An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

An elegant mapping of Lisbon’s labyrinthine streets, where fictional situations juxtapose with the real-life theatre of the city during a warm summer. João Pedro Rodrigues and João Rui Guerra da Mata are back. 　　Like an improvised piece of jazz music from the 60s, this deceptively simple but enigmatic film moves through Lisbon’s narrow streets and green parks to its very own beat. In their idiosyncratic mapping of the beautiful Portuguese capital, director duo João Pedro Rodrigues and João Rui Guerra da Mata let small, fictional situations in the urban space they can see from the window of their shared home. The same streets that in 1963 set the scene for Paolo Rocha’s modern classic ‘The Green Years’ – an iconic film with cult status for generations of cineastes. With an almost geometric symmetry to the compositions, this is an elegant cinematic experience that invites your mind on an adventurous holiday. 　　源自：https://cphdox.dk/film/where-is-this-street-or-with-no-before-and-after/

"Pour des raisons de santé, 　　Kang-Sheng et moi nous sommes installés à la montagne. 　　Nous n'avons pas de voisins. 　　Notre maison est entourée de propriétés délabrées. 　　J'adore ces maisons abandonnées. 　　Je m’y rends souvent. 　　Je les trouve magnifiques. 　　J'ai dit à Kang-Sheng : 　　Nous n'avons plus besoin de nous déplacer pour réaliser des films. 　　Je vais tout filmer ici. 　　J'ai récupéré de vieilles chaises et quelques-unes de mes peintures 　　et les ai disposées dans ces maisons abandonnées. 　　C'est ainsi que ce film a été réalisé." 　　(Tsai Ming-Liang)

"Pour des raisons de santé, 　　Kang-Sheng et moi nous sommes installés à la montagne. 　　Nous n'avons pas de voisins. 　　Notre maison est entourée de propriétés délabrées. 　　J'adore ces maisons abandonnées. 　　Je m’y rends souvent. 　　Je les trouve magnifiques. 　　J'ai dit à Kang-Sheng : 　　Nous n'avons plus besoin de nous déplacer pour réaliser des films. 　　Je vais tout filmer ici. 　　J'ai récupéré de vieilles chaises et quelques-unes de mes peintures 　　et les ai disposées dans ces maisons abandonnées. 　　C'est ainsi que ce film a été réalisé." 　　(Tsai Ming-Liang)

这部影片以一个追求人性化全球变化的人为核心，追溯了整个人类社会核灾难的历史事件和现状。他所访问的每一个核设施都代表着一个特定的时间——日本福岛，作为现在：哈萨克斯坦塞米巴拉金斯克，作为隐蔽的过去：切尔诺贝利，乌克兰，作为永远疏远的现在，和芬兰的翁卡洛，作为未来的未来。通过解构和重建历史而创造的叙述为思考核问题提供了新的空间。在这个空间里，核灾难之后的全球世界末日景观以及人类在这片土地上的日常生活的全景被带入了生活。这部电影，视觉未来派，但接近网络朋克科幻小说，试图创造一个人类寓言在目前。