Oscar®-winning filmmakers Deborah Oppenheimer and Mark Jonathan Harris (Into the Arms of Strangers: Stories of the Kindertransport) reunite for a revealing first-hand look at the foster care system as seen through the eyes of those who know it best. With extraordinary access to the inner workings of the Los Angeles County Department of Children and Family Services (DCFS), Oppenheimer and Harris go beyond the sensational headlines and stereotypes to take an unprecedented look at an often misunderstood world and upend some of the most enduring myths about foster care and those involved in the system.

Oscar®-winning filmmakers Deborah Oppenheimer and Mark Jonathan Harris (Into the Arms of Strangers: Stories of the Kindertransport) reunite for a revealing first-hand look at the foster care system as seen through the eyes of those who know it best. With extraordinary access to the inner workings of the Los Angeles County Department of Children and Family Services (DCFS), Oppenheimer and Harris go beyond the sensational headlines and stereotypes to take an unprecedented look at an often misunderstood world and upend some of the most enduring myths about foster care and those involved in the system.

关于爱和分离的故事，讲述4位孤儿被遗弃、在儿童福利院成长、回归家庭的故事。也是一部完整呈现被遗弃者与他们的照料者（保育员、寄养妈妈、养父母）重建信任与爱的关系的故事。第一部深入观察中国孤儿和儿童福利机构养育制度的纪录片，荣获2013年度中国电视纪录片十佳长片奖，2014年CCTV9播出版。

关于爱和分离的故事，讲述4位孤儿被遗弃、在儿童福利院成长、回归家庭的故事。也是一部完整呈现被遗弃者与他们的照料者（保育员、寄养妈妈、养父母）重建信任与爱的关系的故事。第一部深入观察中国孤儿和儿童福利机构养育制度的纪录片，荣获2013年度中国电视纪录片十佳长片奖，2014年CCTV9播出版。

导演德沃斯金用大胆且艺术的手法以第一人称的方式拍摄了本片。本片联系他自身的残障生活体验，讲述了体格健全的女主角与身残体疾的男主角在一次碰面后触发的对彼此的好奇和好感，以及在日后进一步的接触和磨合中遇到的挑战。影片以长十五分钟的男主角主观镜头下的女主开场，以频繁的近景特写和零碎的日常片段来展现男女爱情生活的碰撞。（豆瓣电影字幕翻译2.0小组）

导演德沃斯金用大胆且艺术的手法以第一人称的方式拍摄了本片。本片联系他自身的残障生活体验，讲述了体格健全的女主角与身残体疾的男主角在一次碰面后触发的对彼此的好奇和好感，以及在日后进一步的接触和磨合中遇到的挑战。影片以长十五分钟的男主角主观镜头下的女主开场，以频繁的近景特写和零碎的日常片段来展现男女爱情生活的碰撞。（豆瓣电影字幕翻译2.0小组）

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

The nature and complexity of the welfare system is examined by sequences illustrating the staggering 　　diversity of problems that constitute welfare: housing, unemployment, divorce, medical and psychiatric 　　problems, abandoned and abused children, and the elderly. These issues are presented in a context where 　　welfare workers as well as the clients are struggling to cope with and interpret the laws and regulations that 　　govern their work and life.

故事背景设定在 1970 年代初期的胡士托近郊，一个将解散的身心障碍青年夏令营展开一场平行的转变，为身心障碍者权利运动揭开序章，从此永远改变年轻人的生活和美国的历史。本片由吉姆·莱布雷希特 (Jim LeBrecht) 和妮可·纽纳姆 (Nicole Newnham) 执导（前者正是该夏令营的学员），两人也与莎拉·博德 (Sara Bolder) 共同担任制作人，监制则为浩尔德·格特勒 (Howard Gertler)。

故事背景设定在 1970 年代初期的胡士托近郊，一个将解散的身心障碍青年夏令营展开一场平行的转变，为身心障碍者权利运动揭开序章，从此永远改变年轻人的生活和美国的历史。本片由吉姆·莱布雷希特 (Jim LeBrecht) 和妮可·纽纳姆 (Nicole Newnham) 执导（前者正是该夏令营的学员），两人也与莎拉·博德 (Sara Bolder) 共同担任制作人，监制则为浩尔德·格特勒 (Howard Gertler)。