1990年夏天，在智利，一小群家庭生活在安第斯山脉下面的一个孤立的社区，他们建立了一个远离城市过度行为的新世界，试图充分利用这个国家最近结束独裁统治后出现的自由。在这个变化和清算的时代，十几岁的索菲亚、卢卡斯和克莱拉与他们的父母、他们的初恋和他们的恐惧作斗争，他们为新年前夕准备一个大聚会。他们可能远离城市的危险，但不会远离自然。

An engkanto, or encanto, is an often-malign spirit dwelling in the Filipino countryside, although in Death in the Land of Encantos, some of them have migrated to eastern Europe as exiles. Their human counterpart is the film’s protagonist, Benjamin (“Hamin”) Agusan, a poet who returns from years in Russia to search for the body of his girlfriend in the wake of a catastrophic typhoon and landslides. These 2006 disasters devastated the Bicol region where Diaz’s films have been set since Evolution of a Filipino Family, killing thousands. This film, which inaugurated Diaz’s “trauma trilogy,” includes documentary footage in an attempt to record the suffering of the local inhabitants. 　　A Filipino poet named Benjamin Agusan (Roeder Camanag) is the hapless native who returns to his hometown Padang to witness the aftermat h of the super typhoon. For the past seven years, Benjamin had been living in an old town called Kaluga in Russia. With his grant and residency, he taught and conducted workshops in a university. The poet published two books of sadness and longing in the process. In Russia, Benjamin was able to shoot video collages, fell in love with a Slavic beauty, buried a son, and almost went mad. He came back to bury his dead-father, mother, sister and a lover. He came back to face Mount Mayon, the raging beauty and muse of his youth. He came home to confront the country that he so loved and hated, the Philippines. He came back to die in the land of his birth. He wanders around the obliterated village meeting old friends and lovers. 　　http://www.baff-bcn.org/en/pelicula/d-cinema/death

个体女老板、再现当年“神偷”风采，洗耻辱巧夺稀世珍宝，盗贼王国片乌烟瘴气：小飞刀企求鸳梦重温，港客富商假扮痴情郎，花蝴蝶施尽伎俩…….演出了多少人间悲喜剧现代惊险片，情节曲折，角度独特更可睹现代黑社会之一斑

孟九轶为钱扮会所服务员偷拍谈屿臣，被识破逃脱后又陷其陷阱。她是不受宠的孟家私生女，他是浪荡豪门继承人。人前毫无关联的两人，由此产生隐秘纠葛，暗系悄然展开。

孟九轶为钱扮会所服务员偷拍谈屿臣，被识破逃脱后又陷其陷阱。她是不受宠的孟家私生女，他是浪荡豪门继承人。人前毫无关联的两人，由此产生隐秘纠葛，暗系悄然展开。

乔伊是学校里公认的校花，她拥有着美丽的面孔和优越的身世，毫无疑问每日生活在幸福之中。然而某一日，这位集万千宠爱于一身的可爱姑娘却在社交网络上留下了“我想死”的绝望信息。阿信是乔伊的男友，两人之间感情十分要好，看到女友闷闷不乐的样子，阿信决定同好友阿敢一起，带着乔伊和她的闺蜜小敏前往海边度假。 　　众人本以为，这会是一场充满了疯狂和欢乐的旅程，然而，乔伊的惨死却为这场派对蒙上了惊悚恐怖的阴影。余下的三人受到了不小的惊吓，他们决定隐瞒整个死亡事件，希望生活能够就此回归平静。不过显现，乔伊的冤魂并不愿意放过他们。

深夜巴黎，一个刚刚熄灯闭店的古董书店。《麦克白》的封面角色——一个胸口插着尖刀的骷髅骨架（名为奥赛罗）从封皮上离开。他挣脱针线的束缚，环顾四周，发现了性感美丽的米娜（吸血鬼的前女友）。害羞的奥赛罗被米娜深深吸引了，跌跌撞撞的向米娜跑来。可不幸的一幕发生了，他被《钟表匠》一书的指针弹飞了头颅。更不幸的是，他跌进了《萨托里斯》一书的深海，而《大白鲸》里的白鲸也紧追他的身后。失去头颅的奥赛罗，只能被大白鲸一口吞噬。紧要关头，米娜奋不顾身的跳进深海，手捧奥赛罗的头颅，进入到大白鲸的口中。经历千辛万苦的两人终于相见相拥，可奥赛罗胸口插着的尖刀却深深插进了米娜的胸膛…… 　　这部构思奇特，情节怪诞的定格动画短片，由鬼才导演Spike Jonze与Simon Cahn共同制作完成，引用大量名著角色。法国设计师Olympia Le-Tan为本片贡献约三千件手工绒毡。

深夜巴黎，一个刚刚熄灯闭店的古董书店。《麦克白》的封面角色——一个胸口插着尖刀的骷髅骨架（名为奥赛罗）从封皮上离开。他挣脱针线的束缚，环顾四周，发现了性感美丽的米娜（吸血鬼的前女友）。害羞的奥赛罗被米娜深深吸引了，跌跌撞撞的向米娜跑来。可不幸的一幕发生了，他被《钟表匠》一书的指针弹飞了头颅。更不幸的是，他跌进了《萨托里斯》一书的深海，而《大白鲸》里的白鲸也紧追他的身后。失去头颅的奥赛罗，只能被大白鲸一口吞噬。紧要关头，米娜奋不顾身的跳进深海，手捧奥赛罗的头颅，进入到大白鲸的口中。经历千辛万苦的两人终于相见相拥，可奥赛罗胸口插着的尖刀却深深插进了米娜的胸膛…… 　　这部构思奇特，情节怪诞的定格动画短片，由鬼才导演Spike Jonze与Simon Cahn共同制作完成，引用大量名著角色。法国设计师Olympia Le-Tan为本片贡献约三千件手工绒毡。

影片讲述了美国首个安乐死合法化的州——俄勒冈州的居民的故事。 　　In 1994 Oregon became the first state to legalize physician-assisted suicide. At the time, only Belgium, Switzerland, and the Netherlands had legalized the practice. 'How to Die in Oregon' tell the stories of those most intimately involved with the practice today -- terminally ill Oregonians, their families, doctors, and friends -- as well as the passage of an assisted suicide law in Washington State. 　　As medical technology has extended the human life span far beyond what many believed possible only decades ago, a growing number of people face the dilemma of having their lives artificially prolonged beyond a point they regard as necessary or desirable. In 1994, the state of Oregon addressed this issue by enacting the "Death With Dignity Act," which allows terminally ill patients the right to opt for physician-assisted suicide. Filmmaker Peter D. Richardson looks into the philosophical and practical implications of this law in the documentary How To Die In Oregon. Richardson features interviews with journalists, lawyers and physicians as they talk about the efforts to legalize physician-assisted suicide, as well as patients and their families as they struggle with the decision of just when is the time to say they've lived long enough, with a special focus placed on Cody Curtis, a woman in her mid-50s fighting an uphill battle with liver cancer. How To Die In Oregon received its world premiere at the 2011 South by Southwest Film Festival. 　　In 1994, Oregon became the first state to legalize physician-assisted suicide. As a result, any individual whom two physicians diagnose as having less than six months to live can lawfully request a fatal dose of barbiturate to end his or her life. Since 1994, more than 500 Oregonians have taken their mortality into their own hands. 　　In this acclaimed documentary, filmmaker Peter Richardson gently enters the lives of the terminally ill as they consider whether-and when-to end their lives by lethal overdose. At the heart of the film are the patients themselves, their families and friends, as they grapple with the legal option they are allowed in Oregon. Through their stories, Richardson examines both sides of this complex, emotionally charged issue. What emerges is a life-affirming, staggeringly powerful portrait of what it means to die with dignity.