我曾处理过一起堪称撕裂人性底线的案件。一个女孩在家独自分娩，最后难产大出血没了。这事发生在一个特别落后的小村庄里。事情过后，接手抢救的医院立马就把案子上报了。因为不管这女孩肚子里的胎儿是谁的这人都已经犯了法了。可越往下查我们月心惊这事的真相比我们想象的还要毁三观。

艺术家兼导演克里欧·巴纳德使用经典纪录片的技术，记录下陷入困境的英国剧作家安德烈邓巴与她的女儿间动荡关系的真实故事，同时揭开一个黑暗的家庭的过去。 　　In 1977, when Andrea Dunbar was 15, she started work on The Arbor, a play based on her life in a rundown neighborhood of Bradford, in the north of England. Three years later, the play enjoyed a successful run in London. Dunbar became famous and wrote several other plays about similar themes—sexual abuse, teen pregnancy, drug addiction, violence—but then died suddenly of a cerebral hemorrhage in 1990. 　　Director and artist Clio Barnard spent two years making sound recordings of the people from Dunbar’s circle. Instead of using the material as an inspiration for a conventional documentary, she had actors lip-synch to the audio. Every sigh, gasp, and pause in the voices get articulated impeccably by the actors. She interweaves this with scenes from The Arbor that are acted out in Dunbar’s neighborhood. 　　Through the confrontation of documentary and fiction, Barnard shows that documentary is always a construction. It is the perfect medium for Dunbar’s semi-autobiographical texts, in which the boundary between fiction and reality is truly a gray area. 　　源自：https://www.idfa.nl/en/film/cc4c5d73-4e06-45e9-a190-5ac2d71f4fad/the-arbor

重生大戏即将上演！沉没多年古船离奇现世，男孩馒头意外闯入，却发现船上聚集着诸多亡魂.... 一场大雨过后，“蝼蚁”重生，命运会有改变吗？

重生大戏即将上演！沉没多年古船离奇现世，男孩馒头意外闯入，却发现船上聚集着诸多亡魂.... 一场大雨过后，“蝼蚁”重生，命运会有改变吗？

暴雨预警发布第17小时，我抬头望向窗外，看到暴雨已经开始肆虐，街道上积水成河，我们团队加班加点，最终以头发作为代价完成了这个设计，收工回家。这时外面已经淅淅沥沥的下起了小雨，我着急的走出公司，这鬼天气，随手叫了辆车回家，网约车的电台里还在播报着未来几天有强降雨的新闻，于是我让师傅把我送到了一家大型超市，我买了很多零食，还有蔬菜，外加两箱汽水和一箱矿泉水，这是我的癖好，家里一天没有汽水，我都撑不下去

事情最开始不对劲，是最近暴雨已经下了一个月了，而那些所谓的专家还在辟谣说只是罕见的气候现象，但航班停运、通信中断，全市停水停电和秩序崩塌，楼下邻居为一箱水打的头破血，我心一沉，知道天塌了，末世要来了吗？？？

Documenting the Turkana-Ngaremara community as they contend with prolonged drought, this visually stunning coming-of-age story follows a young, orphaned man’s journey to adapt to radically changing climate conditions in Northern Kenya. Kolei, the film’s primary subject, must grapple with personal tragedies alongside complex tribal conflicts brought on by environmental catastrophes in his pastoral region. With these mounting communal tensions and rapidly shifting culture, the threat of climate change is not just a looming notion but a present reality. 　　By threading interpersonal scenes with sweeping landscape cinematography, this documentary provides an intimate look at a vulnerable population fighting to bridge tradition with new circumstances. The visceral, near-consuming anxieties of the sensitive Kolei contextualize how global crisis affects individuals. Through this lens, the film lays a framework for a collective reckoning on how to strive with the ecological perils shaping the world and eventually facing us all. 　　源自：https://tribecafilm.com/films/between-the-rains-2023 　　---------------------- 　　This revealing, visually captivating film, shot over the course of a four-year drought in Northern Kenya, offers an original take on the conventional coming-of-age narrative. 　　‘The elders say that nature wasn’t always this angry at us.’ Between the Rains tells the story of Kolei, a young shepherd whose name translates as ‘living among the goats’. Unfolding over the course of a prolonged drought, we witness the boy’s inner conflict as he not only questions his own identity as a warrior – a path that was chosen for him – but the erosion of the culture that has shaped every aspect of his life. Filmed during record-low period of annual precipitation, Moses Thuranira and Andrew H. Brown’s feature collaboration with the Turkana-Ngaremara community seeks to understand the experience of achildhood within a traditional culture that is directly affected by climate change. 　　源自：https://sheffdocfest.com/film/between-rains 　　----------------------

습도가 높은 어느 불쾌한 여름날, 코로나로 인해 존폐 위기에 놓인 영세한 극장에서 퇴물 영화감독 이희준의 신작 시사회가 열린다. 극장 사장이 정부 정책을 핑계대며 에어컨 가동을 거부하자, 더위에 지친 관객들의 불평과 예상치 못한 진상들의 공격이 거세지면서 알바생 찰스의 인내심도 바닥나기 시작한다.

It’s a hot holiday season in the city and Alena is pretty much left to her own little self, fantasizing and running her personal daily rituals, keeping most people at a safe distance, yet trying to get male attention. After seeing a romantic scene on TV and meeting her military neighbour she starts flirting. When she finds out the soldier she fell in love with has other priorities, she realizes that maybe it’s too soon to grow up – and it’s alright for the summer to be over. There’s nothing wrong with rain.

습도가 높은 어느 불쾌한 여름날, 코로나로 인해 존폐 위기에 놓인 영세한 극장에서 퇴물 영화감독 이희준의 신작 시사회가 열린다. 극장 사장이 정부 정책을 핑계대며 에어컨 가동을 거부하자, 더위에 지친 관객들의 불평과 예상치 못한 진상들의 공격이 거세지면서 알바생 찰스의 인내심도 바닥나기 시작한다.