Inhabitants depicts animals in panic: the film is mostly filled with shots of mass migrations and stampedes (some, surprisingly, filmed from a helicopter). The title equalizes the species of the earth. Artavazd Peleshian merely alludes to the presence of human beings—a few silhouettes that seem to be the cause of these vast, anxious movements of animal fear. In many ways, this film is an ode to the animal world that moves toward formal abstraction, with clouds of silver birds pulverizing light. Peleshian said, “It’s hard to give a verbal synopsis of these films. Such films exist only on the screen, you have to see them.”

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.

After a night of carousing, the amateur photo model Zina heads for a fashion shoot in the nature, accompanied by the ambitious Mia, apathetic Dragica and snobby photographer Blitcz. On the idyllic location, a supposedly ordinary fashion shoot soon turns into a fierce fight for survival.

训练猎鹰、放牧牦牛、骑着骆驼行走于苍茫天地间，对于生活在都市的人来说，在蒙古西部的游牧生活奇妙得就像一场探险。作者有机会体验了一番当地哈萨克族游牧人的日常生活与独特文化。From Brandon Li

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

一位生活在杭州景区的蒙古族老人救下即将被屠宰的老骆驼，试图将它从南方带回故乡。

训练猎鹰、放牧牦牛、骑着骆驼行走于苍茫天地间，对于生活在都市的人来说，在蒙古西部的游牧生活奇妙得就像一场探险。作者有机会体验了一番当地哈萨克族游牧人的日常生活与独特文化。From Brandon Li

电影讲述的是哈萨克斯坦可汗阿不赉成长的历程。影片采用旁述的形式，以恢宏的战争场面对我们娓娓道来：在无边无际的辽阔之地，从阿尔泰山到里海，远古就住着游牧的哈萨克民族，在这片土地上，一波又一波敌人倒下，在他们的身后留下灰烬和骨头，对他们来说这是最大的灾难。影片在努力定义哈萨克斯坦的民族意识形态，聚焦于可汗如何让18世纪的哈萨克斯坦各部落团结起来一致对抗外来侵略。

电影讲述的是哈萨克斯坦可汗阿不赉成长的历程。影片采用旁述的形式，以恢宏的战争场面对我们娓娓道来：在无边无际的辽阔之地，从阿尔泰山到里海，远古就住着游牧的哈萨克民族，在这片土地上，一波又一波敌人倒下，在他们的身后留下灰烬和骨头，对他们来说这是最大的灾难。影片在努力定义哈萨克斯坦的民族意识形态，聚焦于可汗如何让18世纪的哈萨克斯坦各部落团结起来一致对抗外来侵略。