Idrissa Ouedraogo’s Yam Daabo (1987), in which the child of a peasant family is killed in a traffic accident in the big city, and the same director’s Samba Traoré (1992), is about a prodigal son who returns to the village after having committed armed robbery in the capital. The movie combines the conflicts between tradition and change and the city versus the village into the life of a single character. The quality of life in the city is demonstrated in the rapid violent images that open the film. 　　It is worth noting, however, that usually the films do not set up tradition and modernity as two irreconcilable poles of an abstract dichotomy. Rather, the subject is depicted as a lived reality in a country whose urban centers form an integral part of global modernity, whereas the vast rural areas still largely adhere to tradition.

里约狂欢节期间，一位环卫工人深陷丧妹之痛与工作职责的拉扯。在满城欢庆中，他偶遇一名迷途孩童，由此踏上一段救赎之旅。

芬兰作曲家艾瑞克（Kari Väänänen 饰）圆满结束了在巴西里约热内卢的演出，正独自坐在Copacabana海滩享受无上惬意的休闲时光。温暖的阳光，蔚蓝的大海，更有穿着大胆身材火辣的拉丁美女穿梭身旁，实乃人间仙境。 　　艾瑞克邂逅了一位身着红裙的拉丁女子（Andrea Bloom 饰），她对艾瑞克柔声细语，却惹恼了她的男朋友（同时也是一个皮条客）鲁迪（Antonio Calloni 饰）。夜晚，艾瑞克和红衣女子穿梭里约热内卢的街头小巷，一面躲避鲁迪的追踪，一面享受狂欢节的欢快气氛。一切只为激情欲火，如梦如幻……

拍摄取景时间在巴西狂欢节期间，地点是北部乡村的贫民区举行的盛大的Maracatu的节上。以及萨尔瓦多及里约热内卢的音乐酒吧，这部长达3个小时的影片记载了桑巴舞的诞生以及演变，直到现在的hip-hop，funk等等更多的分支。

拍摄取景时间在巴西狂欢节期间，地点是北部乡村的贫民区举行的盛大的Maracatu的节上。以及萨尔瓦多及里约热内卢的音乐酒吧，这部长达3个小时的影片记载了桑巴舞的诞生以及演变，直到现在的hip-hop，funk等等更多的分支。

这里有最壮丽最秀美的风景，这里有数量庞大的野生动物。季节更替，季风带来雨水，也带来勃勃生机。 　　动物们在这里繁衍、成长，面对洪水、忍受干旱。这里是一片充满活力的大陆，这里是它们的家。 　　让我们跟着镜头一起，进入这个神奇的国度。领略自然的魅力，感受野性的巴西。

本片是《偷天换日》的续集，以查理为首的一伙专业窃贼，这次要去巴西的里约热内卢干上一票大买卖。

Fantasy comedy about Brazilian writer Oswald de Andrade, one of the most important icons of Modernism in Brazil. In the film, Oswald is played by two actors: Ítala Nandi, as his feminine anima, and Flávio Galvão, as the masculine half

With Scotland in the World Cup in 1974, Stephen (Iain de Caestecker) is more into Glam Rock than football. A story of a family coming to terms with change in uncertain times.