老吴和孙子小树在山村里经营着一家“特殊”的盲人影院，喜爱舞蹈的小树却一心想到城里去，直到意外地弄坏了放映机…面对老吴的离世与即将到来的拆迁…春天，小树正经历着他‘生长期’的最大变革…

一个20多岁的女人几年来第一次回老家度假 她不仅遇到故人 而且还被迫处理未解决的感情

在经历了一场创伤性的失去之后，爱丽丝（Alice）离开城市，开始写作。某天，被一只蜜蜂持续的嗡鸣声吸引，她循声走入一片森林。被树木的呼吸与万物的脉动所环绕，内心的不安逐渐平息。在枝叶与寂静之间，她发现了一棵仿佛一直在等待她的树。 此后，她日复一日地回到那里，记录自己所见与所感——如泪般滴落的树脂，树皮与肌肤的相似，树与人的对应。在与树木渐进而近乎痴迷的对话中，爱丽丝发现了人类与自然之间那份静谧的对称——或许，也找到了一种让悲伤得以释放的方式。 After a traumatic loss, Alice retreats from the city and begins to write. One day, distracted by the persistent hum of a bee, she follows its sound into a nearby forest. Surrounded by the breath of the trees and the pulse of life around her, Alice’s restlessness begins to soften. There, among branches and silence, she discovers a tree that seems to have been waiting for her. Drawn back day after day, she writes about what she sees and feels — the resin that drips like tears, the parallels between bark and skin, trees and humans. Through a gradual but obsessive dialogue with the trees, Alice discovers the quiet symmetry between humanity and nature — and, perhaps, a way of setting grief free.

Held up for 7 years before it was released, Far from the Trees seems like a perfect successor to Luis Bunuel's Land Without Bread. Like that earlier film, it is a kind of impressionistic travelogue that shows a Spain far from the beaten paths of the tourist resorts; not only poverty but the persistence of superstitions and occult beliefs captured by the film rebuke the image of a forward-looking, modern Spain that by the 60s was being promoted by the Franco regime. Esteva Grewe largely allows the images and juxtapositions to speak for themselves, giving the film a lyrical feeling that somewhat softens its social criticism - though obviously not enough for the censors. It is commonplace for students of Spanish and Latin American culture to speak of the "Black Legend", through which northern Europeans demonize the Spanish. In this documentary, Catalan filmmaker Jacinto Esteva Grewe does the job himself. Here, he attempts to show the dark side of Spanish life, especially its religious fanaticism and promotion of the idea that ritualistic cruelty is somehow noble. This film had major portions removed by Spanish censors before it was allowed to be shown, but the cuts are not thought to have improved (or detracted from) this mean-spirited diatribe.

我忐忑的跪在房内，心中却有一万匹草泥马奔腾。这究竟是怎么回事，想到顾尹，我更是眼前发黑。想当年他还在本宫手下做过杂事，可我却诬告他偷窃赃物将人撵了出去。如今重生这么玄幻的事情发生在我身上，若是被人发现我并非原身，岂不是要被当作妖孽。那顾尹更不是什么善茬，还别提我们之间隔着一层仇，若是叫他知道了，别说安安稳稳的出宫，就是活下来都难。 想到这里，我心中不由得暗骂，原身好端端的，招惹这个杀神做什么。"

花艺师林知微从丈夫西装上的一缕玫瑰香，发现婚姻出现裂痕。她追查真相，结识了同样被感情问题困扰的古籍修复师沈雨时。两人在私房菜隔墙边亲耳听到伴侣的贬低，彼此安慰，决定各自结束不合适的婚姻。离婚后，他们在建水古城重逢，从同病相怜到相互扶持，慢慢走近。可前任不断纠缠、散布谣言。林知微与沈雨时不再沉默，一起收集证据，在艺术展开幕式上澄清事实，让背叛者承担后果。风雨过后，他们终于迎来属于自己的春天。

花艺师林知微发现丈夫衬衫上的玫瑰香，顺线索察觉婚姻裂痕。她与古籍修复师沈雨时因各自感情困境相遇，从陌生到彼此治愈。两人勇敢结束旧关系，在建水古城重逢，携手揭开真相，迎来雨后知春的新生。

大仇得报，李知春心中的戾气渐渐消散。在赵征北的悉心呵护与陪伴下，她慢慢放下了心中的执念，治愈了身体上的疲惫与心底的伤痕。侄子李璟也顺利入学，茁壮成长。曾经带着仇恨而来的她，最终在侯府找到了属于自己的温暖，与赵征北携手相伴，收获了一份双向救赎、岁月静好的幸福结局。

美丽女孩清雅（李英雅 饰）从事着一份常人不太了解的职业——树木治疗师。她亲切和善，尤其喜欢花草树木，工作中也很用心地为植物处理各种各样的疾病。这一天，她接到一项任务，前去某高中为受感染的树治疗。在此期间，她偶遇一名颇有些神经质的青年，对方咄咄逼人的目光和极富深意的笑容令她的心底若有所动。而当她将手放在患病的树上之际，她竟然感知到一个陌生高中女孩的存在。在此之后，各种噩梦和诡异经历交替向清雅袭来，和善的笑容不再，代之以疲惫恐慌的神情。另一方面，神秘青年执着地逡巡在清雅附近，试图让她想起自己以及过去的事。 一切朝向不可预知的方向发展……

聚焦一位作家，在两颗树与一把邪恶木椅的不祥凝视下，直面因过往恶行而陷入的诡异梦魇。