天主教、巫术和酷儿欲望在 3D 动画场景中相互碰撞。 在这个临界空间中，语言慢慢展开，并悬于欲望与传统、温柔与暴力之间。

对瓦尔达过去影片内容的再剪辑

对瓦尔达过去影片内容的再剪辑

Willing to prove his manhood to his handsome buddies, Marko tries to find a girl. In the encounter with a victim of a past sexual trauma he discovers an aggressive part of himself. 　　DIRECTOR’S STATEMENT 　　What is the connection between aggression and sexuality? In the fourth grade of primary school me and my best buddies went to the school toilet and measured who had the biggest penis. We couldn’t agree on it so all three of us had a fist fight still having our penises out. Then came the 90’s, the war and all the violence and hate between former Yugoslavian countries. We were all kids and we didn’t know what was happening. But we grew up, and now it’s time to fuck.

Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

Remi throws himself on the ground, listens to birds and falls asleep in hedges. Gabriel opens his stomach to the tip of a knife. They meet.

The afternoon Jorge asks Mariana over for a weekend at his house in Leiria, she starts to see him in a whole new light. Unsure of her friend’s intentions, Mariana accepts his unexpected and baffling invitation. 　　源自：https://www.semainedelacritique.com/en/edition/2023/movie/corpos-cintilantes

The afternoon Jorge asks Mariana over for a weekend at his house in Leiria, she starts to see him in a whole new light. Unsure of her friend’s intentions, Mariana accepts his unexpected and baffling invitation. 　　源自：https://www.semainedelacritique.com/en/edition/2023/movie/corpos-cintilantes

虚构了一位因城市规划而离开原居住地的人物，其经历与对城市不同地理位置特定绿色视觉景观的讨论交织在一起，哪些植物属于中心，哪些属于边缘。并将植物作为一种隐喻，探讨其背后代表的社会阶级分化的含义。

虚构了一位因城市规划而离开原居住地的人物，其经历与对城市不同地理位置特定绿色视觉景观的讨论交织在一起，哪些植物属于中心，哪些属于边缘。并将植物作为一种隐喻，探讨其背后代表的社会阶级分化的含义。