云窈窈穿书遭继妹陷害，与暴君涂山烬灵魂互换。朝堂智斗哭穷大臣、反杀泽王绝嗣散阴谋、秋猎化解暗杀危机。两人因催情香暧昧互动，更发现亲密接触可触发换身开关。涂山烬假意爱慕泽王诱其谋反，最终布局诛杀逆贼。演员：陈羽翎 饰 云窈窈；陈添祥 饰 涂山烬；汪思盈 饰 云烟烟。

云窈窈穿书遭继妹陷害，与暴君涂山烬灵魂互换。朝堂智斗哭穷大臣、反杀泽王绝嗣散阴谋、秋猎化解暗杀危机。两人因催情香暧昧互动，更发现亲密接触可触发换身开关。涂山烬假意爱慕泽王诱其谋反，最终布局诛杀逆贼。演员：陈羽翎 饰 云窈窈；陈添祥 饰 涂山烬；汪思盈 饰 云烟烟。

《坂上之云》改编自司马辽太郎的长篇历史小说，擅长历史题材的NHK电视台多年前便决定将故事搬上银屏。然而突如其来的变故，却让作品搁浅了2年。04年6月，曾创作了《恋人啊》、《沉睡的森林》等日剧的编剧兼作家野泽尚选择结束自己的生命，而本剧便成为他最终留下的未完遗作。故事通过秋山好古、秋山真之、正冈子规三个主人公的故事，描绘出一幅明治时代的青春画卷。 　　全剧分为三部，09年秋季到年底播放第一部。

《坂上之云》改编自司马辽太郎的长篇历史小说，擅长历史题材的NHK电视台多年前便决定将故事搬上银屏。然而突如其来的变故，却让作品搁浅了2年。04年6月，曾创作了《恋人啊》、《沉睡的森林》等日剧的编剧兼作家野泽尚选择结束自己的生命，而本剧便成为他最终留下的未完遗作。故事通过秋山好古、秋山真之、正冈子规三个主人公的故事，描绘出一幅明治时代的青春画卷。 　　全剧分为三部，09年秋季到年底播放第一部。

退休的考古教授王华，一直着力于研究山海经中关于战国时期楚襄王与神女瑶姬的传说,传说中埋葬瑶姬的山就在湖北。王华跟女儿王嘉不辞而别，跟同伴前往巫山寻找古墓，竟然失踪不见。迫于无奈，王嘉只好邀请非常神探齐文伙同自己前往巫山，却不料此行危机重重。

退休的考古教授王华，一直着力于研究山海经中关于战国时期楚襄王与神女瑶姬的传说,传说中埋葬瑶姬的山就在湖北。王华跟女儿王嘉不辞而别，跟同伴前往巫山寻找古墓，竟然失踪不见。迫于无奈，王嘉只好邀请非常神探齐文伙同自己前往巫山，却不料此行危机重重。

退休的考古教授王华，一直着力于研究山海经中关于战国时期楚襄王与神女瑶姬的传说,传说中埋葬瑶姬的山就在湖北。王华跟女儿王嘉不辞而别，跟同伴前往巫山寻找古墓，竟然失踪不见。迫于无奈，王嘉只好邀请非常神探齐文伙同自己前往巫山，却不料此行危机重重。

The Cloud of Unknowing is titled after a fourteenth century mystical treatise 　　on faith, where the cloud is paradoxically a metaphor for both an impediment to, and reconciliation with, the unknown or the divine experience. 　　Set in a deserted, low-income public housing block in Singapore, the film revolves around 8 characters in 8 apartments, each in the midst of an activity that brings them into an encounter with a cloud, that alternates between being embodied in a figure, and as a vaporous mist. In the moment of encounter, a shift, transformation or illumination occurs that, as the medieval text counsels, is effected in a direct experience of the senses, instead of being understood with the mind.

The Cloud of Unknowing is titled after a fourteenth century mystical treatise 　　on faith, where the cloud is paradoxically a metaphor for both an impediment to, and reconciliation with, the unknown or the divine experience. 　　Set in a deserted, low-income public housing block in Singapore, the film revolves around 8 characters in 8 apartments, each in the midst of an activity that brings them into an encounter with a cloud, that alternates between being embodied in a figure, and as a vaporous mist. In the moment of encounter, a shift, transformation or illumination occurs that, as the medieval text counsels, is effected in a direct experience of the senses, instead of being understood with the mind.

A stunning, intimate series painting a rarely-seen picture of real life in China, interweaving stories of human drama with nature, as the country tries to balance its ambitious future with its ecology