Chuck and his pal Fearless flee a South African carnival when their sideshow causes a fire. After several similar escapades, they've finally saved enough to return to the USA, when Chuck spends it all on a "lost" diamond mine. But that's only the beginning; before long, a pair of attractive con-women have tricked our heroes into financing a comic safari, featuring numerous burlesque jungle adventures...

1964年中央新闻纪录电影制片厂摄制。桑给巴尔原是英国殖民地。1963年6月桑给巴尔第三次大选后取得了“内部自治”。同年12月10日桑给巴尔宣布独立，成为君主立宪制国家，保留苏丹王，由当时的执政党民族党和桑奔人民党组成政府。非洲设拉子党被排除在政府之外，成为主要反对党。1964年9月12日，非洲设拉子党与群众党联合发动武装起义，推翻了苏丹王朝及民族党和桑奔人民党组成的联合政府，成立了桑给巴尔人民共和国。

Volker Schlöndorff transposes Bertolt Brecht’s late-expressionist work to latter-day 1969. Poet and anarchist Baal lives in an attic and reads his poems to cab drivers. At first feted and later rejected by bourgeois society, Baal roams through forests and along motorways, greedy for schnapps, cigarettes, women and men: ‘You have to let out the beast, let him out into the sunlight.’ After impregnating a young actress he soon comes to regard her as a millstone round his neck. He stabs a friend to death and dies alone. ‘You are useless, mangy and wild, you beast, you crawl through the lowest boughs of the tree.’ The film takes youthful impetuousness and hatred of oppression as its subject and also ponders the cult of genius and sexual morals. Rainer Werner Fassbinder simultaneously plays both Baal and himself and is surrounded by many actors who were later to perform in his own films. After the film was broadcast on West German television, Brecht’s widow Helene Weigel prohibited any further screenings, arguing that the social circumstances engendering Baal’s rebelliousness had not been adequately explained.

沃尔克·施隆多夫将贝尔托·布莱希特的表现主义晚期作品移植到了1969年的现代背景中。诗人兼无政府主义者巴尔住在阁楼里，向出租车司机朗诵他的诗歌。巴尔起初受到资产阶级社会的追捧，后来遭到排斥，他在森林中徘徊，沿着高速公路游荡，对烈酒、香烟、女人和男人都有着强烈的欲望：“你得放出那头野兽，让它沐浴在阳光下……”

Baal, a young artist whom society regards as a genius, does not want to be monopolized by the culture and business.

An exploration of the cult of the genius, an anti-heroic figure who chooses to be a social outcast and live on the fringe of bourgeois morality.

达尼洛是一名处女摩托车出租车司机，经常因缺乏“经验”而被室友取笑。也就是说，直到他的乘客埃里卡和她最好的朋友劳拉带领他进入性觉醒。

达尼洛是一名处女摩托车出租车司机，经常因缺乏“经验”而被室友取笑。也就是说，直到他的乘客埃里卡和她最好的朋友劳拉带领他进入性觉醒。

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