上世纪70年代末，土生土长的农村姑娘杨柿红与同村的牛旺相恋。然而，双方家庭因彩礼问题闹掰，牛旺入赘到邻村。杨柿红为了赌气，嫁给了王长安。起初，她觉得王长安没出息，但随着相处，王长安的儒雅气质和走出大山的梦想逐渐打动了她。不幸的是，王长安遭遇车祸离世，把整个家都留给了杨柿红。为了对得起丈夫，也为了让孩子们接受良好教育、走出大山，杨柿红独自扛下了生活的重担，一家人在困境中艰难前行。期间，她虽有机会走出大山改变命运，但为了家人最终选择留下。后来，小儿子不幸牺牲，杨柿红唯一一次走出大山竟是去迎回儿子的骨灰。杨柿红的人生历经悲欢离合，她的坚守告诉我们，留守也是一种勇气，同样高尚而伟大。

20世纪70年代末期，自小在农村长大的杨柿红，和村里的牛旺相爱，后来两人家庭因为彩礼而闹翻，牛旺入赘到了邻村，杨柿红为了和他赌气嫁给了王长安，起初柿红觉得王长安窝囊，但经历了一段时间的生活，杨柿红慢慢成熟了起来，深深的被王长安的儒雅和走出大山的梦想感动，后来王长安因车祸去世，将一整个家留给了杨柿红，杨柿红为了对得起丈夫，也为了将孩子们教育成材走出大山，在煎熬与困苦中独自承担起了责任，一家人就这样艰难的向前走着，虽然有过机会走出大山改变命运，但柿红为了家人，最终还是留了下来，后来小儿子牺牲，柿红走出大山却是为了迎回小儿子的骨灰。柿红历尽了悲欢离合的故事，告诉我们留守也是一种勇气，留守也同样高尚和伟大 。

Danny, a young man with muscular dystrophy who is disillusioned by failed relationships, steps out of his comfort zone and into the world of online dating.

Danny, a young man with muscular dystrophy who is disillusioned by failed relationships, steps out of his comfort zone and into the world of online dating.

胡彪为了要回拖欠的工程款，被迫抢劫老板的金店，土枪走火枪杀了老板，沦为通缉犯。自知法网恢恢疏而不漏，准备回家看一眼母亲就去自首。在回家的路上遇见了拦车的刘芳婷和秦昊，胡彪出于好心帮忙救援，救援过程中刘芳婷的车受损，刘芳婷抢夺胡彪的金手镯作为赔偿，临走时还将放火烧了胡彪的车防止胡彪追上来，结果，胡彪还有同伙，在天黑前追上了两人……

上一世，江年因为丈夫王明患弱精症，被逼着做试管婴儿，还频繁打针保胎，最终惨死，王家却还得到巨额赔偿。绝望之际，江年得到生子系统，重生到王明确诊弱精症当天。当系统催促江年生子时，江年却歪嘴一笑道， 你说要生十个，又没说一定要我生，先让我婆婆怀个三胞胎吧！系统这才发现，自己被江年抓住了漏洞。江年针对整个王家的复仇，就此拉开帷幕。

Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

奇遇冒险真人秀《青春友好事》，少年们穿行异时代，讲述一个跟青春有关的故事。

Beginning with a pivotal encounter between two men in Goiás in the 1980s, director Daniel Nolasco weaves a narrative that spans across time and, perhaps, multiple dimensions, driven by the intense forces of desire and love, as well as the suffocating weight of repression and silence. Nolasco, who was featured in Olhar’s Focus section during the pandemic, continues his distinctive and undefinable journey with a radically queer cinema that refuses to look away from the often paradoxical physical expressions of both desire and violence.

莫斯科一队负责拆除旧建筑的建筑工人在计划拆除的一栋房屋内发现了隐藏的黄金宝藏，故事围绕着他们企图绕过苏联当局准备私吞黄金的阴谋展开。