都柏林市好客的三姐妹，每年都在家举办新年宴会，亲朋好友籍此机相聚畅谈，均感快慰。宴会散席之后女主角在楼梯间听到男高音清唱的一首爱尔兰古老的情歌，忆及年轻时她的情人爱唱的同一首歌。在回到旅馆之后，坦然向丈夫道出情人为她殉情而死的往事，令丈夫惊觉到：原来他对太太的了解是那么少！而人的心灵又是如此幽黯深远！

An experimental short film of flashing images made by Stan Brakhage.

本片是巴西著名实力派女演员Fernanda Montenegro（《中央车站》）的银幕处女作，讲述一个遭受生活打击的女人一心求死的痛苦经历，也是她至今表演最成功的作品之一，首次获得了巴西电影节最佳女主角奖而成名。本片改编自Nelson Rodrigues的戏剧，由新浪潮导演Leon Hirszman执导。 　　Woman who is obsessed with death wants a first-class burial for herself, and even buys a luxury coffin beforehand. 　　Zulmira (Fernanda Montenegro) is a woman who visits the doctor when she decides she is dying. The doctor pronounces that she is in good health, but Zulmira sets aside a sizeable sum of money for her elaborate funeral. She catches cold and asks her husband (Ivan Candido) on her deathbed to take the money for the services. The roguish husband passes himself off as a cousin and gives her the cheapest available funeral. He goes to a soccer game where he gambles away the rest of the money and falls apart emotionally in this grim and satirical comedy drama. 　　Leon Hirszman's films pursue the subtle and the psychological searching for the contradictions of character. A FALECIDA (THE DECEASED WOMAN, 1965) wills her own death in anticipation of her opulent funeral. Her husband, following her instructions, discovers her rich and corrupt former lover and uncovers a passionate and abandoned side of the woman who, with him, had always been neurotic, repressed and obsessive. 　　This film was based in a Nelson Rodrigues' story. It's about a married woman , who lives in a suburb in Rio de Janeiro . She's not happy and dreams of a sophisticated funeral for herself. Fernanda Montenegro is one of the best actresses of Brazil and Nelson Rodrigues one of the best dramatists. A great drama.

这是一部独特的比利时纪录片，致力于生命的终结，三位不同导演的作品，介于“世界电影”和最残酷的电影之间。Visioniamo不同的地方（美国，比利时，墨西哥，韩国，尼泊尔和泰国）与显示死亡，在来世的通道或一切的结束不同的文化。尸体解剖，腐烂的尸体，宗教仪式往往是暴力或离奇，最后意志和谁显示和绝症病人的话捕获，楚楚可怜的人性的脆弱的未经审查的时刻。

影片讲述了发生在19世纪60年代美国西部边境的一对恋人的故事。薇薇安·勒·库迪是一位非常独立的女性，她与丹麦移民霍尔格·奥尔森展开了一段恋情。在旧金山遇到奥尔森后，她同意和他一起前往他位于内华达州埃尔克弗拉茨附近的家，并在那里开始了共同生活。内战爆发后，奥尔森决定为联邦军队而战，两人遂分离。这使得薇薇安不得不独自生活，面对腐败市长鲁道夫·席勒和他不择手段的商业伙伴、强大的牧场主阿尔弗雷德·杰弗里斯控制。而且，阿尔弗雷德儿子韦斯顿性格暴躁、不守规矩，他对薇薇穷追不舍，而薇薇安则坚决抵制他的不轨追求。战争结束后，奥尔森归来，他和薇薇安必须面对并接受彼此已经变成的样子。

The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit still sees somewhere the dim light of a new and better future. The next generation starts the walk towards a new life. Written by Jens Bertheau {[email protected]}

The world after the nuclear apocalypse. Pale light lits the scenery of total destruction. The surviving humans vegetate in wet cellars under the nuclear winter. But somehow human spirit still sees somewhere the dim light of a new and better future. The next generation starts the walk towards a new life. Written by Jens Bertheau {[email protected]}

影片讲述了发生在19世纪60年代美国西部边境的一对恋人的故事。薇薇安·勒·库迪是一位非常独立的女性，她与丹麦移民霍尔格·奥尔森展开了一段恋情。在旧金山遇到奥尔森后，她同意和他一起前往他位于内华达州埃尔克弗拉茨附近的家，并在那里开始了共同生活。内战爆发后，奥尔森决定为联邦军队而战，两人遂分离。这使得薇薇安不得不独自生活，面对腐败市长鲁道夫·席勒和他不择手段的商业伙伴、强大的牧场主阿尔弗雷德·杰弗里斯控制。而且，阿尔弗雷德儿子韦斯顿性格暴躁、不守规矩，他对薇薇穷追不舍，而薇薇安则坚决抵制他的不轨追求。战争结束后，奥尔森归来，他和薇薇安必须面对并接受彼此已经变成的样子。

2018年，两位德国导演偶然在互联网上看到一个标榜“虚拟永生”的网站。这个当时似乎还像个廉价骗局的事情，在短短几年内却已变成社会最前沿的话题，也促成了这部纪录片的诞生。“如果你有机会与去世的亲人交谈，你会接受吗？”这个以往只能被归类在怪力乱神范畴内的问题，在最先进AI技术的支持下，似乎有了可能。本片带领观众深入探访那些利用AI来创建死者化身的商业公司，展示了人们对这一产品的强烈情感需求，也对相关伦理道德问题进行了讨论。无论我们对它抱有什么样的态度，不可否认的是，AI技术的迅猛发展已经在让这个世界发生巨大的变化。

A misanthropic, struggling photographer just wants to watch TV and eat candy while his wife is out of town, but when a desperate old pal resurfaces, his plans are thwarted, with spooky consequences.