Valencia is a collaboration between a national community of queer filmmakers to adapt the underground classic memoir into a kaleidoscopic vision of San Francisco's Mission District in the early 90s during the rise of a punk lesbian diaspora told through the experiences of Michelle, a single rootless twenty-something searching for sex and love, drugs and adventure.

Valencia is a collaboration between a national community of queer filmmakers to adapt the underground classic memoir into a kaleidoscopic vision of San Francisco's Mission District in the early 90s during the rise of a punk lesbian diaspora told through the experiences of Michelle, a single rootless twenty-something searching for sex and love, drugs and adventure.

马塞洛·德索萨是巴西潘帕的牛仔。他喜欢他的工作，喜欢骑马，喜欢用他们的名字亲切地称呼他的牛，喜欢喂养他的土地。当他无法阻止对牧场的恶毒袭击，导致他负责的一百头牛被偷后，一切都变了。他变得沮丧，放弃了工作。幸运的是，他有很好的朋友和很大的热情，在他的角色，作为一个在竞技表演仪式的主人开花。他鼓舞人心的说唱风格公告不仅向牛仔文化致敬，也向农村社区的团结致敬，因为农村社区对国家的政治领导层几乎没有信任。 　　在电影<Querência>中，导演Helvécio Marins展示了一个忧郁的英雄，他的生活混乱，但他仍然忠于自己。他明确的方向避免过于戏剧化，专注于创造一个特定生活方式的肖像。他在这方面如此成功，正是因为摄影作品捕捉到了孤独的时刻，正如竞技表演中喧闹的兴奋和沐浴在温暖光线中的广阔风景一样。 　　Marcelo de Sousa is a cowboy in the Brazilian pampa. He likes his job, the riding, the cattle, which he tenderly calls by their names, and the land that feeds him. After he’s unable to prevent a vicious raid on the ranch, which results in a hundred cattle in his charge being stolen, nothing is the same. He becomes depressed and gives up his job. Luckily, he has good friends and a big passion, blossoming in his role as the master of ceremonies at rodeo shows. His rousing rap-style announcements pay homage not only to the cowboy culture but also to the solidarity of the rural community, which has little trust in the country’s political leadership. 　　In Querência, director Helvécio Marins shows a melancholy hero whose life is in disarray, but who still remains true to himself. His sure direction refrains from being overly dramatic and concentrates on creating a portrait of a specific lifestyle. That he’s so successful at this is thanks to camerawork that captures the moments of loneliness just as precisely as the raucous excitement of the rodeo shows and the vastness of the landscape, bathed in warm light.

马塞洛·德索萨是巴西潘帕的牛仔。他喜欢他的工作，喜欢骑马，喜欢用他们的名字亲切地称呼他的牛，喜欢喂养他的土地。当他无法阻止对牧场的恶毒袭击，导致他负责的一百头牛被偷后，一切都变了。他变得沮丧，放弃了工作。幸运的是，他有很好的朋友和很大的热情，在他的角色，作为一个在竞技表演仪式的主人开花。他鼓舞人心的说唱风格公告不仅向牛仔文化致敬，也向农村社区的团结致敬，因为农村社区对国家的政治领导层几乎没有信任。 　　在电影<Querência>中，导演Helvécio Marins展示了一个忧郁的英雄，他的生活混乱，但他仍然忠于自己。他明确的方向避免过于戏剧化，专注于创造一个特定生活方式的肖像。他在这方面如此成功，正是因为摄影作品捕捉到了孤独的时刻，正如竞技表演中喧闹的兴奋和沐浴在温暖光线中的广阔风景一样。 　　Marcelo de Sousa is a cowboy in the Brazilian pampa. He likes his job, the riding, the cattle, which he tenderly calls by their names, and the land that feeds him. After he’s unable to prevent a vicious raid on the ranch, which results in a hundred cattle in his charge being stolen, nothing is the same. He becomes depressed and gives up his job. Luckily, he has good friends and a big passion, blossoming in his role as the master of ceremonies at rodeo shows. His rousing rap-style announcements pay homage not only to the cowboy culture but also to the solidarity of the rural community, which has little trust in the country’s political leadership. 　　In Querência, director Helvécio Marins shows a melancholy hero whose life is in disarray, but who still remains true to himself. His sure direction refrains from being overly dramatic and concentrates on creating a portrait of a specific lifestyle. That he’s so successful at this is thanks to camerawork that captures the moments of loneliness just as precisely as the raucous excitement of the rodeo shows and the vastness of the landscape, bathed in warm light.

故事讲述女主Julka在失去家人后被送进健忘症治疗中心。当她开始做一些奇怪的梦时，她发现这些梦对她来说过于真实，她想知道她现在所在的地方是否就是她“认为”的地方。

故事讲述女主Julka在失去家人后被送进健忘症治疗中心。当她开始做一些奇怪的梦时，她发现这些梦对她来说过于真实，她想知道她现在所在的地方是否就是她“认为”的地方。

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

A journalist from Warsaw travels to Silesia and manages to find a tenement house full of exceptional inhabitants.

1791年6月21日深夜，路易十六及其全家乘马车逃出巴黎的王宫，往边境跑去。车上有许多乘客，包括目睹过美国革命的汤姆，捍卫人民原则的佩因；似乎是在利用混乱的女歌唱家；赞扬专制的伯爵夫人；特别担心自己周围人命运的官员和车顶上坐着的雅各宾派大学生以及伯爵夫人可爱的女仆。国王未能到达边境，在—个极热闹的小城镇瓦伦，被当地居民包围了。此时此刻，国王藏身在杂货店老板的家里。拥挤的群众叫喊着，谁也看不到国王及王室成员。广场上的人群此起彼伏地唱着革命的赞歌。人民群众欢欣喜悦，因为革命者抓住了国王，将其带回首都。1793年1月，国王被斩首。

1791年6月21日深夜，路易十六及其全家乘马车逃出巴黎的王宫，往边境跑去。车上有许多乘客，包括目睹过美国革命的汤姆，捍卫人民原则的佩因；似乎是在利用混乱的女歌唱家；赞扬专制的伯爵夫人；特别担心自己周围人命运的官员和车顶上坐着的雅各宾派大学生以及伯爵夫人可爱的女仆。国王未能到达边境，在—个极热闹的小城镇瓦伦，被当地居民包围了。此时此刻，国王藏身在杂货店老板的家里。拥挤的群众叫喊着，谁也看不到国王及王室成员。广场上的人群此起彼伏地唱着革命的赞歌。人民群众欢欣喜悦，因为革命者抓住了国王，将其带回首都。1793年1月，国王被斩首。