Drama based on the life of Eva Peron, an obscure actress, who rose to become wife of Argentine strong-man President Juan Peron and one of the most powerful figures in Argentina until her death in 1952 at age 33.

The Dutch exotic dancer Mata Hari is accused of spying for Germany during the First World War.

In 1830's England, young medical student Victor Frankenstein (Leonard Whiting), following the drowning death of his beloved brother, bitterly renounces God and vows to find the secret to creating life himself. He crosses paths with the eccentric Dr. Henry Clerval (David McCallum) who shares his quest and takes the younger Victor under his wing. When experiments in reanimating insects and a severed human arm succeed, the two prepare to bring to life a man whom they have assembled from body parts of victims of a mining accident. On the eve of their attempt, Henry discovers that the process will reverse itself and dies from heart failure before he can sufficiently warn Victor. Committed to carrying on his late friend's work, Victor forges ahead and brings to life a creature of incredible beauty and innocence (Michael Sarrazin). The two develop a close, affectionate relationship and Victor looks forward to presenting his creation to society as "the new Adam." Inevitably, the flaw in Clerval's procedure results in the grotesque distortion of the Creature's appearance, causing Victor to callously reject him. The Creature attempts suicide but to his dismay finds he can't be killed. He leaps from the White Cliffs of Dover, and Victor assumes he's seen the last of his bungled handiwork. 　　The Creature, still very much alive, wanders the countryside and befriends an old blind man (Sir Ralph Richardson). He also develops an infatuation with his daughter Agatha (Jane Seymour) whom he observes in secret. In a tragic accident Agatha is killed, and the Creature brings her to his birthplace, seeking Victor's aid. Instead, he finds the lab has been taken over by Dr. Polidori (James Mason), a former colleague of Henry's. 　　Victor meanwhile has moved on, returning his attention to his fiancee Elizabeth (Nicola Pagett) and attempting to live a normal life. His plan is thwarted by Polidori, who uses the Creature to forcibly enlist Victor's help in bringing yet another body to life, this time female. The result is Prima (also Jane Seymour), a stunning beauty with an evil, cold heart. Finding no further use for Victor's creature, Polidori locks him in his laboratory and sets it ablaze, while Victor stands by helplessly. 　　Polidori grooms Prima and schemes to use her to gain entree into the cream of society and seats of political power. Prima's coming-out party is memorably cut short by the arrival of the uninvited Creature. Events come to a head when she viciously attacks him, inciting his jealousy and murderous rage. 　　Their life in a shambles, Victor and Elizabeth charter a boat to escape to America, unknowingly accompanied by both Polidori and the Creature. After a storm and much violence only Victor and his Creature are left on the ship. Wishing to escape humanity, the Creature steers the ship toward the North Pole. Victor and the Creature confront each other for a final time in the Arctic wasteland.

这是一部关于约翰·C·福尔摩斯的纪录片，他在很多方面都是成人电影业的巨星。

这是一部关于约翰·C·福尔摩斯的纪录片，他在很多方面都是成人电影业的巨星。

Jeremy Paxman joins dedicated art lover and author of ‘Van Gogh's Ear: The True Story’, Bernadette Murphy at the climax of her seven-year mission to solve one of the most perplexing art mysteries of our time: did van Gogh really take a razor to his own ear, and what led him to commit such an act? 　　Having sifted through all the evidence, Bernadette’s search ends in Berkeley, California, where a tiny document, drawn by Dr Felix Rey, who had cared for Van Gogh following the incident, has been hiding for years in the Irving Stone archives. Rey had drawn a diagram for Stone of the ear before and after to inform Stone's book Lust For Life. The diagram confirms a brutal severance of the entire ear. Bernadette takes the evidence to the Van Gogh Museum in Amsterdam, the world’s foremost centre for the study of his life and work. 　　Vincent van Gogh, an unknown and unsuccessful painter during his lifetime, is today among the most celebrated artists of all time. In 1888, the artist spent a year of his life in the city of Arles, France, where he created some of his most treasured masterpieces. But it was also the year - legend has it - that he took a blade to his own ear, before giving it to a young girl outside a nearby brothel. He was found the following morning - on Christmas Eve - his head in blood-soaked rags. 　　This event has become one of the most famous legends in the history of art, but nobody has been able to agree what actually happened – even that he did cut off his ear - until now. 　　Before the final piece of the puzzle is uncovered, the documentary follows Bernadette as she identifies for the first time the girl called ‘Rachel’, the girl van Gogh gave his ear to that evening, and tracks down her descendants. Bernadette deduces that Rachel was in fact a young cleaner named Gabrielle - who worked brothels and other regular haunts of van Gogh's near where he lived in Arles in 1888 - and sheds light on the true nature of their relationship. 　　The programme also offers analysis of Van Gogh’s work, created directly after the incident – clues within offer insight into his genius and mental state at the time; his feelings of abandonment by his brother Theo, on whom he relied financially and emotionally, and friend and fellow artist Paul Gaugin. 　　Bernadette Murphy says: “This investigation has been an incredible adventure, and discovering the document was an extraordinary moment. From my little house in Provence I couldn’t believe I had found something new and important about Vincent van Gogh, but it was a vital detail in my complete re-examination of this most famous of artists, the key people he met in Arles and his tragic end.” 　　Jeremy Paxman says: “Bernadette Murphy has demonstrated that with passion and dedicated sleuthing you can change a bit of history.”

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

明治末年，大正初期，十市是一名将家安在河边的船夫，他每天的工作是划船接送形形色色的人过河。为了方便村民的出行，一座横跨河两岸的桥即将落成。村民兴高采烈地讨论着桥落成后的便利，只有十市对此有着复杂的感觉。某日，他从河里救了一名受伤的神秘年轻女子。无处可去的她最终只能返回十市家中，这次邂逅开始改变了十市的生活。小田切让首次执导长片，入选威尼斯电影节威尼斯日单元，浅野忠信、苍井优、永濑正敏亦有参与演出。

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.

This simple story of a mother and daughter finds them struggling to find work and food in Paris. Micheline Bezancon is the expressionless young mother who alone worries about the future of her and her daughter. Filmed in black and white, the directorial approach is as simple as the title. She engages in a poignant narrative about her daily life. Half of the time the screen is black, evoking a feeling of despair that permeates the feature. 　　Shot in 16 mm in Paris & its suburbs and co-produced by French television on a very low budget. This was inspired by an item on the back page of a newspaper. The essence of the film is captured by its first person voice-over commentary, and was considered "one of the few genuine masterpieces in the entire history of cinema" by film theorist Noel Burch. The film is not available in English translation, either dubbed or subtitled. But it works very well in simultaneous translation, if prepared in advance.