女主穿越成小说里的苦命寡妇，刚落地就遭婆家和亲戚联手陷害，欲夺家产赶她出门。她凭借现代智慧见招拆招，才勉强站稳脚跟。同住的丈夫弟弟，是众人眼中痴傻的存在，却不知这正是未来登基的皇帝。女主心善，将他视作亲弟悉心照料，男主在日复一日的相处中暗生情愫，可女主始终只当他是需要呵护的弟弟，两人之间由此展开了一连串啼笑皆非又暗藏心动的故事。

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

跳出《比海還深》（2016）的助導身位，廣瀨奈奈子繼承恩師是枝裕和一貫家庭缺失主題，以圓熟的敘事技巧，剖開父子關係的思考空間。憑《誰知赤子心》（2004）成為史上最年輕康城影帝的柳樂優彌，經歷過高山低谷，在死亡邊緣走了一回，與這個落泊孤絕角色感同身受。自殺不遂被中年鰥夫收留，獲編的名字竟與他的亡兒相同。亦父亦子的微妙關係，卻被兩人過去的秘密動搖。兩個「缺」的人生，能否合成一個「圓」？

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

György Fehér是匈牙利电影长镜头学派的另一位大师级导演，与杨索属同代人，可惜他的作品很少而且极难看到。。。 　　If you like to see what movies are really about (i.e. moving)you should see szurkulet. This highly original and intense film is an exercise in style 'pur sang'. The story is loosely based on 'es geschah am hellichten Tag' by Friedrich Durrenmatt. But how the story is told is the most important part here. In a shadowish black and white twilight we see the story unfold in very (and I mean very) slow moving breathtaking camera movements over different scenes. This means that the whole movie exists out of less then 50 shots, without making unnessecary cuts. Orson Wells eat your heart out. Every scene tells the viewer another part of the puzzle and so the story gets you more and more in its gripping way of telling the story. For movie fans this is a must-see because this movie is the only movie I've seen which has stripped a picture to its bare essentials.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

Following the murder of her family at the hands of her father in the wake of World War I, a young woman is sent to live in a convent. However, her demons follow and manifest themselves in ways which bring the nightmares of her past with her.

《黎明》（Daybreak）是《触摸未来》（Touch）的网络衍生剧，两者在情节上没有直接关联。《触摸未来》第一季后半部分剧情中提到了一个神秘的「十二面体」，一些人认为这东西有神奇的力量。《黎明》的故事将重点描述这个「十二面体」的秘密，包括其形状的由来和真实的力量。

《黎明》（Daybreak）是《触摸未来》（Touch）的网络衍生剧，两者在情节上没有直接关联。《触摸未来》第一季后半部分剧情中提到了一个神秘的「十二面体」，一些人认为这东西有神奇的力量。《黎明》的故事将重点描述这个「十二面体」的秘密，包括其形状的由来和真实的力量。

该片导演达利博尔·马塔尼奇的作品《太阳高照》，曾获得第68届戛纳国际电影节 “一种关注”单元评审团大奖，本片为《太阳高照》的姊妹篇，也是这位导演的“太阳三部曲”作品之一。故事的发生时间设定在未来，展现了一家四口在面对社会剧变和亲人离去时的迷茫与痛苦。片中风格独特的象征和隐喻，为电影的解读提供了丰富的视角。