《榆阳秋》讲述了上世纪四十年代，塞上榆阳的一批进步爱国商人为延安捐献一批黄金，当地的 三秦商会受托押送黄金，在运送过程中，遭到土匪、日本特务和汉奸的劫掠，从而引发了一场争夺和保护黄金的精彩大戏。押运 镖师李家俊和徒弟二虎为保护黄金奋力抵抗，最终损失惨重，除二虎和另一个随行女子曾云逃脱外，其他人全部战死。二虎为查出真相，替师傅报仇，联合杀父仇人的女儿曾云一起查询黄金下落，其间两人互生情愫，辗转多年后终于修得正果。与此同时，二虎还联合土匪黑九、地下党员苏丽娟、国民党特工黄君艳，一起克服重重困难，击破日本特务的“渔翁计划”，终于找到黄金下落，并安全送到延安。剧情跌宕起伏，环环相扣，不仅描画了 秦商与 晋商惊心动魄的商战大戏，而且书写了一段榆阳儿女感人至深的爱恨情仇。

The season series of Silly Symphonies continues, with squirrels storing nuts and corn, crows stealing it, beavers building a dam, ducks migrating, and the like, as the first snows fall.

一位刚搬到新家的女士，持续收到寄给旧房客Akiko的信件。

本片根据巴金的“激流三部曲”的第三部改编。封建大家庭高家，已经分崩离析，日趋没落。觉新（吴楚帆）和婢女翠环（红线女）互生爱慕，限于身份悬殊，不敢表白。翠环被觉新的五叔逼迫要做他的小妾，翠环要自杀以明心迹，觉新及时阻止。觉新经历种种曲折，看到高家各房人等为争财产互相勾斗角，公然反抗，向翠环表达爱情。最后，觉新与翠环、母亲和觉民（张活游）离家出走。

Julien, a movie director, is on the phase of editing his new film, "Juliette sacrifiée". Hurried by his producer, he asks for the help of a professional editor. It is Anne, with whom Julien is soon falling in love. During the whole of the movie, both are sitting in front of the editing table, where they listen to music, talk about politics and what movies should and should not be about, make love, and finally end up editing the film as was planned.

该片讲述了从封建家族后继人的堕落上以及从封建观念受毒最深的懦弱者的反抗上，描写了封建大家庭高家的最后衰败的故事

In the follow-up of Estonian classics "Kevade" (1969) and "Suvi" (1976) the same characters have reached their middle-age. Everybody are living quiet family-life but Kiir the tailor who one more time decides to become a farmer and get married.

一个生活在90年代日本的中国家庭，父母努力地经营和维持着在他乡的生活。年幼的孩子也入读了当地的幼儿园。一切都好像风平浪静。却因为在上海生活的爷爷…

A forgotten avant-garde masterpiece by a forgotten avant-garde director Brumes d'automne (1929, Dimitri Kirsanoff) is the best avant-garde short film, and one of the best films of any kind, that I have ever had the pleasure of seeing. There are so many positives to it, and no negatives. It is even better than Man Ray's Le Retour à la Raison, which I previously believed to be the gold standard for the quality of experimental short films. The title translates to Autumn Mists, which the film is filled with. Unlike most experimental works, Brumes features a clear protagonist. This unnamed character is played by the absolutely gorgeous Nadia Sibirskaïa. When we first meet this woman, she is burning papers in a fireplace. The papers are presumably letters from a lost love. Sibirskaïa's work here is a perfect example of how to act through body language. Through slight facial gestures and movements, she says so much more than words ever could. Her eyes tell her story for her. Paul Devred's score is mesmerizing, and works perfectly with the tone of the film. It's also a very beautiful musical composition in its own right. However, the single best aspect of the film is the cinematography by Jean de Mieville. The shots that feature water remind one of what Ralph Steiner's experimental short H2O could have been, and should have been. This film should be seen by all. There is a real tragedy, far worse than the one in the film, and that tragedy is that there probably are not a thousand living people who have even heard of the film. It is a true forgotten masterpiece. I will go as far as to call it the best film of the 1920s. (author: Matt McGraw (WhenTheRadiatorBurst) from Florida at imdb.com)