这是根据红极一时的网络游戏《热血传奇》拍摄的恶搞电视剧《传奇幻想》的第一个单元，各故事情节相互独立。远古时期，西方赫斯高原原本血统高贵的半兽人部落，受毁灭之神卡格拉斯狂魔之血引诱，首领格罗姆王和子民沦为嗜血奴仆。在大祭司古尔丹蛊惑下，半兽人对东方华夏大陆发起野蛮进攻。东方人类在大神轩辕氏带领下，于常羊山一战中，轩辕黄帝斩下格罗姆首级并埋于常羊山下。被俘半兽人士兵被关押在桃都山监狱，刑期三千年。 桃都山有个小半兽人哼奇奇，他生性乐观、爱搞恶作剧。眼看三千年刑期将满，哼奇奇按捺不住寂寞偷逃出来，结识了格罗姆王的女儿桐瑶，二人一见钟情，却共同闯下大祸。在桐瑶叔叔杜隆坦指引下，他们下凡寻找一块燃烧着火焰的试金石，以解救牢里的半兽人。来到凡间后，桐瑶失去了记忆，天真无邪的她爱上了朝歌城……

远古时代，西方赫斯高原原本有着高贵血统的半兽人部落，受到了毁灭之神卡格拉斯狂魔之血的引诱。其首领祖玛王 （ 聂远 饰）和他的子民变成了一群嗜血的奴仆。在大祭司沃玛王 （ 何政军 饰）的蛊惑之下，半兽人开始了对东方华夏大陆的野蛮进攻。东方人类在大神轩辕氏的带领之下，经过常羊山一战，轩辕黄帝 （杨千里 饰）力斩祖玛王首级，埋于常羊山下。被俘的半兽人士兵则被拘在桃都山监狱，刑期三千年。哼奇奇 （ 佀皓喆 饰）就是桃都山的一个 半兽人，他生性乐观，爱搞恶作剧，眼看三千年刑期将至，哼奇奇耐不住寂寞，偷逃出来，结识了祖玛王的女儿桐瑶 （ 舒畅 饰）。二人一见钟情。却共同闯了大祸。在桐瑶叔叔祖玛卫士的指引下，他们下得凡间来寻找一块燃烧着火焰的试金石，以解救牢里的半兽人。来到凡间，桐瑶失去了记忆，天真无邪的她爱上了朝歌城中的天才乐师哈伦 （ 高泓贤 饰）。善良的哼奇奇只能把自己的爱埋藏在心里。这时，大祭司沃玛王还隐藏在人间，他暗中制造着半兽人武士，梦想着再次发动半兽人的进攻，毁灭华夏氏族。哈伦为了自己的女友紫怡，受到了沃玛王的引诱，喝下了狂魔之血，诱骗着桐瑶取到了试金石。那其实是毁灭之神的灵力石。在灵力石作用之下，半兽人复活，哈伦和桐瑶也练成绝世魔功斧钺交响，助半兽人冲开了天地玄关，攻上天庭，华夏氏族的灾难就要降临了。在危急关头，在美好的人类爱情感召之下，哈伦桐瑶反正，桐瑶献出了自己的生命，而哼哈二人也终于心灵合一，在轩辕剑下，使出斧钺交响，最终杀死了沃玛王。天佑华夏，大道牺牲。哼哈二将被封为新一代门神，英雄事迹千古传颂 。半兽人恢复了他们高贵的血统，不再是恶魔手中的利器。卡格拉斯决定用魔法摧毁东方仙术，从精神上屈服东方大陆。元始天尊察觉到了恶意的诞生，就让太乙真人 （ 刘潇潇 饰）下界寻找救世主――灵珠子转世。陈塘关总兵的公子哪吒 （ 王宝强 饰），出生时乃是一团肉球，长大了又愚笨透顶，被父亲认定为妖怪赶出家门，一场误会结识了来自东海的蛮横公主小龙女 （ 瑛子 饰）。这场误会使小龙女无比崇拜的哥哥东海的太子敖丙 （ 向能 饰）身受重伤，小龙女气极，将哪吒挟持来太乙仙法书院恶整，哪吒竟将蝙蝠精杀死，这蝙蝠精正是西方一位魔法师的宠物，而它偷窃的魔法珠从此失落。哪吒因此被太乙真人怀疑是救世主召入学校，却陷入一场阴谋之中。打遍神州所有仙术学校的哈特魔法学校上门挑战，和太乙书院的学生们进行一场魔法VS仙术的大比拼。法术攻击，法术召唤，法术行动技能的比拼让太乙书院的学生们第一次见识了来自西方的魔法。敖丙在此一战中竟显现出救世主的光芒。而亡灵法师埃利维的出现，让小龙女心动不已，转而迷恋上埃利维。魔法学校的失败使暗黑势力的魔法师们加紧了阴谋行动。他们察觉了哪吒将是他们这次阴谋的最大阻止者。哪吒被陷害离开书院，无意间竟将魔法珠吞入腹内，身染奇异寒毒，引发六月飞雪，哪吒更加难以洗脱妖怪的罪名。在小龙女的支持鼓励下，哪吒渐渐接受自己是妖怪的现实，发誓做妖怪也要做一个好妖怪。两人来到龙宫躲避，朝夕相处，感情日益加深，却不知正陷入到阴谋的中心。敖丙终于练成绝世魔法，太乙真人这才发现敖丙的真正身份就是拥有蝙蝠精的暗黑魔法师，龙王也是来自暗黑势力的大魔导师。小龙女为救哪吒逃出龙宫，被敖丙杀死。龙王借口要哪吒偿命水淹陈塘，千钧一发之际，哪吒挺身而出，自刎以拯救陈塘。哪吒的魂魄发现小龙女并没有死去，千辛万苦救出小龙女，二人阴阳相隔，却心意相通。 在敖丙的率领下暗黑势力攻上昆仑山，整个昆仑被冰封，原始天尊，太乙真人皆被囚禁。整个神州危在旦夕。哪吒在雪莲仙子的帮助下，成为莲花化身，和敖丙父子展开大战，最终东方的仙术在强大的信念与意志下战胜暗黑魔法，化解了暗黑势力的再次进攻。神州终于又恢复了往昔的和平。哪吒也听到了远方小龙女轻轻的呼唤 。

百无聊赖的法国滨海小镇，惊传离奇车祸断头案，悬案背后暗藏两大外星势力——邪恶0帝国与善良1帝国的角力。0帝国武士附身普通渔夫，与人类生下混种小王子，恶魔血脉开枝散叶，宇宙和平岌岌可危；1帝国公主为阻止0帝国耍阴招侵略地球，奉女王之命无差别血刃敌军臣民。在这个无人在意的世界角落，关乎人类未来的宇宙大战一触即发。

克里斯（利亚姆·海姆斯沃斯 Liam Hemsworth 饰）一直希望能够成为一名警察，却在连连遭遇失败后来到了帝国装甲卡车公司，成为了那里的保镖。没过多久，克里斯便发现，公司内的安保布置看似无坚不摧实际上漏洞百出，他将这个秘密告诉了好友艾迪（迈克尔·安格拉诺 Michael Angarano 饰），谁知道自己的无心之谈竟然惹出了之后的一连串大麻烦。 　　克里斯决定和艾迪联手，两人策划了一宗现金抢劫案，打算在得手之后远走高飞。谁知道这个看似一帆风顺的计划，却因为精明的警探詹姆斯（道恩·强森 Dwayne Johnson 饰）的介入而徒增了风险。与此同时，掌控该片区的黑帮老大亦对两人的计划产生了兴趣。

'Empire' was the trailer for the Viennale 2010 and screened in over one hundred cinemas in Austria and during the festival in Vienna.

'Empire' was the trailer for the Viennale 2010 and screened in over one hundred cinemas in Austria and during the festival in Vienna.

Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation… 　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self. 　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol. 　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.

Short film Empire is based on a radio drama Sorry, Wrong Number by the American writer Lucille Fletcher. Actually, Sokurov draws on a single theme forming the background for the story of the thriller — the woman's illness… The heroine is bed–ridden and her only means of communication with the outside world is her telephone — until a killer interrupts the conversation… 　　Sokurov removes all the dialogues, leaving us alone with the heroine — “a living skeleton” among the refined, with a touch of Modern–style, furnishings — who is listening to a radio broadcasting of Traviata, with its pleas for mercy and love. An elegant coffin–home is the spatial centre and symbolization of the entire film. And inside the coffin we certainly see the actress — the famous Russian ballerina Alla Osipenko who plays not only the heroine but also her own self. 　　This metaphoric cinema–image bears an allusion to the great “handicapped” Sarah Bernhardt who was reported to sleep in a coffin, as well as to the entire complex of aesthetised Decadence, converting an apology of Death into a lifestyle. Here is the key to the code of the title. Empire is a style that attempted to reanimate the dead ancient harmony. The heroine of Sokurov's film communicates with her phone as the only partner, and sort of interferes with the beyond, attracting this air — intangible yet saturated with danger. It is from the radio air that she accumulates both pleasure and tranquillity — the aria of dying yet beloved Violetta, while the killer's silhouette materializes from the phone air. A chamber pot, overturned and spilt by the killer in haste, remains the only evidence of human activities in this boudoir of Death. Sokurov's metaphor, clad in naturalistic details, produces the effect of ironic disclosure: “a wet spot” is left after a symbol. 　　The film was shot as a study work of a VGIK student S.Sidorov. At that time Sokurov did not have a chance to launch a project of his own, therefore he used this possibility to work. Visual conception of this film anticipates a considerable number of Sokurov's future experiments: light that models the space, levelling of colours, correlation of contrasting textures.

维克多（约翰·雷吉扎莫 John Leguizamo 饰）生活在车水马龙的大都市纽约，在这里，他经营着自己的毒品生意。维克多靠着贩卖一种名为“帝国”的毒品发家致富，过着奢靡无度的生活，与此同时，他还邂逅了名为卡门（丹妮丝·理查兹 Denise Richards 饰）的美丽女子，两人走到了一起。 　　卡门怀孕了，这让维克多开始意识到，自己不能够再靠着作奸犯科来赚钱了，他必须找到一个能够给他提供稳定收入但是又合理合法的行当。抱着这样的念头，维克多结识了银行家杰克（彼得·萨斯加德 Peter Sarsgaard 饰），在杰克的带领这下，维克多开始野心勃勃的向纽约上流社会进发。

维克多（约翰·雷吉扎莫 John Leguizamo 饰）生活在车水马龙的大都市纽约，在这里，他经营着自己的毒品生意。维克多靠着贩卖一种名为“帝国”的毒品发家致富，过着奢靡无度的生活，与此同时，他还邂逅了名为卡门（丹妮丝·理查兹 Denise Richards 饰）的美丽女子，两人走到了一起。 　　卡门怀孕了，这让维克多开始意识到，自己不能够再靠着作奸犯科来赚钱了，他必须找到一个能够给他提供稳定收入但是又合理合法的行当。抱着这样的念头，维克多结识了银行家杰克（彼得·萨斯加德 Peter Sarsgaard 饰），在杰克的带领这下，维克多开始野心勃勃的向纽约上流社会进发。