杀人事件，犯罪现场更留下疑似天狗袭击的痕迹。在一连串的骚动中，新一能否解开暗号，让真相拨云见日？

《名侦探柯南：红之校外旅行 鲜红篇&恋红篇》是柯南系列特别篇，也是《名侦探柯南》第290个案件。故事里，柯南暂时恢复成工藤新一，恰逢帝丹高中校外旅行，众人前往京都参访。在清水寺，他们结识了女演员鞍知景子，新一受其委托解读暗号，却在这过程中遭遇了杀人事件，犯罪现场还留下了疑似天狗袭击的痕迹。面对这一连串的状况，新一能否解开暗号，让真相大白呢？

“名侦探柯南系列”第23部动画剧场版，票房和口碑也屡破纪录。作为平成年代最后一部柯南电影，首次将案件发生地设立在海外，基德时隔四年后再度回归，与柯南合体展开行动。

The warning labels found on some new microwave ovens may have comedic value (where but in America would users be warned not to put their pet in the device?) but we rarely notice the disclaimers preceding films. In fact, they are even more absurd: one very common one is “This is a work of fiction.” But producers, distributors and cinema owners protect themselves from accusations of offense caused by all sorts of other potential issues, like people of the same sex kissing, special effects, drug use, violence, unsafe behavior, and even cinematic experimentation. 　　The fear of having to pay the price for being misunderstood can be traced back to the very beginnings of film—as proven by these disclaimers from the 1874–2022 period. While the tone of this litany of warnings may be deeply ironic, the feeling gradually creeps up on you that this legal straitjacket could fatally constrict the unique ability of film to imagine the unknown, and to suspend disbelief. 　　源自：https://festival.idfa.nl/en/film/2da17be7-7721-4e2c-bbef-41db06887d96/the-film-you-are-about-to-see/

THE VIEWING BOOTH explores a space ostensibly off-limits to cinema — the internal experience of the viewer. In a lab-like space, Maia Levy, a young American woman, watches videos portraying life in the West Bank city of Hebron, while verbalizing her thoughts and feelings in real time. An enthusiastic supporter of Israel, the images in the videos, disseminated for the most part by the Human Rights organization B’Tselem, contradict some of Maia’s deep-seated beliefs. Empathy; anger; embarrassment; innate biases and healthy curiosity — all play out before our eyes as we watch her watch the images created by the Occupation. As Maia navigates and negotiates the images, which threaten her worldview, she also reflects on the way she sees them. Her candid and immediate reactions form a one-of-a-kind cinematic testimony to the psychology of the viewer in the digital era.

中国传媒大学2021届（2017级）动画联合创作