人类与宗教的关系相当的漫长，从蛮荒时代到现代社会的，宗教的影响一直遍及人类社会生活的方方面面。以科学理性精神而闻名，同时也不失激情和创意的BBC（英国广播公司）精心制作了5个系列的宗教题材记录片，期待给您一个新的视角来了解宗教，探索人类这边古老而又年轻的精神世界。 　　什么是宗教？宗教是人类社会发展到一定水平出现的一种社会意识形态和社会文化历史现象，主要特点为相信现实世界之外存著超自然的神秘力量或实体，该神秘统摄万物而拥有绝对权威、主宰自然进化、决定人世命运，从而使人对该一神秘产生敬畏及崇拜，并从而引申出信仰认知及礼仪活动，宗教所构成的信仰理论体系和社会群组是人类思想文化和社会形态的一个重要组成部份。研究宗教的学科是宗教学。 　　一个宗教之所以成为宗教，是因为它包括三个层面，其一为宗教的思想观念及感情体验（教义），二为宗教的崇拜行为及礼仪规范（教仪），三为宗教的教职制度及社会组织（教团）。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

该片以人工智能服务“Wonderland”为切入点，讲述与看不到的爱人进行视频通话，从而得到心灵慰藉的故事。

法利（阿兰·霍华德 Alan Howard 饰）是当地非常有名的馅饼生产商，性格傲慢的他在社交圈里树敌不少。一天，波洛侦探（大卫·苏切 David Suchet 饰）收到了法利的来信，要求同他见面。 　　法利告诉波洛自己每夜都在重复同一个噩梦，梦中，他总是于十二点二 八分这个时间点吞枪自尽。这个梦让法利感到非常的焦虑，甚至怀疑自己是不是中了催眠术。波洛当然不相信这种怪力乱神的说法，但对于法利的经历也没有更好的解释。让他没有想到的是，法利竟然真的在不久之后死去了，所有的迹象都表明这是一场自杀。直觉告诉波洛，一切都不是表面看来的这么简单。

该片讲述20多岁的女性在虚拟世界“梦境”中寻求成为植物人的恋人的经历，她们出于许多原因重现怀旧之情。

When small town Gemma moves to Los Angeles to become an actress but takes the graveyard shift at a mysterious sleep clinic to get on her feet, lines quickly blur between reality and implanted dream.

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".