Siddu (Sairam Shankar) is a carefree boy-next-door. Sanjana (Samiksha) is a doting sister of four elder brothers. Siddu is like a family member in Sanjana's household. One fine day, Sanjana elopes with Siddu. And fate separates them. Sanjana goes into the protective hands of naxalites. Siddu lands up in the house of a journalist (Flora Saini). Siddu thinks Sanjana is dead. Sanjana thinks Siddu is no more. The rest of the story is all about how fate unites them again.

一个心理学团队在一个新建成的公寓里探讨一系列的一场现象。接起来没有人讲话的电话，神秘的阴影，奇怪的光束，飞行的物体，爆炸的灯泡。他们将用最先进的技术记录下他们那些即将面临的时间。红外线拍摄，数码摄影，录音，运动探测器，磁场仪……但他们越接近“另一边”，他们就越来越危险，越来越走向了不归路……

一个心理学团队在一个新建成的公寓里探讨一系列的一场现象。接起来没有人讲话的电话，神秘的阴影，奇怪的光束，飞行的物体，爆炸的灯泡。他们将用最先进的技术记录下他们那些即将面临的时间。红外线拍摄，数码摄影，录音，运动探测器，磁场仪……但他们越接近“另一边”，他们就越来越危险，越来越走向了不归路……

Tells the story of a young man desperate to come of age before time runs out.

本片讲述一队灵异学家着手调查一间刚有人入住就发生了一些列奇怪事件的公寓的故事。公寓里的电话铃会无缘无故的响起，房间里时常有诡异的阴影闪过，不同…

Tells the story of a young man desperate to come of age before time runs out.

二十世纪初，婚礼摄影师佩德罗来到了荒蛮的火地岛，为当地掌权者拍摄婚礼。可他却深深迷上了年轻的准新娘，背叛了当权者所设下的规矩，并因此受到了惩罚。佩德罗无法逃离火地岛，只好被迫成为了一场针对原住民的大屠杀共犯。在他拍摄的相片中，屠杀场面被改为精心设计的摆拍，真相则被遗留在镜头之外。本片取材自真实发生在火地岛的原住民屠杀事件，导演通过虚构主角佩德罗的视角，展现出了这段历史中令人不适的灰色地带。影片荣获了威尼斯电影节地平线单元最佳导演奖及费比西奖。

White on White is the video diary that filmmaker Viera Čákanyová kept while staying at the Polish Antarctic station, where she shot her neural network-led film FREM (2019) in 2017. During her stay, the author talks with a compellingly conversant AI chat bot, driving conversations that touch on the nature of film, art, and the meaning of life, while also revealing a way of thinking which – free from a distinctly human emotionality – forces deep introspection. Footage from her ordinary, everyday life at the station contrasts with lyrical images of the Antarctic’s immaculate scenery and wildlife. Čákanyová complements this with her own probing and intelligent commentary, provoked by the loneliness of the ice-covered landscape.