畫面來自攝影師哥斯提卡厄辛特的照相館，是羅馬尼亞小鎮攝於1937 至1946 年間的珍貴照片。聲音則來自一名猶太裔醫生同期的日記，記下當年反猶太主義抬頭， 羅馬尼亞的大屠殺歷史，並穿插那時候的政府宣傳片聲帶。雷杜祖迪繼《押奴記》（39 屆）及《少年詩人的心疤》 （41 屆）後，轉拍非劇情片，同樣充滿震憾力。聲音與畫面，明明出自同一時空，卻彷彿兩個平行宇宙，猶太人面對的苦難命運，與羅馬尼亞小鎮的生活面貌，看似割裂分離，卻又互相對照，彼此補足。

畫面來自攝影師哥斯提卡厄辛特的照相館，是羅馬尼亞小鎮攝於1937 至1946 年間的珍貴照片。聲音則來自一名猶太裔醫生同期的日記，記下當年反猶太主義抬頭， 羅馬尼亞的大屠殺歷史，並穿插那時候的政府宣傳片聲帶。雷杜祖迪繼《押奴記》（39 屆）及《少年詩人的心疤》 （41 屆）後，轉拍非劇情片，同樣充滿震憾力。聲音與畫面，明明出自同一時空，卻彷彿兩個平行宇宙，猶太人面對的苦難命運，與羅馬尼亞小鎮的生活面貌，看似割裂分離，卻又互相對照，彼此補足。

都柏林市好客的三姐妹，每年都在家举办新年宴会，亲朋好友籍此机相聚畅谈，均感快慰。宴会散席之后女主角在楼梯间听到男高音清唱的一首爱尔兰古老的情歌，忆及年轻时她的情人爱唱的同一首歌。在回到旅馆之后，坦然向丈夫道出情人为她殉情而死的往事，令丈夫惊觉到：原来他对太太的了解是那么少！而人的心灵又是如此幽黯深远！

都柏林市好客的三姐妹，每年都在家举办新年宴会，亲朋好友籍此机相聚畅谈，均感快慰。宴会散席之后女主角在楼梯间听到男高音清唱的一首爱尔兰古老的情歌，忆及年轻时她的情人爱唱的同一首歌。在回到旅馆之后，坦然向丈夫道出情人为她殉情而死的往事，令丈夫惊觉到：原来他对太太的了解是那么少！而人的心灵又是如此幽黯深远！

An experimental short film of flashing images made by Stan Brakhage.

An experimental short film of flashing images made by Stan Brakhage.

本片是巴西著名实力派女演员Fernanda Montenegro（《中央车站》）的银幕处女作，讲述一个遭受生活打击的女人一心求死的痛苦经历，也是她至今表演最成功的作品之一，首次获得了巴西电影节最佳女主角奖而成名。本片改编自Nelson Rodrigues的戏剧，由新浪潮导演Leon Hirszman执导。 　　Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand. 　　Zulmira (Fernanda Montenegro) is a woman who visits the doctor when she decides she is dying. The doctor pronounces that she is in good health, but Zulmira sets aside a sizeable sum of money for her elaborate funeral. She catches cold and asks her husband (Ivan Candido) on her deathbed to take the money for the services. The roguish husband passes himself off as a cousin and gives her the cheapest available funeral. He goes to a soccer game where he gambles away the rest of the money and falls apart emotionally in this grim and satirical comedy drama. 　　Leon Hirszman's films pursue the subtle and the psychological searching for the contradictions of character. A FALECIDA (THE DECEASED WOMAN, 1965) wills her own death in anticipation of her opulent funeral. Her husband, following her instructions, discovers her rich and corrupt former lover and uncovers a passionate and abandoned side of the woman who, with him, had always been neurotic, repressed and obsessive. 　　This film was based in a Nelson Rodrigues' story. It's about a married woman , who lives in a suburb in Rio de Janeiro . She's not happy and dreams of a sophisticated funeral for herself. Fernanda Montenegro is one of the best actresses of Brazil and Nelson Rodrigues one of the best dramatists. A great drama.

这是一部独特的比利时纪录片，致力于生命的终结，三位不同导演的作品，介于“世界电影”和最残酷的电影之间。Visioniamo不同的地方（美国，比利时，墨西哥，韩国，尼泊尔和泰国）与显示死亡，在来世的通道或一切的结束不同的文化。尸体解剖，腐烂的尸体，宗教仪式往往是暴力或离奇，最后意志和谁显示和绝症病人的话捕获，楚楚可怜的人性的脆弱的未经审查的时刻。

本片是巴西著名实力派女演员Fernanda Montenegro（《中央车站》）的银幕处女作，讲述一个遭受生活打击的女人一心求死的痛苦经历，也是她至今表演最成功的作品之一，首次获得了巴西电影节最佳女主角奖而成名。本片改编自Nelson Rodrigues的戏剧，由新浪潮导演Leon Hirszman执导。 　　Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand. 　　Zulmira (Fernanda Montenegro) is a woman who visits the doctor when she decides she is dying. The doctor pronounces that she is in good health, but Zulmira sets aside a sizeable sum of money for her elaborate funeral. She catches cold and asks her husband (Ivan Candido) on her deathbed to take the money for the services. The roguish husband passes himself off as a cousin and gives her the cheapest available funeral. He goes to a soccer game where he gambles away the rest of the money and falls apart emotionally in this grim and satirical comedy drama. 　　Leon Hirszman's films pursue the subtle and the psychological searching for the contradictions of character. A FALECIDA (THE DECEASED WOMAN, 1965) wills her own death in anticipation of her opulent funeral. Her husband, following her instructions, discovers her rich and corrupt former lover and uncovers a passionate and abandoned side of the woman who, with him, had always been neurotic, repressed and obsessive. 　　This film was based in a Nelson Rodrigues' story. It's about a married woman , who lives in a suburb in Rio de Janeiro . She's not happy and dreams of a sophisticated funeral for herself. Fernanda Montenegro is one of the best actresses of Brazil and Nelson Rodrigues one of the best dramatists. A great drama.

这是一部独特的比利时纪录片，致力于生命的终结，三位不同导演的作品，介于“世界电影”和最残酷的电影之间。Visioniamo不同的地方（美国，比利时，墨西哥，韩国，尼泊尔和泰国）与显示死亡，在来世的通道或一切的结束不同的文化。尸体解剖，腐烂的尸体，宗教仪式往往是暴力或离奇，最后意志和谁显示和绝症病人的话捕获，楚楚可怜的人性的脆弱的未经审查的时刻。