10 集

主人公积极地清洁她的牙齿和连锁烟。被摄像机追击，她反复攻击它。原声带包括研磨噪音、旋律竖琴和笑声。

“老骨头”卡尔·厄本将参演独立动作惊悚片《初级入门》，此前布伦顿·思韦茨已确定加盟。故事围绕着由思韦茨饰演的年轻人展开，他一觉醒来发现自己身处一座办公大楼，同时还被人胁迫去完成一系列危险任务。厄本在影片中饰演神秘的幕后操纵者。该片由弗兰克·卡方执导，预计于2017年初开机。

恋愛よりも仕事を優先してきた主人公・池上紗南が、中学の同級生・竹林圭太と再会するところから物語が始まる。紗南と圭太は結婚前提の交際をスタートさせるが、彼女にはセフレ関係である金子達也の存在があった。

恋愛よりも仕事を優先してきた主人公・池上紗南が、中学の同級生・竹林圭太と再会するところから物語が始まる。紗南と圭太は結婚前提の交際をスタートさせるが、彼女にはセフレ関係である金子達也の存在があった。

歯医者の竹林と妻は退屈な結婚生活を送っている。二人は旅行に行き、帰りの列車で竹林は北宮の妻に言い寄るが振られる。北宮は、妻が歯が痛いとこぼすので竹林の診療所を勧める。そして嫉妬と誤解から一騒動が起きるが、結局、北宮夫妻は仲直りするのだった。

“老骨头”卡尔·厄本将参演独立动作惊悚片《初级入门》，此前布伦顿·思韦茨已确认加盟。故事讲述年轻人(思韦茨饰)醒来发现身处一公大楼，与此同时他被人胁迫完成一系列危险任务。厄本在片扮演神秘的幕后操纵者。影片由弗兰克·卡方执导，将于2017年年初开机。

A famous docking: Algiers, the White City, in a radiant light. The picture darkens with a voice-over reading of the text of the surrender of the Dey of Algiers in 1830. About the Conquest confronts us with a page of the French national novel that was too hastily turned. Franssou Prenant audaciously gathers a community of complicit voices who read a succession of archives (reports, testimonies, memoirs, historical, geographical, and urbanistic considerations) in a matter-of- fact tone. Recounting the stages of France’s colonisation of Algeria between 1830 and 1848, they outline the ideological landscape of a staggering annihilation effort. The film could just as well have been entitled About Destruction. Franssou Prenant thus constructs a memorial with a technique common to History and cinema: montage. A montage of texts: the words of Victor Hugo, Ernest Renan, Tocqueville are interwoven with those of military men, senior officials, brigadiers, without any way of distinguishing the authors. Then, a montage of images through which yesterday’s acts of violence and dispossession echo in the present: in contrast to an account of murders, the film presents a desolate desert landscape or the frank and innocent smiles of teenagers. The promises of riches offered by colonized Algeria are accompanied by shots of an opulent, Haussmann-style Parisian city centre. We are plunged into a reflection on the nature of this extraordinary violence, through a pictorial meandering into contemporary Algeria, entwined with archival extracts heard in an interplay of convergence and divergence. The piling up of texts brings to light both the ethnocentric and racist imaginary and the cold logic of economic exploitation that dictated the colonization of Algeria and its irreversible consequences, from which Algerian society still suffers today. 　　源自：https://fidmarseille.org/en/film/de-la-conquete-about-the-conquest/

Michel Piccoli stars as an amorous dentist whose philandering seemingly knows no bounds. He is no sooner shooing such lovelies as Anna Karina and Elsa Martinelli out the back door than he is welcoming such "new blood" as Joanna Shimkus into his living room. When Shimkus demands a commitment, Piccoli runs home movies of his past girlfriends, insisting all the while that he has forgotten them and that Joanna is the only woman in his life. The very next day he's running his movies for still another woman, and the song continues. De L'Amour is based on an 1822 novel by Stendhal (who would have been visionary indeed if he'd included all those home movies!)

从心灵哲学的角度看，“平行论”是一种身心相互作用的二元论，它认为精神事件与物质事件发生在平行的存在过程中，两者以特定的方式相互作用着，当然这并不意味着其中一个可以诱导另一个去做和它同样的事。电影用同样的方式展示了两个世界，两座城市。它们看似独立存在，但实际上它们通过走廊、时空隧道和跨维度桥梁相互交流着。这两个相反的世界，乌托邦和反乌托邦，终将在一个“混血”的世界中统一。那不是两个世界单纯的加总，而是两个世界的某种融合。在那里，由两个相反世界融合诞生的新世界就有了一个新的身份。在意大利语中，“meccio”(混血)源于晚期拉丁语mixtīcius，意思是“混合”，由此很可能衍生出了法语里的成语métis，意为我们每个人融合多重身份，多重个性于一身的能力。影片的主人公是一个的“聚合”，是一个眼睛上长有拉链，脸颊上生长着玫瑰花瓣的女人，她看上去就像花。影片由她介绍给大家，也由她落幕，好像她的存在引导着和谐的融合之路——那也是一个“混血”的存在——似乎她的故事就是通往希望与满足世界的必经之路，这个过程充满可能性，起始的两条平行道路即象征了一种获得新融合身份、兼容发展和成就独特的可能性。