林悦在命运的奇妙转折下，带着前世的记忆华丽重生。这一次，她誓要挣脱宿命的枷锁，以自己的力量书写新的人生篇章。在命运的安排下，林悦意外邂逅了那位前世错过、今世却以沉稳魅力深深吸引她的前任“三叔”。两人在相互理解与支持中，悄然生出了超越辈分的情愫，共同编织着一段不被世俗看好的爱情佳话。 面对前任的纠缠不休与家族内部的重重压力，林悦没有选择退缩。她以前所未有的勇气与智慧，一一化解危机，不仅赢得了自己的幸福，也让那些曾经质疑与反对的声音逐渐平息。在这个过程中，林悦不仅成功改写了自己的命运轨迹，更以她的坚韧与善良，悄然...

小护士以身相许救了朱门总裁，养母却逼着她嫁给拆迁户，小护士不是聪明聪颖的人，但她有绝世兵器--仁慈，她能靠仁慈翻身吗？

新冠病毒爆发的春节期间，几乎所有城市都陷入停滞和隔离状态，大理古城也成了一座空城。一个普通的夜里，外卖骑手小赵，奔波在古城各个空无一人的街道，维持着人们日常生活的运转。小赵帮因为疫情滞留在其他城市而没法回家的猫主人跑腿，上她家照顾猫；为扭伤脚的老人买药和酒精；巧妙地用送餐电话化解一场家庭吵架风波；还接受一对母女的求助，给在他们医院工作不敢回家的爸爸送餐。互联网改变着人们的生活方式，疫情放大了人和人之间的距离，虽然生活在同一个城市，同一片区域，但感觉人和人离得都很“遥远”，小赵却拉近了这种距离。

一个孤独的女孩爱上了一个自称来自另一个时代的男人的故事。

已过不惑之年的马赫穆特（Muzaffer Özdemir 饰）是一名来自土耳其乡村的独立摄影师，经过多年打拼他终于在伊斯坦布尔谋得一席之地，在和妻子分手后，他独自过着平静而自在的生活。某日，来自老家的表弟尤瑟夫（Emin Toprak 饰）闯入了马赫穆特的世界。老家工厂 倒闭让内向的尤瑟夫丢掉工作，为了贴补家用并给母亲治病，他独自来到大都市闯荡，在此期间暂居表兄的公寓中。多年的分离和不同的生活轨迹让这对表兄弟没有任何共同语言，而马赫穆特却越来越厌烦尤瑟夫对他个人世界的侵扰，一份尴尬在兄弟间悄然而生……

已过不惑之年的马赫穆特（Muzaffer Özdemir 饰）是一名来自土耳其乡村的独立摄影师，经过多年打拼他终于在伊斯坦布尔谋得一席之地，在和妻子分手后，他独自过着平静而自在的生活。某日，来自老家的表弟尤瑟夫（Emin Toprak 饰）闯入了马赫穆特的世界。老家工厂 倒闭让内向的尤瑟夫丢掉工作，为了贴补家用并给母亲治病，他独自来到大都市闯荡，在此期间暂居表兄的公寓中。多年的分离和不同的生活轨迹让这对表兄弟没有任何共同语言，而马赫穆特却越来越厌烦尤瑟夫对他个人世界的侵扰，一份尴尬在兄弟间悄然而生……

Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter. 　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd. 　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul. 　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him. 　　Giovanna Fulvi

Nothing really looks what it really is when you look from a distance and so is Jinwoo’s quiet life, far from the hectic, stressful city life, tucked away in the beauty of the Korean countryside, welcomed with open arms by a loving new “family” that has accepted, on their sheep ranch, him and Seol, his wonderful niece who he loves as if she were his own daughter. 　　But when Park Kun-young's careful and precise direction begins to focus on the details of Jinwoo's existence, slowly revealing his restless soul, we gradually discover the complexity of the reasons that led to Jinwoo's extreme choice to retire in the countryside to live like a shepherd. 　　The arrival at the ranch of Jinwoo’s longtime male friend from university, Hyunmin, upsets all balance. Moonkyeong, the ranch owner’s daughter, who has a crush on Jinwoo, accidentally discover the two men in bed and shortly afterwards Jinwoo’s twin sister, and Seol’s birth mother, shows up at the ranch after years of absence and silence and wants to take her daughter back to Seoul. 　　The community of that small country place, which seemed kind and nice, slowly reveals their true colours and deep disapproval of the two men's relationship. The fragile sandcastle of happiness that Jinwoo has struggled to build is crumbling and the cold, harsh winter is upon him. 　　Giovanna Fulvi

阿格斯顿年过五十，在工作了半辈子的能源工厂大裁员中，不幸失去了饭碗。怀着渺茫的希望，他悠闲的穿越东欧希望找到一份工作，并实现自己想要钓到大鱼的愿望。然而在波罗的海边，他发现：自己除了被裹挟着海盐的风吹透的寒冷之外，一无所有。在异国的旅程里，他深深陷入充斥着怪异事件的海洋。一路皆是萍水相逢：友好的人、钻营的人、诡异的人，以及一只被做成标本的天生没有耳朵的兔子。海浪漫过沙滩，再慢慢退潮。后浪把前浪拍在沙滩上。海在此诞生，绝不会在此终结。

《远方》由十三个独立的部分组成，每个部分由一个固定机位长镜头完成，聚焦在人们在新环境下迷失的瞬间。没有任何对白和文字，只利用画面、声音和动作建构整个影片。这十三个镜头—或许神秘、或许现实、或许戏剧—尝试描述一种抽象的境况。