在他十几岁的儿子失踪后，丹尼尔深入搜寻维斯瓦河河底，在儿子可能跳河身亡的恐惧和儿子或许还活着的希望之间痛苦挣扎。

After his teenage son goes missing, Daniel scours the depths of the Vistula River, torn between the dread of a fatal leap and the hope that his son may still be alive. The Vistula River is hauntingly transformed into a purgatory for grieving father, Daniel, as he painstakingly scours each of its winding turns, pulled between the uncertainty of life and death in his search for any trace of his missing son, Krzysztof. Director Michał Marczak intuitively lets his camera drift between the placid surface of Poland’s longest river and the murky secrets of its depths, mirroring the stoic façade and inner tumult of a father torn between hope and grief. As weeks stretch into months and years, Daniel’s search slowly expands beyond the physical realm, and into the digital world, when he begins to chart the darkened halls of his son’s online footprint in an effort to understand how systems of connectivity can lead a generation to the abyss of isolation. — JH

上一世，顾易与女友、兄弟等一行人在湖中小岛游玩，突遭湖中怪物袭击。危难之际，女友与兄弟竟选择背叛，亲手将他推入湖中，顾易瞬间被怪物撕碎。再次睁眼，顾易惊觉自己重生回到刚登岛的时刻。他急忙向众人预警怪物的危险，可没人相信，只当他胡言乱语。顾易不再强求，独自默默准备应对。怪物来袭前夕，众人约去湖中钓鱼，顾易躲进矿洞拒绝同行，遭到朋友们的肆意嘲讽。直到怪物真的出现，众人这才恍然大悟，惊恐逃窜，却早已为时已晚……

Studying under a disciple of Aleister Crowley, the leader of an upper class group invokes a supernatural force that slowly devours the village of Marienbad and its inhabitants, threatening to spread beyond its geographical limits. The mayor from the town nearby commissions the building of a dam which would flood the valley and therefore submerge the village forever sealing the evil force under water after leader and his followers were incapacitated to be kept from escaping. However, fate ensured the leader's freedom as he remained in the depths when the waters covered Marienbad. Now 40 years later an array of disappearances and deaths in mysterious circumstances are threatening the town next to the reservoir that now covers Marienbad.

《止水》的上映日期是2015-07-20(英国)。

一座古色古香的咖啡馆内，却被各种交谈的言语所充满。柜台前，青年落寞地独自而坐，他不久前刚被女友甩掉，心中百感交集，女招待偏偏又言语犀利，两人你来我往，争论不休。另一边，两个女人正在交换着从“朋友的朋友”那里听来的完全不可靠的八卦，乐此不疲。旁边的桌子上，两个男人先讨论着“言灵”，随后又是墙上画作里的鱼到底消没消失等玄幻话题。另一边桌子，一个独自前来的客人兀自看着咖啡馆内提供的所有科幻小说，完全沉浸在书中的情节描写里。 并不宽绰的空间，七个人喋喋不休的言语充斥每一个角落……

说到芬兰不大的电影工业，人们只会想起考里斯马基兄弟，而惊悚恐怖类型片真的并不多见，上周末登上了芬兰票房榜榜首的《寂水湖滨》就是这样一部影片。该片原名“水体”，导演乔纳·特纳表示影片寄托的便是城市人对于巨大水体、寂静的乡间生活的一种恐惧。影片女主人公是一名律师，为了保住被开发商掠夺的湖区而回到了自己儿时的家中，然而一连串灵异事件却接**生。不消说，它很快就会让你联想起詹妮弗·康奈利的《鬼水怪谈》，上映后评论也称其剧情太过老套，但其中的视效、剪辑等技术环节还是值得肯定。通过下面这则预告，不难明白观众为什么会被它吸引。

TVB摄制队走访亚洲三条著名河流，包括中国的黄河、印度的恒河，以及东南亚的湄公河。透过深入了解这三条「水之源」河流的上、中、下游现貌，感受当地人对他们母亲之河的深厚感情，同时亦揭示地球暖化、严重污染和人为破坏，如何影响河流的命运。第一站，率先由黄宗泽带领大家去到孕育出中国五千年文明的黄河流域，观赏令人赞叹不已的自然美景，见证黄河的澎湃威力！要了解黄河，便要到世界上平均海拔最高的青海省！虽然青海省位於黄河上游，但它却有著「三江源」的称号，到底它与其他河流有著怎样的密切关系？ 由於黄河上游的牧民依靠河水养活牲畜，故此，他们对黄河充满著一份特别的感情。但面对不能控制的天气变化和严重的人为污染，他们未来的命运会如何？黄宗泽会亲身接触青海牧民，体验当地人的生活！除了黄宗泽走访黄河之外，还邀请了走遍世界各地的香港大学地球科学系陈龙生教授，为我们深入剖析黄河的现貌，揭示黄河所要面对的种种问题。

入围第24届塔林黑夜电影节主竞赛。 “What are you fiddling there?” – “What?” – “What are you fiddling?” – “I’m not fiddling anything!” – “Damn, I saw what you did there under the blanket – you were fiddling with your willie!” – “No, I wasn’t!” – “Do you want to become diseased? You could even die, if you fiddle!” It’s not an easy thing, the end of childhood. Particularly if you are a boy, growing up in a back yard of a stifling small town in Estonia at the beginning of the 1980s, get bullied at school and your life is otherwise tedious, and at home you have to suffer antiquated grandparents. It’s good that you have at least some friends, like asylum-certified Kolla and ex-convict Valter – both from the same back yard. The only place where life cannot trouble you with its worries is Lake Tamula – you can lose yourself fishing there for days. Grand master Peeter Simm’s film stays on the same wavelength with Olavi Ruitlane’s bestseller of the same title, being simultaneously “In the Back Yard” and “Spring”, comical and tragic, lyrical and grotesque, tender and cruel. There are a lot of ‘firsts’ here: the first willie-fiddling, the first love, the first close encounter with death, plus a number of farcical events which can only happen in the fertile conditions of the Soviet absurd. Because the back yard is the theatre stage of the populace, where everyone directs the play called “My Life”. Still, it is not a story of the Soviet absurd and the end of an era, but about the possibilities of staying human in an imperfect world. All the characters of this innocently authentic universe – from the recidivist to the communist – wish to be loved. And that is the most important thing. Tiit Tuumalu

在一个饱受干旱侵袭的村庄里，一位独居女子雇佣了两名无证工人挖掘水井，不顾一切地想要挽救自己的农场。当他们辛苦劳作终于引出水源时，她却面临无力支付报酬的残酷现实。恐惧与不确定驱使她做出一个意料之外的选择，而这个选择将永远改变所有人的命运。