清华是中华民族人才的摇篮。从留美预备校，到西南联大的在战火中办学，从文革灾难到现代清华的快速发展。历经痛苦与艰辛、显现辉煌与骄傲，悠悠清华九十载,今昔多少事都现此景中…… 　　清华，在她成长的早年，是国运衰败中的一个希望，一个梦想。 　　清华，在她辉煌的今天，仍是莘莘学子希望和梦想的摇篮。 　　这套VCD浓缩了清华在她九十年的生命里，所经历的风折、风雨和荣誉。 　　从清华学堂到西南联大到清华大学；从第一任校长唐国安到终身校长梅贻琦到现任校长王大中；从“国学研究院四大导师(王国维、梁启超、陈寅格、赵元任)”到“西南联大物理四杰(杨振宇、李政道、邓稼先、朱光亚)”；从物理学一代宗师叶企荪打尽天下名师，到大数学家熊庆到聘请杂货铺店员华罗庚为教授；从率领中国远征军横扫缅甸日军的孙立人，到壮烈殉国的空军英雄沈崇诲；从梁实秋的夕阳古道，到朱自清的荷塘月色；从两弹员勋到“863计划”；从政府部长到国家总理…… 　　在清华的天空上，有太多让我们引以为豪的学术大师、兴业之才的治国之俊。他们共同构成了一个闪耀的星群，将中华大地映照的熠熠生辉。从1909年深秋越洋留美的47位少年，到如今的10万学子，清华是一部动人的长篇故事，清华是一首写不完的长诗。 　　这套VCD将告诉你一个由大师造就的清华；一个“自强不息，厚德载物”的清华；一个学风自由，山高水长的清华。

现代科研人员秦霜因意外重生为 90 年代农家女，被迫替妹嫁给腿残且遭婶娘苛待的周时宴。原身受尽养父母与姐姐欺凌，重生后的秦霜携现代医术与智慧，先揭穿婶娘纵火嫁祸的阴谋，夺回周时宴的房产与补贴，震慑恶亲。

A TV documentary miniseries chronicling the trends, pop culture, and important events that took place from 1990 to 1999.

A TV documentary miniseries chronicling the trends, pop culture, and important events that took place from 1990 to 1999.

故事发生在距今千百万年前的原始社会，皓月当空，月朗星稀。原始丛林的某个角落，山洞内闪耀着乳黄色的火光。镜头拉近，我们看见一个身穿兽皮、胡子拉碴的原始人正用手在岩壁上涂涂画画。他正在画一个体型丰满到极度变形的女子，女子裸露全身，线条曼妙流畅。而且壁画不止一副，而是画了很多女子一字排开。当最后一幅完成之后，我们的原始人艺术家开始以极其超前的方式欣赏着他的旷世杰作…… 　　本片为2002年法国昂西动画节开幕动画短片。

Included in Jonathan Rosenbaum’s list of 1000 essential films, Parviz Kimiavi’s The Mongols (1973) is a leftfield satire and sharp commentary on the expanding presence of cinema and television in Iran. The story follows a filmmaker, played by Kimiavi himself and also named Parviz, as he struggles with both his own film and a looming assignment to oversee the installation of a television relay station in the remote province of Zahedan. Imbued by his wife’s thesis work on the Mongol invasion of Iran, Parviz’s anxieties coalesce and materialize in the form of surreal visions in which the origins of cinema are acted out by the Turkomans he hired to play Mongols in his own film. Together with Parviz, we watch as the would-be gang of Mongols wander the desert in search of their director and the answers to their pressing questions about the nature of cinema, all while the forthcoming introduction of television consumes the local village and its inhabitants. Kimiavi fashions a fantastical cinematic space rife with bizarre metaphoric imagery and Godardian references to film-making in order to draw a sarcastic parallel between the Mongol invasion and the hyper-accelerated modernization of 1970s Iran. 　　A director of a television series on the history of cinema, who has been grappling with the screenplay of his first feature film, receives an assignment to oversee the installation of a television relay station in a remote region of Zahedan province, near the Afghanistan border. He has already hired Turkoman tribespeople for his film and selected his filming location. Meanwhile his wife, who is working on her Ph.D. dissertation about the Mongol invasion of Iran, attempts to dissuade him from accepting the assignment. One night, while working on his history of the cinema series, the director fantasizes a diagetic world that consists of clever juxtapositions of his different worlds: the history of cinema, the history of the mongol invasion, his own film idea and his imminent assignment to the desert.

Ten years ago, in an award-winning series, Stephen Fry first spoke about living with manic depression, and began a national conversation about mental health. A decade later, we return to the subject to understand where he and thousands of others diagnosed with bipolar (as it is now called) are now - as a society, do we need to do more for those with the illness? Is the treatment better? Has the stigma reduced? 　　In the new film, we see how different people of all ages deal with bipolar. We meet Alika, whose manic episode on the London Underground became a YouTube sensation, damning evidence that the stigma of mental illness isn’t diminishing quickly enough; we watch Scott, a chef, battling to hold down a job and his role as a husband and father, whose first attempts to control his bipolar with medication resulted in the intolerable side-effects which these drugs often bring, but who is willing to try again to save his job and more importantly, his marriage; and Rachel, whose first manic episode at age 19 led to life-changing injuries when she believed she could fly, leaving her in a wheelchair, as well as with a diagnosis of bipolar, neither of which will she let defeat her. And we return to meet Cordelia, who featured in the original series, an academic high-achiever who, with the support of her family, was struggling to find a place for herself in the world. Ten years on, now in her thirties, Cordelia is still battling with bipolar, which is such a dominant force in her life that for her it eclipses even the terminal cancer she is now dying from. 　　Interviews with Stephen Fry give a privileged insight into the roller-coaster journey of what living with bipolar really means – he talks about his suicide attempt while filming in Uganda in 2012; how his busy lifestyle exacerbates his condition, and his realisation that his condition can’t be cured but only managed. 　　Stephen is now the president of Mind. Looking at the changes of the past decade, he finds optimism in the increased awareness of bipolar, especially among the young. The film gives a powerful insight into living with bipolar – past, present and most significantly for all our contributors, future.

这是一个狂风大作、暴雨倾盆的可怕夜晚。在某座密林深处，一位体型健硕的手艺人（山寺宏一 饰）背着吃饭的家当，艰难地寻找栖息之所。这时，他忽然看到不远处有一处破败的祠堂。他推开古旧的门，发现里面不过堆满了一些没人要的破烂，于是兀自走了进去。可就在关门的那一刹那，斗室内突然变换了洞天，屋内灯火通明，四面立着破旧的隔扇，从破裂处还有许多眼睛在张望。稍后，许多斑驳的雨伞出现，一只青蛙打着把小破伞快乐唱歌。手艺人毫不畏惧，可也不堪其扰，于是好心地开始修补这些雨伞。谁知刚修完伞，更有一堆因过时被人丢弃的和服布匹出现，充满了无尽的哀怨。一不做二不休，男人再度开始了修补。 　　漫漫长夜，无人知晓的怪谈……

2000年，河南安阳殷墟遗址区，一座规模巨大的大墓重现天日。面对重要的墓葬和珍贵的文物，盗墓贼与考古队员展开了一场无声的较量！在这座距今3000多年的殷商大墓里，人们发现了众多的盗洞。墓中的文物又为何能够完好无损？此外，象征兵权的青铜钺接二连三发掘出土。 　　墓室填土内，出现了9条殉狗、1个殉人头颅；揭开椁盖，椁室内大量随葬的青铜器显示出墓主非凡的身份。更令人震惊的是，经过3000多年的岁月侵蚀，墓主的遗骸竟奇迹般地保存了下来，但遗骸的右手骨骼却不翼而飞。

2000年，河南安阳殷墟遗址区，一座规模巨大的大墓重现天日。面对重要的墓葬和珍贵的文物，盗墓贼与考古队员展开了一场无声的较量！在这座距今3000多年的殷商大墓里，人们发现了众多的盗洞。墓中的文物又为何能够完好无损？此外，象征兵权的青铜钺接二连三发掘出土。 　　墓室填土内，出现了9条殉狗、1个殉人头颅；揭开椁盖，椁室内大量随葬的青铜器显示出墓主非凡的身份。更令人震惊的是，经过3000多年的岁月侵蚀，墓主的遗骸竟奇迹般地保存了下来，但遗骸的右手骨骼却不翼而飞。