施大全女儿施雅惠，陈文泰儿子陈家凯，服装界劲敌，双方利用儿女作间碟，试探商机，两人互相虚伪的对对方表示追求之意，但其实彼此都没有好感，只是打算彼此利用而已。农家少女林春兰来台北就学，误打误撞进入陈文泰家庭，她热情纯真，不但撮合蔡大伟与陈家凯之妹的姻缘，也揭穿施大全家族的商业阴谋。陈家凯对来自农村的林春兰产生好感，开车协助林春兰四处寻觅赁屋，屋主对独身少女租屋条件苛求甚多，加上林春兰的行李屡屡发生状况、林春兰不得己的状况下金得寄居陈家……

施大全女儿施雅惠，陈文泰儿子陈家凯，服装界劲敌，双方利用儿女作间碟，试探商机，两人互相虚伪的对对方表示追求之意，但其实彼此都没有好感，只是打算彼此利用而已。农家少女林春兰来台北就学，误打误撞进入陈文泰家庭，她热情纯真，不但撮合蔡大伟与陈家凯之妹的姻缘，也揭穿施大全家族的商业阴谋。陈家凯对来自农村的林春兰产生好感，开车协助林春兰四处寻觅赁屋，屋主对独身少女租屋条件苛求甚多，加上林春兰的行李屡屡发生状况、林春兰不得己的状况下金得寄居陈家……

南京世家出身的青年学生周鸿元与歌女王寒梅交往,日久生情,遂向曾任知县的父亲提出婚事,却遭反对.周老太爷的侄儿振廷知老人家生性风流,教他到寒梅家一探究竟.寒梅知他是鸿元父亲,殷勤招待,振廷便乘机怂恿他纳寒梅为妾.此时鸿元得寡嫂张爱娟资助前来订亲,因误会寒梅变心大怒而去.寒梅应周老太爷之邀到周府晚宴,并藉机向鸿元解释.周老太爷发现其亡妻赠给爱娟的戒指竟戴在振廷来之歌女蒋小莺手上,质询之下,振廷无言以对.殊不知振廷与爱娟有染,周老太爷后被儿子讥讽夺己所爱,才醒悟振廷欲施离间计谋夺家产,一怒之下将他逐出家门.鸿元不满家庭,连夜出走,不料周老太爷遇刺毙命,血刀竟在鸿元行李内发现,令他身陷囹圄.本来与振廷有染的爱娟因不甘被他欺骗感情,向警方提供线索.结果振廷被揭发为真凶.鸿元获释,与寒梅往谢爱娟,然而爱娟早已羞愤服毒而死. ...

南京世家出身的青年学生周鸿元与歌女王寒梅交往,日久生情,遂向曾任知县的父亲提出婚事,却遭反对.周老太爷的侄儿振廷知老人家生性风流,教他到寒梅家一探究竟.寒梅知他是鸿元父亲,殷勤招待,振廷便乘机怂恿他纳寒梅为妾.此时鸿元得寡嫂张爱娟资助前来订亲,因误会寒梅变心大怒而去.寒梅应周老太爷之邀到周府晚宴,并藉机向鸿元解释.周老太爷发现其亡妻赠给爱娟的戒指竟戴在振廷来之歌女蒋小莺手上,质询之下,振廷无言以对.殊不知振廷与爱娟有染,周老太爷后被儿子讥讽夺己所爱,才醒悟振廷欲施离间计谋夺家产,一怒之下将他逐出家门.鸿元不满家庭,连夜出走,不料周老太爷遇刺毙命,血刀竟在鸿元行李内发现,令他身陷囹圄.本来与振廷有染的爱娟因不甘被他欺骗感情,向警方提供线索.结果振廷被揭发为真凶.鸿元获释,与寒梅往谢爱娟,然而爱娟早已羞愤服毒而死. ...

多得有妮可（纳嘉·乌尔 Nadja Uhl 饰）家中的那个小阳台，她和邻居兼死党凯琳（英卡·芙德瑞Inka Friedrich 饰）得以互诉心事，消解夏天烦躁，细品人生况味。每个清风习习的傍晚，妮可和凯琳都在阳台上喝可乐和酒。妮可每天都细心照顾独居老人，而未婚妈妈凯琳为儿子的学业爱情操心，没有好工作、好伴侣的两个好姊妹，在这里幻想着新感情的出现。 　　他终于出现了。是一个货车司机，名叫罗纳（安德雷斯·施密特Andreas Schmidt 饰），妮可内心的感情在萌芽。罗纳肯定是一个优秀的专一的伴侣——妮可一度这样认定。罗纳搬到妮可家中住下，也慢慢走近了邻居凯琳的生活，三个人之间的感情纠葛渐渐升级。凯琳和妮可甚至有了争吵，和谐的关系似乎渐渐远去。其实，这个夏天的妮可阳台的风景，还远未结束呢。

多得有妮可（纳嘉·乌尔 Nadja Uhl 饰）家中的那个小阳台，她和邻居兼死党凯琳（英卡·芙德瑞Inka Friedrich 饰）得以互诉心事，消解夏天烦躁，细品人生况味。每个清风习习的傍晚，妮可和凯琳都在阳台上喝可乐和酒。妮可每天都细心照顾独居老人，而未婚妈妈凯琳为儿子的学业爱情操心，没有好工作、好伴侣的两个好姊妹，在这里幻想着新感情的出现。 　　他终于出现了。是一个货车司机，名叫罗纳（安德雷斯·施密特Andreas Schmidt 饰），妮可内心的感情在萌芽。罗纳肯定是一个优秀的专一的伴侣——妮可一度这样认定。罗纳搬到妮可家中住下，也慢慢走近了邻居凯琳的生活，三个人之间的感情纠葛渐渐升级。凯琳和妮可甚至有了争吵，和谐的关系似乎渐渐远去。其实，这个夏天的妮可阳台的风景，还远未结束呢。

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)

Pleasure At Her Majesty's was the name given to the filmed release of A Poke In The Eye (With A Sharp Stick), the first of the Amnesty International comedy benefit galas. The title is a play on the phrase At Her Majesty's Pleasure (the show was performed at Her Majesty's Theatre, London). In America, the film was originally called Monty Python Meets Beyond the Fringe. 　　This show came to be considered part of the Secret Policeman's Ball series of shows that it inspired, although it pre-dated the first show in the series by three years. 　　The event was organized by a team of three: Monty Python member John Cleese, Amnesty's Assistant Director Peter Luff and Transatlantic Records executive Martin Lewis. It featured the cream of Britain's comedic talent of the era, setting a precedent that would inspire many subsequent Amnesty galas, as well as Comic Relief. The concept was also the inspiration of similar events, also in aid of Amnesty International in countries around the world as far away as Australia, in the case of the Stand Up For Your Rights Comedy Galas. 　　The film consists of both on-stage and back-stage footage, taken from all three nights of the run (1–3 April 1976). 　　Luff and Lewis collaborated on producing the successor show - video-taped in 1977 as The Mermaid Frolics. Then Cleese and Lewis teamed up (with Amnesty's new fundraising director Peter Walker) in 1979 to create The Secret Policeman's Ball - the first show to carry what became the iconic Secret Policeman's Ball title. 　　(from wikipedia)