约翰·D 是一位住在法国蓝色海岸一家豪华酒店里的七旬老人，他对自己的室友很感兴趣，因为这位室友让他想起了 20 世纪 60 年代里维埃拉最疯狂的时光。那时，他是一名间谍，在一个充满希望的世界里不断成长。有一天，这位邻居神秘失踪了……这让约翰再次面对自己的心魔：昔日的对手是否又回来扰乱他如今的世外桃源？

约翰·D 是一位住在法国蓝色海岸一家豪华酒店里的七旬老人，他对自己的室友很感兴趣，因为这位室友让他想起了 20 世纪 60 年代里维埃拉最疯狂的时光。那时，他是一名间谍，在一个充满希望的世界里不断成长。有一天，这位邻居神秘失踪了……这让约翰再次面对自己的心魔：昔日的对手是否又回来扰乱他如今的世外桃源？

1983/5min./16mm/b&w/silent 　　The filming of the entrance to the company dormitory in which the film-maker was living. Centering the film on one pillar, he warps the spaces to the left and right and creates an unstable space similar to painting that employs anamorphosis. Made as were SPACY and BOX with a large number of photographs, the film ends with a violent movement, but is poetic for this. (Takashi Nakajima)）

A disaffected couple are forced to face their demons when they become ensnared in the malefic cycle of a mysterious café.

A disaffected couple are forced to face their demons when they become ensnared in the malefic cycle of a mysterious café.

Ukrainian surgeon Serhiy is captured by the Russian military forces in the conflict zone in Eastern Ukraine and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference towards human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

Ukrainian surgeon Serhiy is captured by the Russian military forces in the conflict zone in Eastern Ukraine and while in captivity, he is exposed to horrifying scenes of humiliation, violence and indifference towards human life. After his release, he returns to his comfortable middle-class apartment and tries to find a purpose in life by rebuilding his relationship with his daughter and ex-wife. He learns how to be a human being again, how to be a father and help his daughter, who needs his love and support.

故事发生在美国纽约，霍华德·拉特纳（亚当·桑德勒饰）正常身份是一位钻石首饰店的老板，暗地里他却是个嗜赌成瘾的赌徒。婚姻和家庭已然到了危机的边缘…

Between Belgian colonial archives and footage shot in the present, the violence of a dehumanising economic system unfolds through the story of a couple forced to work in a mine. 　　[FR] Entre archives coloniales belges et images tournées au présent, la violence d’un système économique déshumanisant se dessine à travers l’histoire d’un couple contraint de travailler dans une mine.

初冬的某个早上，戴着红色围巾的青年奔跑在人行便道之上。也许他赶着去公司上班，或许正匆匆奔赴约会地点。不过没过多久，他的注意力就被街角的橱窗玻璃所吸引。玻璃中倒映着青年孩提时的模样，小家伙对他挤眉弄眼，他也还以颜色，当然青年有些乖张的举止招致了店家的反感。在被对方奚落后，青年继续前进，一路上他儿童的身影不断出现，最终青年偏离了方向，他和自己玩耍起来，时而爬爬灯杆，时而踩踩喷泉，这真是无比快乐的早晨。 　　在某个转角处，青年撞到了一个陌生人。周围人似乎无比可怜他，于是为他换上了成年人的西装革履……