在乔治亚乡村的葡萄园里，日子过得很慢。在生活的黄金时期，她的美貌甚至被她的丈夫桑德罗所忽视，他经营着当地的汽车修理店。当美姬(Megi)——一位在附近拍摄的电影中美丽的明星——出现在现场修理她的汽车时，事情发生了变化。当莉娅看到一个对手时，她就知道是她的对手——尽管她也意识到自己没有机会与迷你裙竞争。不过，Megi也有一些妙招——她知道灰姑娘需要什么来摆脱南瓜。

Under the premise of documenting for the sake of preservation the various forms of Georgian religious chanting, a distinct kind of sonorous psalmody passed over from generation to generation, what Otar Iosseliani captures in reality is the snapshot of a not-so-distant past that coexists with the world we might know yet transports us to what used to be.

塔姆塔·加布里奇兹(Tamta Gabrichidze)的纪录片《交易员》(The Trader)获得圣丹斯电影节大奖 　　电影制作人塔姆塔·加布里奇兹(Tamta Gabrichidze)的纪录片《交易员》(the Trader)在周二的圣丹斯电影节(Sundance F ilm Festival)上获得了短片评委会大奖。 　　这位年轻导演的短片从上周开始在圣丹斯放映了三次。本月早些时候，这部短片被电影平台Netflix选择在全球发行。 　　这是圣丹斯短片奖获奖影片之一，电影节将持续到周日。 　　这名商人也叫索夫达加里(Sovdagari)，他跟随主角吉拉(Gela)穿越格鲁吉亚的乡村，从他的面包车后座上卖二手衣服和日常用品。 　　吉拉在乡村和城镇做生意，那里的主要交易货币是土豆，而不是钱。 　　老老少少都盯着他的卡车，看到海绵和毛刷等现代化的便利设施，他们的眼睛都亮了起来。这是一个将乡村价值与城市价值、污垢与黄金进行对比的谜题。 　　这部纪录片由伊利亚·塔夫贝里兹(Ilia Tavberidze)制作，被圣丹斯电影节2018年的短片项目选中，该项目重点关注女性电影制作人。 　　本届电影节的奖项是继2017年加拿大纪录片节最佳短片奖之后的第二个亮点。 　　这是Gabrichidze的第五部作品。2009年，Gabrichidze导演了以《自然女士》为开端的短片和纪录片。

A weary donkey causes a huge traffic jam on a busy road in Tbilisi. The donkey refuses to budge. Outside the city, a bull is attracted by the red dress of a pretty girl and chases her. 　　A boy who is deeply in love with her, saves her life. But in return all she gives him is a red flower. But it is this flower that leads the donkey away from the road. The traffic jam clears and the boy finds the love of his life.

A weary donkey causes a huge traffic jam on a busy road in Tbilisi. The donkey refuses to budge. Outside the city, a bull is attracted by the red dress of a pretty girl and chases her. 　　A boy who is deeply in love with her, saves her life. But in return all she gives him is a red flower. But it is this flower that leads the donkey away from the road. The traffic jam clears and the boy finds the love of his life.

Вернувшись из Парижа, Сосико Чолокашвили знакомит своих соотечественников с киноаппаратом. Для создания национального кинематографа молодой человек обращается к городским властям и меценатам, но, не получив поддержки, вместе с другом организовывает кампанию по сбору средств и отправляется путешествовать на воздушном шаре.

Like most of the cinematographies in the world, Georgian cinema witnessed, in the mid-20th century, the appearance of a distinguished generation of filmmakers. Some years after the great waves taught in film books, the films by filmmakers from the region started being part of the programs of the most important festivals. One of those was the first feature by Rekhviashvili, one of the cases in which the formalism of the time crossed paths with a filmmaker preoccupied by politics, ethics and the arrival of modernization. Told from the perspective of a young student who returns to his native Georgia, the film shows the struggle of the people against a foreign company that tries to exploit the natural resources of their lands for commercial purposes. A historical, anachronistic study on bureaucracy, patriotism, solidarity and the bond between man and nature. 　　源自：https://www.mardelplatafilmfest.com/38/en/pelicula/the-georgian-chronicle-of-the-19th-century

The horrific war in Chechnya, a neighbor of Georgia, gives a special poignancy to Otar Iosseliani’s fascinating, four-hour, made-for-television documentary on Georgia which, like his delightful Chasing Butterflies (SFIFF 1993), was produced in France. Iosseliani presents the history of this former Soviet republic through beautifully interwoven images of landscapes, artwork and clips from other Georgian filmmakers such as Nikoloz Shengalaya and Tenghiz Abuladze. He illuminates the part played recently by two politicians, both KGB men but with very different destinies: Zviad Gamsakhurdia, an ultranationalistic demagogue who died in exile; and Eduard Shevardnadze, who is the president of Georgia today. Iosseliani divides his film into three sections, “Prelude,” “Temptation” and “Trial,” which move from early Georgian history through the 1801 Russian takeover and on into 20th-century events—the Russian Revolution, perestroika and the recent civil war. Alone, Georgia gives a spellbinding evocation of this beautiful, hospitable land, whose torment is, according to Iosseliani, “a symptom of what takes place at this moment in our planet, and gives us a chance to measure the magnitude of the modern human tragedy.”

故事发生在意大利文艺复兴时期。是一个属于达芬奇，属于米开朗琪罗，属于启迪式创造力和无与伦比才智成就的时代。但它同样也是一个马基亚维利式的时代，一个罪犯猖獗、战争肆虐、腐败横行的时代。当时西方世界的中心梵蒂冈是一系列王国间冲突的仲裁者。

《博基亚家族》讲述意大利博基亚家族在欧洲大陆呼风唤雨的故事，背景设定在 1492年。Jeremy Irons扮演教皇亚历山大六世。该剧用来接替本季大结局的《都铎王朝》（The Tudors），2011年春季播出。演员信息: Jeremy Podeswa加盟Showtime新剧《博基亚家族》（The Borgias）。 　　该剧讲述文艺复兴时期博基亚家族在罗马教廷政治派系斗争中的兴衰成败。他将主管第一季（10集）的剧情创作并导演其中的两集。与此同时，年轻的加拿大演员François Arnaud将扮演教皇Rodrigo Borgia（1492年）的儿子Cesare Borgia，一个冷血无情的政治阴谋家。Colm Feore将扮演Rodrigo Borgia的死敌、红衣主教Giuliano Della Rovere。该剧2011年播出。 　　Showtime为新剧《博基亚家族》（The Borgias）签下重量级的电影演员。Joanne Whalley将在《博基亚家族》中扮演Vanossa，该家族中的女主人。 　　Emmanuelle Chriqui加盟Showtime历史剧《博基亚家族》（The Borgias），扮演一位妖媚的那不勒斯公主。她虽然嫁给了教皇的小儿子，但同时与教皇的另一个儿子保持着密切关系。 Vanossa/那不勒斯公主迷你剧《博基亚家族》（The Borgias）描述的是14-16世纪影响整个欧洲的博基亚家族的故事，史书称该家族是人类历史上第一个「黑道家族」（具有黑社会性质的犯罪家族，或者称黑手党家族）。 　　视频地址：http://www.18ys.com/om/bojiyajiazufag/