新兴金融家Deniz在一场车祸中痛失秘密爱人Vicdan，而只有他记得她曾真实存在过。他在野心与痴迷的交织中挣扎，决心探寻她失踪背后的真相。

暂无剧情简介

暂无剧情简介

上个世纪初期，一个水族小伙，看到生活在水深火热中的中国人民，写下了“志在苍生”的铮铮誓言。16岁那年，他跋山涉水，翻山越岭，在一个暴雨如注的夏日来到泉城济南。从此，他的命运就同当时苦难的中国紧紧地联系在一起。他与同时代的其他年轻人一起，“以青春之我，创造青春之国家”。在道路求索中，他选择了马克思主义，并矢志不渝；在时代洪流中，他选择了与人民一起，并至死不渝。他就是中国共产党创始人之一、中共一大代表邓恩铭。

纪念苏联作曲家肖斯塔科维奇逝世30周年，无对白，音乐+黑白影像，类似苏古诺夫早期的那些短片。 　　Fate of the Artist is inseparable from the time of his life. Here are the works of the masters, and continue to live after his death. The film is "Epitaph" - tells about the fate of Dmitri Dmitrievich, the fate of the country, using a single language, which is organic in the narration about the composer - the language of music. The film became the Eighth Quartet, which Shostakovich himself wrote it: "... if I ever pomru, it is unlikely that person to work on my memory. That is why I have decided to write one. On the cover so you can write:" Dedicated to memory of the author of the quartet. "That is why this quartet sometimes called the biography of the composer. The authors have tried to see the film in a quartet that included the time in which he lived a great composer. However, they say that stories sometimes tend to recur. 　　Boris Dvorkin was born in 1958.He graduated from Leningrad Navy School and worked as a director of the radio station at the fishing boats. Later on the TV companies as a journalist, cameramen and film director.In 2002 graduated Higher Courses For Screen Writers and Film Directors. Workshop of non-fiction film directing. Masters – L.Gurevich, A.Gerasimov.He is working as a director at “Risk” film studio, “Positive-film” studio, studio “Cvart” and other.

八年情深，抵不过他一次次的 “下一次”。闺蜜婚礼上，捧花落怀，全场起哄，他却抽走捧花递给旁人。轻描淡写的敷衍，成了压垮我的最后一根稻草。我等过风雨，等过青春，等过他无数次的承诺，终究等不来一场属于我们的婚礼。当我转身宣布婚期，他只当是赌气，直至婚礼现场，才惊觉我的新郎不是他。八年花期落幕，我告别那个永远把我排在末位的人，终遇良人，揽我入怀，予我安稳余生，岁岁念安。

李爽嫁入赵家三年任劳任怨，却遭婆婆挑剔、大姑姐刁难，丈夫赵磊始终偏袒家人。一次因饭菜被婆婆辱骂，李爽提出分家反遭更恶毒指责，哭诉委屈仍无人理会。婆婆叫来大姑姐，争执中李爽被磕伤流血，彻底心冷回娘家。赵磊没了李爽生活混乱，才知其重要，登门道歉承诺护她，李爽最终选择原谅。

德昌导演离开我们十年了。 　　「1982年，小野邀请甫留学归国的杨德昌参与中影的《光阴的故事》拍摄计画起，「杨德昌」这个名字便正式走入台湾电影圈。1983 年《海滩的一天》筹备期间，因杨德昌提出诸多反动体制的作法，中影几乎下令停拍，最后谈判前一天，他写了一篇〈光阴的童话故 事〉给小野，那是一个老米舖老闆夹在有干劲的小学徒和捧铁饭碗的老员工之间的故事，用此比喻改革旧体制之必要。杨德昌就是这样一个人，在廿多年的创作岁月裡，用最大的热忱与独立精神，戮力达到创作的完美，一辈子都沉浸在电影的世界裡。 　　「十年再见杨德昌」专题选映《光阴的故事》等多部经典作品，另邀请杨德昌的弟子们带来早期创作，呈现他们因受杨德昌的启发而走上电影之路。除了影片放映之外，吴乙峰导演专访了柯一正、小野、余为彦、杜笃之、虞戡平、张震、陈湘琪、魏德圣、唐从圣、陈希圣、鸿鸿、姜秀琼、王维明、陈骏霖等人，请他们谈及和杨德昌当年的互动细节。以此纪念离开我们十年的杨德昌导演。