这是一部基于犹太人自传体小说和摄影选而改编成的电影，讲述了一个有才华的音乐家竭力远离尘世，努力实现其梦想、迈入音乐殿堂的故事。出演本片的有…

Taking a break from a recording session, Frank Sinatra comes across a group of ten boys out to lynch an eleventh. He finally gets it out of them that the lynching is because they don't like his "religion" (he's Jewish). Frank tries to impress upon the boys that such attitude is the way the Nazis think. Regardless of religion, they all are Americans, whose families not only helped defeat the Nazis in the war, but helped their fellow soldiers survive. He tells them a story following the bombing at Pearl Harbor where a successful American attack on an enemy warship was carried out by a Christian and a Jew. He then uses the song "The House I Live In" to show what it is to live with freedoms in multi-cultural America.

同在诗歌课的朱沅和素允，坐在屋顶上看日落。朱沅厌恶这落日，而素允得帮他完成一首诗。她凑到他耳边轻声说：“别再辗转纠结了。” 　　曾经凭个人喜恶评判自然韵律的男孩，终于让夜晚走进了他的诗里。

抗日战争时期，东北抗联司令员杨靖宇将军率部被日军重重包围，杨将军命令主力突围，自己只带三名战士——常怀忠、汤福禄和朱二十八留在山上吸引敌人重兵。二十九师师长程斌叛变投敌，使我突围部队损失残重，杨将军感到无限悲痛。程斌回家探亲遭母斥责，程妻愤然举枪处决了丈夫。常怀忠的恋人周凤兰上山为将军送粮，与常怀忠重新相见。日本人以高官厚利诱降杨将军，遭到痛斥。日军进攻，常怀忠和汤福禄阵亡，凤兰也与敌人同归于尽，烈士的头颅被悬挂在城头，许多百姓因向英烈叩头而遭屠杀。

又名《The Great Museum》、《殿堂内望》，奥地利ORF Film和Navigator Film联合制作。该片记录了维也纳艺术史博物馆(Kunsthistorisches Museum Wien)休整期间各个部门的工作样态。看似支离破碎的叙事线条随着片子的推进，都有所回应和交汇，使得这部无旁白，无采访的纪录片最终能保持较好的完整性。 　　实质上，本片的最大价值在于，用类似于人类学田野调查的视角，进入到博物馆运转的各个方面，最真实的还原博物馆工作的面貌。镜头潜伏于参观者还未到来的艺术史博物馆内，有趣记录着清洁工擦拭古希腊雕塑的下体、工程队在金碧辉煌殿堂内大刀阔斧的开凿、策展人喋喋不休讲述的新想法、馆长与员工商讨如何用好财政拨款、修复工作者在显微镜下一丝不苟的忙碌于鲁本斯画作。 　　极其安静而震撼的赞美着一切参与博物馆运营的普通人。奥地利美术馆和英国气质太不一样了，几乎没有关于参观公众交流的段落，整一场帝王风范、无视外界的采购、整修、预算、重建，一次艺术展览活动的策划过程，不亚于一件艺术品的创作过程。在平和静谧的长镜头中，我们看到了奥地利人专业细致的精神，偶然间绽放出的幽默，也让疲惫的观影者发出会心一笑。

Sál ztracených kroku (1960) 　　11 min - Short

Sál ztracených kroku (1960) 　　11 min - Short

How We Got to Now is a British-American factual television series that was broadcast on PBS in 2014 and BBC Two in 2015.

How We Got to Now is a British-American factual television series that was broadcast on PBS in 2014 and BBC Two in 2015.