七年前，许随为救母误入顾慎霆房间，一夜缠绵后偷走他半枚玉佩。后因弟弟过失杀人，她被母亲道德绑架顶罪入狱，狱中早产生下女儿佳佳，将玉佩传给了她。六年间，顾慎霆遍寻许随无果，佳佳靠捡废品为病重的许随筹医药费。一次偶遇，顾慎霆因玉佩误会佳佳是小偷，顾老夫人却觉孩子与他酷似。佳佳求助顾老夫人暂住顾家，不慎打碎顾慎霆珍藏的许随画作被赶走，雨中昏倒；许随也因欠费被医院驱逐，母女投奔弟弟反遭驱赶。顾老夫人捡到另一半玉佩拼合，惊觉真相。许随病愈后应聘遇挫下跪，此时 DNA 报告证实佳佳身份。顾慎霆冲破阻挠救出母女，一家人终得团圆。

根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

根据《嚣张》改编的青春校园剧《隅我同行》预计11月开机，爱奇艺和慈文传媒等出品，爱奇艺播出。

祝时韫在真假千金归家的喧嚣中重生，她不再是那个任人摆布的祝家小姐。面对继妹祝青瑶贪婪地诬陷她贪墨寿宴银钱，祝时韫淡然将操办大权拱手相让。果然，缺乏经验又心术不正的祝青瑶，为谋私利，竟敢使用劣质食材，导致宾客集体食物中毒，丑闻瞬间传遍京城。这场闹剧成了祝时韫脱离泥沼的契机。她借机自证清白，毅然决然地与刻薄虚伪的祝家划清界限。凭借前世的智慧与经验，祝时韫在市井中白手起家，开设铺子，凭借精湛技艺和诚信经营，生意日益红火。在事业有成的同时，她也踏上了寻找亲生母亲的旅程，揭开了尘封已久的家族秘密。历经重重波折与考验，祝时韫不仅收获了温馨的亲情，更赢得了属于自己的安稳与幸福。

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.

扎赫拉是生活在伊朗的一位单亲母亲，也是一名心理医生。她擅长帮助他人走出困境，可在现实中，她自己的生活却千疮百孔:青春期女儿的叛逆令她焦头烂额，房租高涨让她面临无家可归的风险……她不得不开始重新寻找居所。对她来说，找房子不仅是寻找栖身之所，更是寻找安心之源。

Hanqi and her friends drift through the suburban area of Hangzhou. Strolling through the concrete and neon-lit landscape of the city, they experience the transformations it undergoes daily. As they drift night after night, they become the living interface of a metamorphosis that cannot be perceived or understood if not by becoming part of it. Thus, Hanqi and her friends catch fleeting glimpses of beauty in an environment that most people would only perceive as alienating, hostile or cold. Like an ambient composition by Brian Eno or Philip Glass, the film moves through minimal variations, completely immersed in its nocturnal beat. Space becomes time. A film like a poem; a coming-of-age movie that escapes all the known clichés. Stephan Knauss proves that he is one of the filmmakers to watch closely in the next future. The way he handles and organizes all the elements of his extremely beguiling work are irrefutable proof for it. Transit Circle is a sensorial ambient film that displays flair and creativity.