1995年，东北黑龙江小镇发生一起奸杀案，黑白两道分别用自己的方式展开了对凶手的追查行动，十五年后，真相出乎意料。

1.QUEEN OF THE DAY 　　山坡，青草，三月之湖，和爱人们旋转的身影，和黄昏下塞壬的舞蹈。 　　女子找到自己的鞋不用眼睛，只是脚面的召唤。 　　孩子恶作剧的捧着鞋逃跑，遇到高个子年轻人一脸的清澈露水。 　　 　　传说在一个瑞士小镇，有三个女孩酷爱跳舞，她们只有笑容和舞，无时无刻，着魔般的，不顾家人和神父的警告。终于有一个黄昏后，她们三人尸体被发现在湖边。 　　据说是上帝的惩罚，之后那个镇子再也没有了跳舞的少女。 　　 　　2.MEASURE 　　只有一条黯淡狭长的过道，穿白鞋的短发姑娘跳着自己才懂的步子。 　　如果你能跟我步伐和谐，如果你是我的爱人。好小伙，来组成了两个人的空间吧 　　 　　3.REST IN PEACE 　　英国人素来可以编出这么残酷的笑话。 　　 　　肃穆的葬礼，黑衣的人们一脸肃穆。 　　长子在楼梯中遇见抱头轻泣的弟弟，接着是弟弟的纠缠，你知道我爱着你的。 　　可惜我不能。 　　沿途经过妹妹和男仆的调情，只有父母房间能给他莫大的慰籍。墙上挂着多么笑得和蔼的亲人啊。父亲这个精神之父的橱窗上的勋章铜杯依旧未被岁月抹去光辉。父亲的书桌，打开抽屉。 　　这是一组和墙上的表情截然不同，来得更为戏谑的笑话，SM，3P，EROTIC，SIN照片上主角全是墙上挂着的脸，你可以看到长子刚才还沉痛缅怀的心情变成了一片青紫。 　　 　　4.A VILLAGE TRILOGY 　　濒临死亡的女人么？战场上失散多年的兄弟各自揣着照片互相面对时，只有疏离 　　反正最后跳过去没看了 　　 　　5.CORNERED 　　角落空间里只有黑和白。黑色的身体在舞蹈，白色的墙壁在凝视。 　　 　　关于角落，总是喜欢那个谜语。孩子的谜面是这面墙对那面墙说了什么。 　　墙角儿见，这是谜底。 　　 　　这里，在角落，舞者永远在寻找灵魂的出口 　　 　　6.CONTRECOUP 　　爱情总会变的很微妙，或是两个人变成了多人，或是两个人的离合。 　　总之，一出场的那个男子大骂的神情很象Robert Di Nino,张嘴是不够用的，手脚的动作也很丰富

1.QUEEN OF THE DAY 　　山坡，青草，三月之湖，和爱人们旋转的身影，和黄昏下塞壬的舞蹈。 　　女子找到自己的鞋不用眼睛，只是脚面的召唤。 　　孩子恶作剧的捧着鞋逃跑，遇到高个子年轻人一脸的清澈露水。 　　 　　传说在一个瑞士小镇，有三个女孩酷爱跳舞，她们只有笑容和舞，无时无刻，着魔般的，不顾家人和神父的警告。终于有一个黄昏后，她们三人尸体被发现在湖边。 　　据说是上帝的惩罚，之后那个镇子再也没有了跳舞的少女。 　　 　　2.MEASURE 　　只有一条黯淡狭长的过道，穿白鞋的短发姑娘跳着自己才懂的步子。 　　如果你能跟我步伐和谐，如果你是我的爱人。好小伙，来组成了两个人的空间吧 　　 　　3.REST IN PEACE 　　英国人素来可以编出这么残酷的笑话。 　　 　　肃穆的葬礼，黑衣的人们一脸肃穆。 　　长子在楼梯中遇见抱头轻泣的弟弟，接着是弟弟的纠缠，你知道我爱着你的。 　　可惜我不能。 　　沿途经过妹妹和男仆的调情，只有父母房间能给他莫大的慰籍。墙上挂着多么笑得和蔼的亲人啊。父亲这个精神之父的橱窗上的勋章铜杯依旧未被岁月抹去光辉。父亲的书桌，打开抽屉。 　　这是一组和墙上的表情截然不同，来得更为戏谑的笑话，SM，3P，EROTIC，SIN照片上主角全是墙上挂着的脸，你可以看到长子刚才还沉痛缅怀的心情变成了一片青紫。 　　 　　4.A VILLAGE TRILOGY 　　濒临死亡的女人么？战场上失散多年的兄弟各自揣着照片互相面对时，只有疏离 　　反正最后跳过去没看了 　　 　　5.CORNERED 　　角落空间里只有黑和白。黑色的身体在舞蹈，白色的墙壁在凝视。 　　 　　关于角落，总是喜欢那个谜语。孩子的谜面是这面墙对那面墙说了什么。 　　墙角儿见，这是谜底。 　　 　　这里，在角落，舞者永远在寻找灵魂的出口 　　 　　6.CONTRECOUP 　　爱情总会变的很微妙，或是两个人变成了多人，或是两个人的离合。 　　总之，一出场的那个男子大骂的神情很象Robert Di Nino,张嘴是不够用的，手脚的动作也很丰富

影片讲述了热爱跳舞的男孩彦青在舅舅朝阳的帮助及引导下与舞伴梦迪共同走过迷茫与重重的艰难险阻，最终通过自己的努力与坚持在WDC世界舞蹈总会获得了丰硕果实的故事，以此激励人们在面对困难时始终保持不抛弃不放弃的精神，勇于拼搏进取。

Madame Ondine performs a serpentine dance surrounded by big cats.

Madame Ondine performs a serpentine dance surrounded by big cats.

The Oscar-nominated Op-Doc "Walk Run Cha-Cha" profiles Paul and Millie Cao, who reunited in California after the Vietnam War. Forty years later, they are rediscovering themselves on the dance floor. 　　In an accompanying essay, director Laura Nix writes, "Faced with middle age, Paul and Millie chose to reinvent themselves again. After decades of delayed gratification, this time they focused on what gives them joy. As you’ll see in this Op-Doc, dance opened up a world of self-expression and pleasure for the couple, sparking a transition from responsible professionals to flamboyant performers pursuing their creative dreams. 　　On the face of it, a film about middle-aged people dancing might not seem political. But my decision to tell a story about Paul and Millie’s life in the present, and not solely focus on their past, was intentional. Films about refugees and immigrants are often focused on the point of entry, when the newly arrived are at their most vulnerable. But it’s essential for us to hear stories about what happens next. 　　Paul and Millie are refugees from Vietnam. Paul and Millie are also working professionals, parents, dancers and American citizens who have lived in California for over 40 years. As with many Americans who started their lives in another country, their story embodies resilience and courage. Love and longing. Separation and reunion. These themes are visually reflected in the dance itself, in their tender glances, when he lifts her to the sky, the yearning in their gestures — their ability to transform adversity into beauty."

The Oscar-nominated Op-Doc "Walk Run Cha-Cha" profiles Paul and Millie Cao, who reunited in California after the Vietnam War. Forty years later, they are rediscovering themselves on the dance floor. 　　In an accompanying essay, director Laura Nix writes, "Faced with middle age, Paul and Millie chose to reinvent themselves again. After decades of delayed gratification, this time they focused on what gives them joy. As you’ll see in this Op-Doc, dance opened up a world of self-expression and pleasure for the couple, sparking a transition from responsible professionals to flamboyant performers pursuing their creative dreams. 　　On the face of it, a film about middle-aged people dancing might not seem political. But my decision to tell a story about Paul and Millie’s life in the present, and not solely focus on their past, was intentional. Films about refugees and immigrants are often focused on the point of entry, when the newly arrived are at their most vulnerable. But it’s essential for us to hear stories about what happens next. 　　Paul and Millie are refugees from Vietnam. Paul and Millie are also working professionals, parents, dancers and American citizens who have lived in California for over 40 years. As with many Americans who started their lives in another country, their story embodies resilience and courage. Love and longing. Separation and reunion. These themes are visually reflected in the dance itself, in their tender glances, when he lifts her to the sky, the yearning in their gestures — their ability to transform adversity into beauty."

本片拍竣获奖无数，2006年法国安锡（Annecy）国际动画电影节上，更被评为“动画的世纪•100部作品”第58名。 　　借助上帝之脚，男孩从乡村开始了跳着观察世界的旅程。刚出发，他就被一辆飞奔的汽车吓了一大跳。在乡村见过农夫辛勤劳作、飞禽被猎人从高空射落等悲喜画面后，男孩来到城市，见识世间百态。男孩越跳越大步，从国内跳到了世界各地，看到了更多的人间世象。最后，男孩目睹了一场残酷的战争。

本片拍竣获奖无数，2006年法国安锡（Annecy）国际动画电影节上，更被评为“动画的世纪•100部作品”第58名。 　　借助上帝之脚，男孩从乡村开始了跳着观察世界的旅程。刚出发，他就被一辆飞奔的汽车吓了一大跳。在乡村见过农夫辛勤劳作、飞禽被猎人从高空射落等悲喜画面后，男孩来到城市，见识世间百态。男孩越跳越大步，从国内跳到了世界各地，看到了更多的人间世象。最后，男孩目睹了一场残酷的战争。