故事讲述女高中生主人公玛莉亚得知亡母是个喜欢视觉系乐队的前卫女孩，从母亲的遗物中邂逅了视觉系乐队，并对乐曲和视觉系文化产生了兴趣。一边追寻亡母的轨迹一边审视自我，描绘其成长的模样。

故事讲述比诺什扮演的法国女作家来到奈良，将与永濑正敏饰演的当地人开始一段跨越文化与语言的故事。

这部以匈牙利浪漫主义大师弗朗茨·李斯特所创作的《匈牙利狂想曲第二号》为基调音乐的实验影片，以炫目的抽象几何图形之舞，共同构筑起了一曲精神世界中的视觉诗歌。在深蓝色的背景空间里，平面圆形以渐变的红色层层飞入人们的视线中。继而，开始出现一些蓝色的正方形和长方形，以及三角形。这些仿佛拥有生命的形状，跟随音乐的节奏在屏幕上快速移动着。当画面再次回归到最初的红色圆形上时，李斯特那壮烈的慢板和谐谑的快板，在这个神奇的微观世界里，戛然而止。 　　本部制作于1937年的抽象先锋动画短片，由德国导演奥斯卡·费钦格执导。奥斯卡一直致力于将动态的抽象几何图形达到可视化的戏剧效果。1936年后，奥斯卡前往美国派拉蒙电影公司工作。然而他对抽象艺术的探索却被敌视和埋没，不久奥斯卡离开派拉蒙去了米高梅电影公司，在那里他创作了本片《一部视觉诗歌》。

The Story of Looking sees Mark Cousins prepare for surgery to restore his vision. Cousins explores the role that visual experience plays in our individual and collective lives. In a deeply personal meditation on the power of looking in his own life, he guides us through the riches of the visible world, a kaleidoscope of extraordinary imagery across cultures and eras. At a time when we are more assailed by images than ever, he reveals how looking makes us who we are, lying at the heart of human experience, empathy, discovery and thought. He shares the pleasure and pain of seeing the world, in all its complexity and contradiction, with eyes wide open. As the COVID-19 pandemic brings another dramatic shift of perspective, he reaches out to other lookers for their vision from lockdown, and travels to the future to consider how his looking life will continue to develop until the very end.

不适应周围，内心怀有强烈孤独的少年结希杏树，以成为天涯孤独之身为契机离开故乡，去拜访憧憬的艺术家所活跃的东京原宿。在这里，他遇到了视觉系组合“ECLIPSE”和“LOSTEDEN”的演唱会战斗。在被精力充沛的舞台惊呆的时候，突然一阵剧痛向他袭来一一

In Visions of Space, Robert Hughes tackles the work and lives of three remarkable 20th-century architects: Antonio Gaudi, Albert Speer and Mies van der Rohe - whose work did so much to shape the modern world. Hughes looks at how each one used space in different ways to express our response, respectively, to the power of religion (Gaudi), the power of the State (Speer), and the power of the corporation (Mies van der Rohe). 　　Albert Speer: Size Matters 　　In 1979 Robert Hughes met and interviewed Hitler's architect, Albert Speer, for his landmark series, Shock of the New. Speer died shortly afterwards. 　　Twenty-three years later Hughes discovered the long lost tape of that unique conversation and was inspired to travel back to Germany to examine the legacy of a man who was, for a brief period, the most powerful architect in the world. 　　Mies van der Rohe: Less is More 　　This episode features the German architect, Mies van der Rohe, who moved to America and discovered the face of the modern corporate city. In this highly personal account, Hughes follows in Mies' footsteps looking at how an architect who began his career making kitschy, Hansel and Gretel style houses with pointy roofs, little windows and squat floorplans transformed himself into the master of international modernism - the architect of light and space. 　　Mies is the father of the contemporary vogue for loft living - what he was building in the 1920s still looks futuristic now. Similarly, his New York masterpiece the Seagrams Building provided the blueprint for the modern office building - without Mies no major city on Earth would look as it does. 　　But despite his undeniable impact there is something in Mies' work that Hughes finds shockingly neglectful of real human needs. This master builder could spend days working out how to turn a corner with a skilfully placed beam and totally ignore the legitimate wishes and desires of those who used his buildings. 　　Antoni Gaudi: God's Architect 　　Robert Hughes returns to Spain to explore the legacy of Antoni Gaudi, the last great cathedral builder of the 20th century. 　　Gaudi was an intensely Catholic celibate who, despite his austere life, created some of the most sensuous buildings ever known. On his journey through Gaudi's life and work, Hughes (an ex-Catholic himself) explains how a man as religious and conservative as Gaudi could become such an innovative 20th-century giant. 　　About Robert Hughes 　　Robert Hughes' perceptive views of the arts have led him to be one of the most esteemed and widely read art critics writing in English today. He has been awarded The Richard Dimbleby Award, by the Bafta for "the most important personal contribution to factual television" of 1996-97. He is the only art critic to have twice won America's most coveted award for art criticism, the Frank Jewett Mather Award. He has lived in Europe and America since 1964. He has never lost touch with his native country, in recognition of his services to Australian culture, he was elected an Officer in the Order of Australia (his country's highest civilian honor) in 1994.