Follows Lee Fletcher IV, a high school senior who develops a crush on his openly gay classmate, but then finds himself stalked by a faceless creature that continuously inhabits his thoughts and threatens physical harm.

Follows Lee Fletcher IV, a high school senior who develops a crush on his openly gay classmate, but then finds himself stalked by a faceless creature that continuously inhabits his thoughts and threatens physical harm.

Follows Lee Fletcher IV, a high school senior who develops a crush on his openly gay classmate, but then finds himself stalked by a faceless creature that continuously inhabits his thoughts and threatens physical harm.

希腊悲剧三部曲终节章 　　奥斯卡最佳外语片提名(当年仅以一票之差败给布努艾尔的《朦胧的欲望》) 　　戛纳金棕榈提名 　　希腊萨撒隆尼基电影节最佳影片、最佳女演员2项奖

After a difficult start, Lewis and Hathaway seem to have settled back into their former relationship. But together with the new DS, Lizzie Maddox, they find themselves put to the test as they investigate the brutal murder of an American classics student. The deeper they delve, the more suspects and murky motives come to light.

由内尔瓦纳出品的《奥利的背包》是一部关于13岁奥利的动作喜剧，讲述了奥利与他的朋友克莱奥、伯尼和怪物训练师沃夫斯基船长一起，保护和控制着通往怪物王国的背包入口的奇妙冒险故事。

Alone in his kitchen in Bucharest, Dorel prepares for what seems to be a party. Actually, it's his son's wedding which takes place in the USA. Dorel is going to watch the wedding through a webcam together with two of his son's friends. On the small display they are going to meet the bride and her father and will witness the ceremony. A bitter-sweet story about scattered families and lonely parents.

cc出的一张dvd

影片根据真实新闻事件改编。屠夫奥利格从拉脱维亚来到比利时打工，但处处碰壁的他没有找到工作，却落到了无赖工头安德烈的手上。他发现自己的生活逐步陷入了绝望之中。本片是拉脱维亚导演尤里斯·库赛蒂斯第二部剧情长片，于2019年在戛纳电影节导演双周单元首映。

Amidst the impersonal hubbub of Paris' Orly Airport, strangers meet, secrets are revealed, and sudden intimacies develop in this beautifully observed mosaic of lives in transit. 　　Loosely-linked scenes in the hall of Paris’ Orly airport. A man and a woman, both French but living abroad, meet each other by chance. He has just decided to move back to Paris and she longs to return there. A mother and her almost adult son are going to the funeral of her ex-husband, his father. A young couple is embarking on its first big trip. And a woman reads a letter from the man she has recently left. They are all waiting for their flight. 　　The departure hall is a place of transit. People are between the here and there, between the “not yet” and the “no more”. Schanelec places four couples amid the crowds of waiting passengers; the camera observes them, often from a distance. But their conversations can be heard; the ear is closer than the eye. Intimate islands of dialogue amid hectic activity. The tremendous background noise does them no harm until the music comes and infects the whole room. Cat Power sings “Remember Me”, reinforcing the atmosphere of longing, separation and transitoriness that already lingers in the air. Later, the off-screen monologue of a dying, loving man adds to it. “Love Will Tear Us Apart” – that’s what’s written at the beginning on a record cover. A farewell film.