关注数个名曲的「击中内心的歌词」，重新发现名曲魅力的歌词特化型音乐节目。

《歌词里的中国》首次以歌词为钥匙，探索中国人个人情感与时代记忆的连接，展现一个多元而深情、勇敢而奋进的中国。节目将深入各地采访作词人、音乐史学家、知名作家、乐评人、演唱者，为观众描述一幅全新的歌词发展时代画卷。

王志文在剧中的表演“如魂附体”，成功地将个人气质与角色气质完美结合，传神地勾勒出了一个“浊酒三杯沉醉去”的悲情文人吴敬梓的悲情人生，演到动人之处，直令人潸然泪下。

王志文在剧中的表演“如魂附体”，成功地将个人气质与角色气质完美结合，传神地勾勒出了一个“浊酒三杯沉醉去”的悲情文人吴敬梓的悲情人生，演到动人之处，直令人潸然泪下。

《三王來朝》讲述三王来朝拜耶稣诞生的时候，但电影不是去歌颂这段故事，而是用了十分平板的手法去描述，三王更只不过是普通的人，大部份时间就是描述他们千辛万苦去寻找耶稣诞生地，及遇到的难题，而最大的难题是莫过于在山林中迷路及找路。 　　在近年众多新星导演之中，西班牙加泰罗尼亚导演Albert Serra算是较具争议性的一人。因为他的电影是如此简约，甚至可说是简陋，即使有不少人大力推崇 (如法国的 “电影笔记” 便曾把导演上一部 “Honour of the Knights” (唐吉诃德) [2006] 选为2007年最佳电影第七位)，但也有人质疑他只是趁着当下慢板长镜头当道的艺术电影潮流故弄玄虚，制作出件件国王的新衣。

《三王來朝》讲述三王来朝拜耶稣诞生的时候，但电影不是去歌颂这段故事，而是用了十分平板的手法去描述，三王更只不过是普通的人，大部份时间就是描述他们千辛万苦去寻找耶稣诞生地，及遇到的难题，而最大的难题是莫过于在山林中迷路及找路。 　　在近年众多新星导演之中，西班牙加泰罗尼亚导演Albert Serra算是较具争议性的一人。因为他的电影是如此简约，甚至可说是简陋，即使有不少人大力推崇 (如法国的 “电影笔记” 便曾把导演上一部 “Honour of the Knights” (唐吉诃德) [2006] 选为2007年最佳电影第七位)，但也有人质疑他只是趁着当下慢板长镜头当道的艺术电影潮流故弄玄虚，制作出件件国王的新衣。

皇帝的黄莺，木偶片，长片，编剧：透恩卡与布尔岱卡，根据安徒生原作改编，摄影：倍森卡，作曲：V．特洛扬

《士兵的歌谣》是导演赫尔佐格身临尼加拉瓜东北部米斯基托人领地所拍摄的纪录片。米斯基托人是中美洲的印第安人，其领地从洪都拉斯的卡梅伦角延伸至尼加拉瓜的格兰德河一带。由于历史原因（详见维基百科），米斯基托人从不认为受尼加拉瓜政府的管制，许多米斯基托人至今仍不认为自己是尼加拉瓜人。 　　1970年代和1980年代，桑地诺主义政府企图种族灭绝，包括强制迁移8500米斯基托人，毁坏100多个村落，这促使米斯基托人与苏木（Sumu）部落及拉玛（Rama）部落一起组成一支反政府游击队米苏拉斯塔（MISURASTA），并与（尼加拉瓜桑地诺政府的）反对派（Contras）结盟联合。

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.

"Once upon a time, before people came along, all the creatures were free and able to be with one another", narrates the voiceover. "All the animals danced together and were immeasurably happy. There was only one who wasn't invited to the celebration - the frog. In his rage about the injustice, he committed suicide." Something Romani and frogs have in common is that they will never be unseen, or stay unnoticed. In her film, young director Leonor Teles weaves the life circumstance of Romani in Portugal today with the recollections of a yesterday. Anything but a passive observer, Teles consciously decides to participate and take up position. As a third pillar, she establishes an active applied performance art that becomes integrated in the cinematic narrative. Thereby transforming "once upon a time" into "there is". "Afterwards, nothing will be as it was and the melody of life will have changed", explains a voice off-camera.