本作はNHK長野放送局が贈る、写真を題材にしたオリジナルドラマ。舞台は「東洋のスイス」と呼ばれ、フィルムカメラの生産地として一時代を築いた長野県諏訪地域だ。主人公の青年・裕介が、亡き祖母の面影を求め写真を探す過程でさまざまな人と出会い、自分の知らない町の表情に触れていくさまが描かれる。 　　NHKドラマ初出演となる南は、裕介と一緒に写真を探す女子高生・宮下陽菜（みやしたはるな）役で出演。彼女は「長野の秋の空気を身体いっぱい感じながら、陽菜に寄り添って丁寧にお芝居を重ねていけたらと思っています。そして、『写真』というテーマ、陽菜という役を通して、作品の想い、そして諏訪地区の美しさをみなさんにお伝えできたらと思います」と撮影への意気込みを語っている。

《模糊的时间》讲述的是一群小伙伴到山里去玩耍只有女孩被救出，而几天之后失踪的少年突然变成成人的样子回来，与小女孩上演一段超越时空的感情故事…

季云禾与男友宋昀其计划看极光，他却全程心不在焉地回复司芙消息。季云禾不满，要求他删除司芙，宋昀其认为她小题大做，两人爆发争吵。宋昀其向司芙抱怨，司芙表面理解，暗地怂恿分手。随后司芙竟擅自闯入季云禾家中，辩称因送醉酒的宋昀其才得知密码。季云禾怒斥其毫无边界感，司芙被怼走。季云禾找到宋昀其，要求删除司芙未果后，果断提出分手。宋昀其不解且拒绝改变，季云禾决然离开，这段因边界感缺失的感情终告终结。

这个实验短片标题中的“蓝色玻璃模糊的眼睛”扩展自弗吉尼亚·伍尔夫小说《海浪》中的一个文学形象，该小说被认为是20世纪英国作家最具实验性的文学作品之一，年轻的电影制片人从中汲取灵感，借用片段和视觉来解释他对电影的理解。这部电影与水——确切地说——和光玩耍，然而以非常黑白的形式呈现，偶尔点缀着颜色的闪光，进行了一场在夜晚的旅程，一个人的影子逐渐变得实质化。 　　The “bleared eyes of blue glass” in the title of this experimental short expand on a verbal image from Virginia Woolf’s novel The Waves, considered the most experimental among the 20th-century British writer’s literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water – precisely – and light, and yetin a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance. Bleared Eyes of Blue Glass was shot in a house, forest, and stream in Incheon, close to the South-Korean capital, where the filmmaker currently lives. 　　源自：https://www.pesarofilmfest.it/en/program/1413-bleared-eyes-of-blue-glass

这个实验短片标题中的“蓝色玻璃模糊的眼睛”扩展自弗吉尼亚·伍尔夫小说《海浪》中的一个文学形象，该小说被认为是20世纪英国作家最具实验性的文学作品之一，年轻的电影制片人从中汲取灵感，借用片段和视觉来解释他对电影的理解。这部电影与水——确切地说——和光玩耍，然而以非常黑白的形式呈现，偶尔点缀着颜色的闪光，进行了一场在夜晚的旅程，一个人的影子逐渐变得实质化。 　　The “bleared eyes of blue glass” in the title of this experimental short expand on a verbal image from Virginia Woolf’s novel The Waves, considered the most experimental among the 20th-century British writer’s literary works, from which the young filmmaker took inspiration for his film, borrowing passages and visions to explain his own understanding of what cinema is. A film that plays with water – precisely – and light, and yetin a very dark b&w lit up by rare flashes of colour, making a journey in the night in which the shadow of a man gradually acquires substance. Bleared Eyes of Blue Glass was shot in a house, forest, and stream in Incheon, close to the South-Korean capital, where the filmmaker currently lives. 　　源自：https://www.pesarofilmfest.it/en/program/1413-bleared-eyes-of-blue-glass

一群小伙伴到山里去玩耍只有女孩被救出，而几天之后失踪的少年突然变成成人的样子回来……

Nick and Nora's hopes for a pleasant afternoon at the local race track are dashed when a jockey is found shot dead in the locker room. Nick's friend Lt. Abrams wants him to help out but Nick is enjoying the good life too much to get involved. However, he is subsequently approached by Major Scully to look into corruption and the role of organized crime in gambling. Others are killed but in the end, Nick gathers all of the suspects into a room and identifies the killer.

Nick and Nora's hopes for a pleasant afternoon at the local race track are dashed when a jockey is found shot dead in the locker room. Nick's friend Lt. Abrams wants him to help out but Nick is enjoying the good life too much to get involved. However, he is subsequently approached by Major Scully to look into corruption and the role of organized crime in gambling. Others are killed but in the end, Nick gathers all of the suspects into a room and identifies the killer.

一位电影制片人和摄影师正在研究她父亲的照片档案，她父亲在多年的反对智利独裁统治的活动中也是一名摄影师。在探索这些图像的过程中，他们创造了一个游戏，其中出现了各种虚构的内容，并在此过程中反思过去的阻力、恐怖的后果以及图像所包含的构想其他未来的可能性。

一位电影制片人和摄影师正在研究她父亲的照片档案，她父亲在多年的反对智利独裁统治的活动中也是一名摄影师。在探索这些图像的过程中，他们创造了一个游戏，其中出现了各种虚构的内容，并在此过程中反思过去的阻力、恐怖的后果以及图像所包含的构想其他未来的可能性。