Ideas about the soul and the afterlife, of sin and God's purpose have shaped human thinking for thousands of years. Religious rituals remain embedded in the major events of our lives. 　　In this thought-provoking series, evolutionary biologist Richard Dawkins asks what happens if we leave religion behind. 　　He explores what reason and science might offer to inspire and guide our lives in religion's place. Can science bring understanding in the face of death, help us tell right from wrong, or reveal the meaning of life?

In 1933, a young woman leaves her rural home to chase her dream of becoming a writer in the city. She takes a job as a maid for a middle-aged printing house owner who quickly starts pursuing her romantically. They marry, but his passionate declarations of love soon turn cold. As political tensions rise in the country, their love story unfolds in a divided society, revealing toxic behaviours and power games that start innocently but lead to dire consequences.

该片记录了很多来自世界各地的流血事件，以纪录方式，讲述人类的犯罪和血泪故事

一位即将失去全部视力的年轻人，通过不懈努力，终于成为慕尼黑一家五星级豪华酒店餐厅服务生。

马格兰有着令人羡慕的生活，在她第二次怀孕，快当母亲的时间里，一切都在悄悄发生着变化。生完孩子后，马格兰的情绪日益失去控制，甚至出现了自杀倾向，大夫告诉马格兰的丈夫，她可能患了精神分裂症。为了减轻痛苦，马格兰开始转向镇定药和酒精……

A European artist writes about his experience in portraying life in Brazil during the colonial period. Aporteiro – concierge and security guard in one – watches the surveillance cameras in a residential building, while reflecting on his profession and the relationship with his employers. Between the exotic idyll of front yards and deterrent technology, his task is to establish security and normality. Brazil’s troubled past and complicated present come together in this highly charged film.

After 23 years on Death Row, a convicted murderer petitions the court for his execution. As he tells his story directly to camera, you gradually realise that nothing is quite as clear-cut as it at first seemed. The Fear of 13 is a stylistically daring experiment in storytelling – in effect a one-man play. Part monologue, part confessional and part performance, the film is illustrated with hyper-stylised imagery contextualising a narrative as compelling as any crime drama and features a final, shocking twist that casts his life in a new light. The protagonist carries the film with his charisma and literary turn of phrase recounting his experiences on the wrong side of the law, but David Sington’s film is more than an account of one man’s incarceration; it is both a damning indictment of the US penal system and an emotional meditation on the redemptive power of love and literature.

莫莉和汤姆认为他们死去的儿子并不平静，于是请一位媒体联系。但是，当他们邀请一个复仇的恶魔越过，这对夫妇必须寻求一个耻辱的牧师的帮助，试图一个危险的驱魔。

从地下恐怖的边缘开始，令人恐怖的恐怖故事无处不在，其中有简短但令人恶心的鲜血淋漓的恐怖故事。

两个人的命运，一个来自未来，一个来自过去，交织在一起，因为恶意病毒在第4级传播，一个数字游戏体验模糊了梦想和现实。