Two sisters, Becca and Rosaline, who have grown apart over the years but through tragic events learn to love and respect one another all over again. Each sister flies out to the Isle of Man to discover and repatriate the body of their mother, Mary, who they learn has been living a double life, leaving their father Richard at home in Manchester, whilst creating another world for herself.

Two sisters, Becca and Rosaline, who have grown apart over the years but through tragic events learn to love and respect one another all over again. Each sister flies out to the Isle of Man to discover and repatriate the body of their mother, Mary, who they learn has been living a double life, leaving their father Richard at home in Manchester, whilst creating another world for herself.

紫怡(李心洁 饰)只不过是一个平凡不过的一位女子，紫怡经营在家帮人改衣服的生意 但是这几年来，她不断发着同一个恶梦。梦裡，她见到一个荒地，而她觉得泥土下总藏着一些东西。此梦令她受尽困扰。　　直至有一天，她认识了Eric (李宗翰 饰)。Eric是一位样貌十分俊秀的青年，经常到紫怡的工场找她帮忙改裤，藉机接近。紫怡渐渐向Eric透露自己的古怪梦境，从中亦得Eric开解，二人关系突飞猛进。　　另一方面，欧女沙展(霍思燕 饰)正极力追查一宗绑架杀人桉，而事件的苦主正正是自己的家姐碧淇(杨采妮 饰)，碧淇的儿子得仔数月前遭人绑架，虽交付了赎金，但得仔至今仍下落不明，而且凶徒仍未落网，令欧女沙展十分气馁。而碧淇终日思念爱儿，精神变得恍惚起来，更责怪欧女沙展辨桉不力，两姊妹关係势成水火。欧女沙展不忍自己亲姐的情况每况愈下，遂决心将凶徒绳之以法。　　紫怡虽得Eric从旁开解，但梦境却没有减退迹象，而且梦境的内容越来越清晰，见到的东西也越来越多!而且一觉醒来自己的床边更佈满了泥泞，莫非自己真的梦游去过那个荒地？自己真的杀了人？就在此时欧女沙展到来找紫怡，要她为她前夫亚明失踪的事件协助调查，紫怡立时大惊，更认定自己梦游时杀了前夫亚明，因为她真的曾因亚明移情别恋而对亚明恨之入骨。紫怡对欧女沙展的问话显得问非所答，言谈间更承认了自己梦游时杀了亚明，更把自己的梦中所见的全部告诉了欧女沙展。　　欧女沙展随着紫怡的线索，找到了藏尸的地点，可是尸体竟然不见了……

乔琳（查理兹·塞隆 Charlize Theron 饰）无疑是一个不称职的母亲，如今，她带着11岁的女儿泰拉（安娜索菲亚·罗伯 Annasophia Robb 饰）无家可归，只得求助于自己的弟弟詹姆斯（尼克·斯塔尔 Nick Stahl 饰）。在结交了新的男友后，乔琳做出了私奔的决定，留下了痛苦的泰拉，为了她被抛弃的命运郁郁寡欢。 　　面对失意的泰拉，詹姆斯感到无所适从，虽然他竭尽全力想帮她走出阴影，但实际上却是越帮越忙。在丢了工作又惹了麻烦后，詹姆斯做出了一个决定，他以父亲的身份带着泰拉踏上了旅程，目的地是他出生成长的农场，而这趟旅程所代表的意义和带来的改变，是詹姆斯和泰拉都无法预料的。

2004年夏天，行为艺术家李娃克，从北京赶来南阳，帮助画家王永平拍摄他的第一部电影．这部影片由王永平和朋友们出演自己的故事，这让整个拍片过程仿佛是他们过去生活的搬演．李娃克在拍片期间和诗人＂魔头贝贝＂，画家丁德福关系密切，他们常在一块谈论艺术．诗人＂魔头贝贝＂刚在网络上被评为＂天才诗人．但现实生活中他却是＂看门人＂，利用拍片空闲，他邀请李娃克，结伴做了一次＂逍遥游＂（The Transcendental Happiness Walk）．拜访外地的诗人． 　　 　　丁德福现在很少绘画，在家庭，学校，情人的世俗纠葛中沉浮．这次他在影片中出演自己．他有时分不清生活和拍片的区别． 　　 　　李娃克随时利用空闲做自己的行为艺术．这些作品有的是他给女孩子的脚化妆，然后将身上穿的寿衣剪下包裹脚；有的是他赤身裸体在人群中倒立．他说这些作品表达了他的生活感受――＂无聊＂． 　　 　　剧组没钱，管理散乱，拍摄时断时续，使王永平深陷在焦虑之中．．．．．．． 　　 　　这些人，在这个炎热的夏天继续着他们的＂梦游＂（Dream Walking）之旅．

墨西哥超现实吸血鬼片，导演Juan López Moctezuma是JODOROWSKY大师的好友，曾经参与杨大师多部经典CULT片的拍摄工作。 　　A beautifull artist (Cristina Ferrare) moonlights as a vampire while in Mexico, killing lovers of both sex. It seems that the only person who has any chance of stopping her reign of terror is her father (John Carradine), who's also a vampire. Model and future TV host Christina Ferrare is a lesbian vampire whose victims are dying to quench her thirst for blood. Mexican authorities and her father (John Carradine) try to come between Ferrare and her next target's neck in this horrifying shockfest. 　　Juan Lopez Moctezuma's MARY, MARY, BLOODY MARY (1975) is one of those movies you watch and, after mentally cataloging all the things wrong with it, realize how cool it really is... mostly because of all the things you thought were wrong with it. Cristina Ferrare is such a Pamprin headache of an actress, as stiff as a celluloid collar, and yet she does create one of cinema's most interesting vampires. In many ways, Mary couldn't be worse at what she does - while the early murder of a man interested in more than her paintings goes off smoothly (Miss Thing slyly sliding a hairpin out of her chignon during female superior sex and using it to lay open his jugular), her next victim (a fisherman, whom she has attempted to drug) nearly fends her off until she takes him down in one of the most ungainly vampire attacks of all time. 　　Elsewhere, Mary proves herself a complete chicken shit in moments of tension, as when she breaks down in big boo-boo tears when confronted on a country road by a mysterious figure clad in black. She's lachrymose, emotionally withdrawn, sexually disengaged and her art sucks... what a perfect portrait of an Ugly Americana spreading the white man's poison south of the border. It's in this context that the cheapness of the production, the harsh 70s decor, the cold, perfunctory performances and the wall-to-wall Muzak score actually begin to seem like grounded artistic choices and have a lot to do with why I keep coming back to this one. 　　MARY, MARY, BLOODY MARY ends in a surprisingly cynical bloodbath of ultraviolence that leaves only the pathetic title character standing... or in reality on her knees sucking the life out of the one person whose love she had relied on to point her to some kind of normalcy. Not enough vampire movies use awkwardness and incompetence as character traits to define their bloodsuckers and that's too bad. George Romero had similar ideas for MARTIN (1976) a year later but portraying vampires as just folks is definitely the horror road not taken.

内德爱他美丽的妻子玛丽，但由于他的性功能障碍无法满足她，无论他怎么努力，都无济于事。有一天他发誓将自己的灵魂卖给魔鬼，以换取他缺乏的男子气概，并提出接受他的提议，魔鬼答应了。内德很快发现自己能够享受他梦寐以求的体验，但不知道魔鬼对内德和他所有的新玩伴有一些可怕的计划......