民国24年，曾祖父在杭州泛舟并留影纪念。2023年，我探寻并重游了部分照片中的地点：从富春江到钱塘江，又名之江。这条河流是记忆的隐喻，也是一根联结时间的线索。漂浮在水面上，我静静地凝视着摇曳的波涛，反射出迷人而又刺眼的阳光。近百年的历史变迁，最终汇集在一条弯曲、发光的线条里，如同汹涌的洪流在不断地变化着。 　　In the 24th year of the Republic of China, my great-grandfather travelled on a boat in Hangzhou and captured the moment in photographs. In 2023, I explored and revisited some of the locations depicted in the photos: from the Fu Chun River to the Qiang Tang River, also known as Zhi Jiang. This river is a metaphor for personal memories and also as a thread connecting through time. Drifting on the water, I gazed at the rippling waves, reflecting the captivating yet dazzling sunlight. The historical changes of nearly a century ultimately converge into a curved and luminous line, resembling the surging torrent that ever-changes.

民国24年，曾祖父在杭州泛舟并留影纪念。2023年，我探寻并重游了部分照片中的地点：从富春江到钱塘江，又名之江。这条河流是记忆的隐喻，也是一根联结时间的线索。漂浮在水面上，我静静地凝视着摇曳的波涛，反射出迷人而又刺眼的阳光。近百年的历史变迁，最终汇集在一条弯曲、发光的线条里，如同汹涌的洪流在不断地变化着。 　　In the 24th year of the Republic of China, my great-grandfather travelled on a boat in Hangzhou and captured the moment in photographs. In 2023, I explored and revisited some of the locations depicted in the photos: from the Fu Chun River to the Qiang Tang River, also known as Zhi Jiang. This river is a metaphor for personal memories and also as a thread connecting through time. Drifting on the water, I gazed at the rippling waves, reflecting the captivating yet dazzling sunlight. The historical changes of nearly a century ultimately converge into a curved and luminous line, resembling the surging torrent that ever-changes.

Hae-in is kidnapped by Dong-yub who had a crush on her when she lived in their hometown. Her blissful life in Seoul with Korean-American Johan is ruined. Dong-yub locks her in a villa and begs her acknowledge that they once had a relationship back hometown but Hae-in pines away after Johan and tries to escape repeatedly. Johan, at first, tries to find Hae-in but soon gives up and begins to see other women. Dong-yub finds out and ensnares one of Johan's women and meets him. But Johan sarcastically bids happiness of Dong-yub and Hae-in, Hae-in, unaware of the truth, thinks of ways to escape the villa. Dong-yub is tormented by Hae-in and finally lets her go. She returns to Johan only to find out the truth. Finally realizing that Dong-yub was sincere, she goes back to him but finds that he has killed himself from heartbreak.

为庆祝新中国成立70周年，国务院新闻办公室监制、解读中国工作室制作了纪录片《之江故事》。 　　纪录片记录了英国原上议院副议长麦克•贝茨和夫人李雪琳，用一个月的时间从杭州到温州徒步旅行的精彩故事，以丰富生动的徒步影像和诙谐有趣的语言，传递出生机勃勃、活力洋溢的新时代中国形象。 　　在节目中，麦克•贝茨带着对精准减贫、一带一路”倡议、绿水青山就是金山银山等中国话题的好奇与思考，走进浙江下姜村、义乌“中欧班列”始发站、磐安古茶场等地，实地感知习近平主席在浙江的探索和实践故事。 　　麦克•贝茨还以英国政治家的独特视角，记录和讲述了徒步旅行遇到的中国普通人物的鲜活故事，他们既有村党支部书记、农民、工人，也有民营企业家、画家、归国华侨等，全景式、多角度展示了中国人民对新中国70年发展成就的切身体会和对幸福生活的追求向往。

为庆祝新中国成立70周年，国务院新闻办公室监制、解读中国工作室制作了纪录片《之江故事》。 　　纪录片记录了英国原上议院副议长麦克•贝茨和夫人李雪琳，用一个月的时间从杭州到温州徒步旅行的精彩故事，以丰富生动的徒步影像和诙谐有趣的语言，传递出生机勃勃、活力洋溢的新时代中国形象。 　　在节目中，麦克•贝茨带着对精准减贫、一带一路”倡议、绿水青山就是金山银山等中国话题的好奇与思考，走进浙江下姜村、义乌“中欧班列”始发站、磐安古茶场等地，实地感知习近平主席在浙江的探索和实践故事。 　　麦克•贝茨还以英国政治家的独特视角，记录和讲述了徒步旅行遇到的中国普通人物的鲜活故事，他们既有村党支部书记、农民、工人，也有民营企业家、画家、归国华侨等，全景式、多角度展示了中国人民对新中国70年发展成就的切身体会和对幸福生活的追求向往。

Hae-in is kidnapped by Dong-yub who had a crush on her when she lived in their hometown. Her blissful life in Seoul with Korean-American Johan is ruined. Dong-yub locks her in a villa and begs her acknowledge that they once had a relationship back hometown but Hae-in pines away after Johan and tries to escape repeatedly. Johan, at first, tries to find Hae-in but soon gives up and begins to see other women. Dong-yub finds out and ensnares one of Johan's women and meets him. But Johan sarcastically bids happiness of Dong-yub and Hae-in, Hae-in, unaware of the truth, thinks of ways to escape the villa. Dong-yub is tormented by Hae-in and finally lets her go. She returns to Johan only to find out the truth. Finally realizing that Dong-yub was sincere, she goes back to him but finds that he has killed himself from heartbreak.

This short film was part of the feature film "Chacun Son Cinéma (Each One With His Own Cinema)", in which 36 directors celebrate the 60th anniversary of the Cannes Film Festival.

老公儿子早逝，独居乡下的老太太方枝因查出绝症，担心死后墓地无人打理，毅然推掉老家坟头，携骨灰进城，只为买个有终生物业合葬墓。 　　这是她人生最后的夙愿，却让她最后的人生精彩起来。 　　一心为女儿筹集择校费的墓地中介郭大平，年轻倔强的城市漂流青年丁瑞和独立却善良正直的女朋友娜娜，他们本和方枝素昧平生，却又意外地相互牵绊，难以割离。 　　于是，一段或有阴差阳错、唏嘘感慨，但也结生着爱、责任和不离不弃的故事，就这样发生了。

老公儿子早逝，独居乡下的老太太方枝因查出绝症，担心死后墓地无人打理，毅然推掉老家坟头，携骨灰进城，只为买个有终生物业合葬墓。 　　这是她人生最后的夙愿，却让她最后的人生精彩起来。 　　一心为女儿筹集择校费的墓地中介郭大平，年轻倔强的城市漂流青年丁瑞和独立却善良正直的女朋友娜娜，他们本和方枝素昧平生，却又意外地相互牵绊，难以割离。 　　于是，一段或有阴差阳错、唏嘘感慨，但也结生着爱、责任和不离不弃的故事，就这样发生了。

纪录长片《毕业作业》聚焦于当代年轻人实现自我价值的探索以及面临的迷茫和困境。 　　影片从导演本人角出发，记录了包括导演本人在内的4组人物——1.读研的北京电影学院导演系研究生；2.杭漂三年的白茶小匠；3.走向婚姻的福州小情侣；4.小小县城的小小公务员——4组人物从本科毕业开始走向了4条不同的人生岔道，但都存在着不同程度的迷茫和焦虑。 　　本片试图从横向对比中拉出深度，通过平行蒙太奇来完成4组人物以及4个城市的映照，尽力挖掘出人物内心的呐喊，同时牵扯出人和城市的关系。 　　本片记录了许多年轻人易于产生共鸣的情景，导演在制作时也会带着当下年轻人如何认识自我、面对自我以及书写自我的思考进行构建。对于学生受众导演希望能引起共鸣和共情，并鼓励大家在各自选择的人生道路尽情挥洒；对于长辈（尤其是学生家长）受众，导演也希望通过此片来推动代际沟通。