ポルトガル人アーティストのアンドレ・プリンシペ（André Principe）とマルコ・マルティンス（Marco Martins）のドキュメント映画「TRACES OF A DIARY – 日記をたどる」の３日間限りの特別上映会を開催、ポルトガルよりアンドレ・プリンシペが来日いたします。 　　本作は、森山大道、荒木経惟、中平卓馬、ヒロミックス、梶井松陰、吉行耕平といった6名の日本人写真家の日常を約1年半かけて追って制作された記録映像作品です。 　　会場では映画上映の他、本作の撮影時にアンドレ・プリンシペによって撮りためたものから作られた写真集「TOKYO DIARIES」(Pierre von Kleist editions) や、その他出演作家の関連書籍の販売を行います。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

此片是董氏基金会以防治忧郁症为主题所拍的短片。 　　这支短片长度共35分钟，彭于晏和气质美女张钧宁是一对情侣，Ben则患有忧郁症，三人之间有友情和爱情的纠葛。

War, fate, and a broken Walkman transcend time and space in this sci-fi love story.

三船敏郎演的老人喜一听到美国与苏联进行氢弹试验，辐射尘落到日本的消息，决心建造一座地下住宅，最后被关进精神病院，幻觉自己来到另一星球被氢弹烧成灰烬。

老人喜一听到美国与苏联进行氢弹试验，辐射尘落到日本的消息，决心建造一座地下住宅，最后被关进精神病院，幻觉自己来到另一 星球被氢弹烧成灰烬。

Appunti su un fatto di cronaca (Notes on a news story) is a short documentary by director Luchino Visconti, released in 1953. Visconti had already found success with his two first neorealist feature films - Ossessione in 1943 and La Terra Trema in 1947. The film opens with text overlaid against the backdrop of a city. The text tells us about the murder of a 12-year-old girl, Annarella Bracci, in the Borgata Primavalle neighborhood of Rome in March 1950. We see a young girl standing against a building, as well as artistic angles of other buildings in the neighborhood. 　　The narration begins as well with a wider landscape shot of the neighborhood. We see boys playing cards. A wide shot of a beach. The camera hovers for some time on a wide shot of the beach and then turns to a close-up of two young men playing a tennis-like game. We return once again to the girl, and it seems the narrator is indicating that this girl is the girl featured in the news story at the beginning of the film. We then cut to the site of the girl's murder, where we see a memorial and flowers set up. 　　Some have called Appunti su un fatto di cronaca a pure attempt at neorealism, in that there is virtually no mediation between the camera's lens and the neighborhood people as Visconti captures them. There is some poetic sense of course with the style of the visuals, the camera angles, as well as the music that creeps in toward the beginning and the end of the film. Likewise, the narrator takes some license with flourishes that are quite poetic - "We resign ourselves to a handful of wildflowers and a painful catch in the voice".

该作品讲述了天命不凡，与生俱来拥有无穷力量的少女世珍,她受到人们的伤害从而开始拒绝命运，之后她与狩猎少年们变成搭档，大家一起解决神、鬼、妖怪等相关的各种奇异事件的故事。

The documentary was commissioned by Israel’s Public Broadcaster, KAN 11, to mark the commemoration of the 80th anniversary of the end of World War II. Told through tens of thousands declassified British intelligence documents, “Recording Evil” reveals the candid conversations of Nazi officers and soldiers held as prisoners of war during WWII. Unaware of hidden listening devices in British internment facilities, the prisoners spoke freely about their involvement in the Holocaust providing unfiltered accounts that provide details that have never before been made public.

一天清晨，松井和江在打工的乐器行门前，差点与一辆路过的摩托车撞上，手中的唱片全被摔碎了。摩托车的男子是在印刷公司工作的三原幸雄。两人因这起意外相识，并互相爱慕，几乎天天都见面。 　　一手带大幸雄的制版班长岩井，得知幸雄恋爱后，却流露出凝重的神情。幸雄四岁时，父母在核爆中过世。幸雄还未从悲伤中走出，就因后遗症发作，住进了原子弹医院。四个月后，出院了的他，被岩井收养长大，跟着进入了印刷公司。但是，岩井担心的是，幸雄迟早会再度发病。一天，幸雄在工作中，因贫血晕了过去。该来的事，终于还是来了。 　　那天夜里，和江觉得幸雄像变了一个人似的。他说了句让和江放心的话，就告别了。几天后，幸雄在和平公园将自己的命运告诉了和江。和江用爱鼓励他顶过难关。 　　幸雄住院后，和江每天都去看望他，并默默地为他折千纸鹤，祈祷早日康复，但幸雄的病情一天一天地恶化。 　　八月的一天，幸雄的生命走到了终点。和江陷入极度悲伤之中，院长和她的双亲，纷纷安慰她，希望和江能赶快振作起来，寻找另一个幸福……不久，和江随着幸雄去了。