Songwriter Dion McGregor became famous in the 1960s for narrating his dreams in his sleep. His flatmate recorded him doing so. 　　In their new film somniloquies, Lucien Castaing-Taylor and Verena Paravel overcome the boundaries between inner dreamscapes and human bodies. At the start, flowing forms can be seen and a gentle, undefinable sound made out in the background. McGregor's voice appears and makes an invitation: “I have expected you, come-on in, I said I would grant an interview”. The more we listen to him and enter into his dreamworld, the clearer the contours of the sleeping bodies become, before they seem to dissipate once again. The dreaming man speaks with people who are sawing open his body, removing his organs and stitching him back up. As we find out how painful he finds the stitches, we ask ourselves for how long we’ll want to follow the camera, which sometimes seems to caress the bodies tenderly, but at other times seeks to pierce them almost brutally, like an x-ray. Just in time, we hear his voice: "Let’s go to future land (…) it’s shining near the corner". In this case, sleeping in the cinema means pushing forward to its very limits. (berlinale 2017)

When a language dies, a unique vision of the world is lost forever.

When a language dies, a unique vision of the world is lost forever.

本片是導演捕捉沖繩「被返還」後風景的嘗試，純粹拍攝來往的人們、動物與地貌風景，呈現盈滿沖繩未盡之戰的視覺和嗅覺記憶，並以8mm膠卷嗅錄那股關於死亡的氣息。受到約拿斯・梅卡斯《追憶立陶宛之旅》的啟發，本片的非敘事結構和間歇的慢動作鏡頭，就像是超越既視感的視覺詩篇。

The newest film from Greek director Syllas Tzoumerkas and his second collaboration with Angeliki Papoulia, star of the New Greek Cinema (Dogtooth, The Lobster), is a fierce and untamed crime tale, told in larger-than-life images. 　　柏林电影节全景单元

The newest film from Greek director Syllas Tzoumerkas and his second collaboration with Angeliki Papoulia, star of the New Greek Cinema (Dogtooth, The Lobster), is a fierce and untamed crime tale, told in larger-than-life images. 　　柏林电影节全景单元

深圳，24小时书店里，求职受挫的鲁达在深夜书页与咖啡香气中重燃斗志，最终敲开机遇之门；华强北商厦中戏曲名伶范姐褪下戏袍化身“跑楼女王”，在电子产品江湖闯出新天地；外卖骑手谭小荷以“接单女王”之名诠释职业尊严；无人机工程师张翼与暖暖用代码编织爱情；迷途少年小鹏与流浪狸猫的森林奇遇，催生全国首条野生动物立交桥；规划师王鹏谦父女十年守护红树林，见证黑脸琵鹭Y075成为生态转型的鲜活注脚。一个个鲜活的面孔，将创业传奇、产业升级、科技创新有机串联，展现深圳45年来的发展巨变及其未来的无限可能。

二十世纪初年，上海林记粮行老板林威成，家大业大，妻妾成群，但仍不满足地纳了唱大鼓戏的女戏子芙蓉为妾。芙蓉念念不忘老情人张杰。两人暗地幽会，直到芙蓉产下一子，才东窗事发。林威成一怒之下，逼芙蓉上吊自尽，张杰被打成残废扔进河里。不满周岁的儿子，被扔到乱葬岗喂野狗。幸好孩子被车夫贾六发现，正巧赵婶刚生下一女，贾六拜托赵婶顺便哺育此子，为二人取名为美梦、成真。

一段破败的婚姻，让两个尚未成年的好兄弟天各一边。哥哥航一（前田航基 饰）随母亲大迫希美（大塚寧々 饰）回到位于鹿儿岛的外婆家，弟弟龙之介（前田旺志郎 饰）则和追寻音乐梦想的“废柴”父亲木南健次（小田切让 饰）在福冈居住。兄弟俩有了各自的朋友圈，父母也似乎渐渐安定下来。可 是，他们无论如何还是希望重新聚在一起。鹿儿岛开往福冈的新干线“燕”和福冈开往鹿儿岛的“樱”号途中会有一次短暂的交汇，传说这时许下心中愿望的话，奇迹就会降临。晴朗的一天，两兄弟各自带着朋友朝着心中的奇迹之地出发…… 　　本片荣获第26届高崎电影节最佳新人男演员奖（前田兄弟）和最佳新人女演员奖（内田伽羅）。

一段破败的婚姻，让两个尚未成年的好兄弟天各一边。哥哥航一（前田航基 饰）随母亲大迫希美（大塚寧々 饰）回到位于鹿儿岛的外婆家，弟弟龙之介（前田旺志郎 饰）则和追寻音乐梦想的“废柴”父亲木南健次（小田切让 饰）在福冈居住。兄弟俩有了各自的朋友圈，父母也似乎渐渐安定下来。可 是，他们无论如何还是希望重新聚在一起。鹿儿岛开往福冈的新干线“燕”和福冈开往鹿儿岛的“樱”号途中会有一次短暂的交汇，传说这时许下心中愿望的话，奇迹就会降临。晴朗的一天，两兄弟各自带着朋友朝着心中的奇迹之地出发…… 　　本片荣获第26届高崎电影节最佳新人男演员奖（前田兄弟）和最佳新人女演员奖（内田伽羅）。